℗ 2018 Owsley Stanley Foundation
Released January 18, 2019
Duration 1h 10m 09s
Record Label Owsley Stanley Foundation
Catalogue No. OSF-00003
Genre Rock (Classic Rock)
 

Bear's Sonic Journals: Before We Were Them

Jorma Kaukonen, Jack Casady

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price

 
1.1
Rock Me Baby (Live)
Jorma Kaukonen; Jack Casady
8:31
1.2
Turnaround (Live)
Jorma Kaukonen; Jack Casady
10:29
1.3
Star Track (Live)
Jorma Kaukonen; Jack Casady
7:45
1.4
Through The Golden Gate (Live)
Jorma Kaukonen; Jack Casady
13:42
1.5
Come Back Baby (Live)
Jorma Kaukonen; Jack Casady
10:28
1.6
Through The Groove (Live)
Jorma Kaukonen; Jack Casady
11:07
1.7
Inspiration In The Hall Of Arrivals (Live)
Jorma Kaukonen; Jack Casady
8:07
The Owsley Stanley Foundation presents its third chapter: Bear’s Sonic Journals: Before We Were Them: Jorma Kaukonen & Jack Casady performing at the Veterans Memorial Building on June 28, 1969. This live concert recording features recently discovered and previously unreleased music from Jefferson Airplane’s fabled guitar and bass players, before they became known as Hot Tuna. Joined by Joey Covington on drums, this intense, hard-driving muscle trio creates a sonic landscape to rival Cream and the Jimi Hendrix Experience. It is essential listening for fans of Hot Tuna and Jefferson Airplane, with more than 70 minutes of music, including 4 fully-formed, rare songs that were named by Jorma and Jack for the first time for this release. Freshly restored and mastered from the original tapes captured by legendary Grateful Dead soundman, Owsley Stanley, a/k/a Bear, who is known for the purity of his “Sonic Journal” recordings. These tapes were transferred and restored to the most exacting audiophile standards, utilizing state-of-the-art Plangent Processes techniques to remove subtle timing distortions created by the recording and playback devices. The mastering was done by Jeffrey Norman (Mockingbird Mastering), long-time collaborator with the Grateful Dead and Owsley Stanley. "It’s not just the energy of youth that shakes me when I listen to these tracks — it’s the musical dialogue that Jack and I shared in these amazing moments. " - Jorma Kaukonen
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Owsley Stanley Foundation Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.32
-0.54 to -0.19
-21.03
-22.18 to -19.46
-18.01
-19.20 to -16.40
15
14 to 17
1
Rock Me Baby (Live)
-0.19-19.84-16.414
2
Turnaround (Live)
-0.54-21.82-18.716
3
Star Track (Live)
-0.19-20.92-18.116
4
Through The Golden Gate (Live)
-0.19-21.56-18.616
5
Come Back Baby (Live)
-0.45-21.42-18.615
6
Through The Groove (Live)
-0.22-22.18-19.217
7
Inspiration In The Hall Of Arrivals (Live)
-0.44-19.46-16.514

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions