℗ 2018 NMC Recordings
Released October 19, 2018
Duration 1h 13m 25s
Record Label NMC Recordings
Catalogue No. NMCD243
Genre Classical (Contemporary Era)
 

A Countertenor Songbook

Andrew Watts, Iain Burnside

Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
Add to cart
discounted price

 
Songs for Ariel  
1.1
No. 1, Come unto These Yellow Sands
Michael Tippett; Andrew Watts; Iain Burnside
1:54
1.2
No. 2, Full Fathom Five
Michael Tippett; Andrew Watts; Iain Burnside
1:44
1.3
No. 3, Where the Bee Sucks
Michael Tippett; Andrew Watts; Iain Burnside
1:09
Dann nicht zu fragen  
1.4
I. —
Michael Finnissy; Andrew Watts; Iain Burnside
6:25
1.5
II. —
Michael Finnissy; Andrew Watts; Iain Burnside
4:41
1.6
Song for Arthur
Joe Cutler; Andrew Watts; Iain Burnside
7:18
1.7
Forget-Me-Not
Raymond Yiu; Andrew Watts; Iain Burnside
4:36
1.8
Song of Pure Nothingness
Tansy Davies; Andrew Watts; Iain Burnside
13:45
Songs of Innocence, Op. 46  
1.9
No. 1, Infant Joy
Neville Bower; Andrew Watts; Iain Burnside
1:36
1.10
No. 2, Piping Down the Valley Wild
Neville Bower; Andrew Watts; Iain Burnside
3:37
1.11
No. 3, Little Lamb
Neville Bower; Andrew Watts; Iain Burnside
3:41
Symphony  
1.12
Intermezzo - V. —
Raymond Yiu; Andrew Watts; Iain Burnside
5:59
Un colloque sentimental  
1.13
I. Colloque sentimental, 1ère partie
Colin Matthews; Andrew Watts; Iain Burnside
1:25
1.14
II. Le jet d'eau
Colin Matthews; Andrew Watts; Iain Burnside
4:26
1.15
III. Que diras-tu ce soir
Colin Matthews; Andrew Watts; Iain Burnside
3:53
1.16
IV. Intermezzo. Une allée du Luxembourg
Colin Matthews; Andrew Watts; Iain Burnside
2:24
1.17
V. Colloque sentimental, 2eme partie
Colin Matthews; Andrew Watts; Iain Burnside
4:52
Digital Booklet
88.2 kHz / 24-bit PCM – NMC Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.21
-11.74 to -1.77
-30.38
-35.57 to -26.47
-25.66
-32.20 to -22.00
15
13 to 19
1
No. 1, Come unto These Yellow Sands
-4.78-29.50-24.514
2
No. 2, Full Fathom Five
-5.96-29.61-24.414
3
No. 3, Where the Bee Sucks
-6.67-29.97-25.014
4
I. —
-9.86-32.63-29.414
5
II. —
-11.74-35.57-32.213
6
Song for Arthur
-2.38-26.98-22.015
7
Forget-Me-Not
-3.40-26.47-22.115
8
Song of Pure Nothingness
-1.78-27.40-22.016
9
No. 1, Infant Joy
-8.71-31.41-25.813
10
No. 2, Piping Down the Valley Wild
-2.92-26.48-22.314
11
No. 3, Little Lamb
-5.39-33.18-27.717
12
Intermezzo - V. —
-1.78-31.69-25.719
13
I. Colloque sentimental, 1ère partie
-11.03-35.17-30.514
14
II. Le jet d'eau
-1.87-29.44-26.018
15
III. Que diras-tu ce soir
-5.30-31.74-27.615
16
IV. Intermezzo. Une allée du Luxembourg
-1.77-27.48-23.016
17
V. Colloque sentimental, 2eme partie
-3.31-31.83-26.016

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions