℗ ℗ 2018 BR-Klassik
 

Mozart: Messe in C-Moll, K. 427 "Große Messe" (Mit Werkeinführung) [Live]

Chor des Bayerischen Rundfunks, Akademie für Alte Musik Berlin, Howard Arman, Christina Landshamer, Anke Vondung, Steve Davislim, Tobias Berndt

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Messe in C-Moll, K. 427 "Große Messe" (Reconstructed by C. Kemme)  
1
I. Kyrie (Live)
Christina Landshamer; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
6:45
2
IIa. Gloria in excelsis Deo (Live)
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
2:10
3
IIb. Laudamus te (Live)
Anke Vondung; Akademie für Alte Musik Berlin; Howard Arman
4:31
4
IIc. Gratias agimus tibi (Live)
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
1:06
5
IId. Domine Deus (Live)
Christina Landshamer; Anke Vondung; Akademie für Alte Musik Berlin; Howard Arman
2:38
6
IIe. Qui tollis (Live)
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
5:07
7
IIf. Quoniam tu solus (Live)
Christina Landshamer; Anke Vondung; Steve Davislim; Akademie für Alte Musik Berlin; Howard Arman
3:39
8
IIg. Jesu Christe - Cum Santo Spiritu (Live)
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
4:18
9
IIIa. Credo in unum Deum (Live)
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
3:14
10
IIIb. Et incarnatus est (Live)
Christina Landshamer; Akademie für Alte Musik Berlin; Howard Arman
8:07
11
IV. Sanctus - Osanna (Live)
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
3:27
12
V. Benedictus - Osanna (Live)
Christina Landshamer; Anke Vondung; Steve Davislim; Tobias Berndt; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
5:51
Wege zur Musik aus der Messe in C-Moll, Teil 1 "Der herrliche Torso"  
1
Junger Ehemann und werdender Vater
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
4:22
2
Die Votivgabe
Christina Landshamer; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
5:06
3
Lücken und Fragmente
Christina Landshamer; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
8:44
4
Ein tugendhaftes und gefälliges Weib
Christina Landshamer; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
2:19
5
Was ist Aufklärung?
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
4:08
Wege zur Musik aus der Messe in C-Moll, Teil 2 "Mozart auf Freiersfüßen"  
6
Emanzipation, Erfolg und Neuanfang
Akademie für Alte Musik Berlin; Howard Arman
3:30
7
Liebe und Fugen
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
5:27
8
Nichts als Händel und Bach
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
8:00
9
Freundschaften und Opernpläne
Christina Landshamer; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
2:44
10
Arien und Familienkonflikte
Christina Landshamer; Anke Vondung; Akademie für Alte Musik Berlin; Howard Arman
6:40
Wege zur Musik aus der Messe in C-Moll, Teil 3 "Salzburg und die Nachwelt"  
11
Salzburger Tragödie
Christina Landshamer; Anke Vondung; Steve Davislim; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
3:40
12
Erstaufführung zu Sankt Peter
Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
3:38
13
Parodie im Burgtheater
Anke Vondung; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
4:41
14
Frau Witwe Mozart
Akademie für Alte Musik Berlin; Howard Arman
3:57
15
Gleich einer Reliquie
Christina Landshamer; Chor des Bayerischen Rundfunks; Akademie für Alte Musik Berlin; Howard Arman
6:14
Digital Booklet
Total Playing Time    2:04:03
Written in 1782, Mozart's Mass in C minor - although incomplete – ranks as one of the outstanding Mass settings in European music history. The very recent reconstruction/completion of the Mass by Clemens Kemme in the spring of 2018 confines itself to the original sources, avoiding any arbitrary additions. The work was recorded in this critically acclaimed version for the Bayerischer Rundfunk during the summer of 2018, and conducted by Howard Arman.

This album is thus the first recording of the definitive version of this new and intelligently edited reconstruction of Mozart's Mass in C minor. An introduction to the work is also included, enabling this masterpiece to be approached from new perspectives. In Vienna in the summer of 1782, Mozart started writing a new Mass despite having apparently received no commission to do so. On August 4, 1782 he married Constanze Mozart, and from his correspondence it appears that he had made himself a promise to “have a newly-composed mass performed in Salzburg if he brought her there as his wife.” The work may have been performed on October 26, 1783 in St. Peter's Church in Salzburg, with Constanze as the soprano soloist; concrete evidence of such a performance is however lacking.

Nevertheless, the Mass can probably be seen as a kind of votive offering for Constanze. The fact that the work was not completed may be due to the church music reforms implemented by the Emperor Joseph II, who preferred sacred music to be performed on a smaller scale. In 1785, Mozart eventually reworked the “Kyrie" and "Gloria" from the mass for his cantata Davide penitente.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters

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