℗ 2018 Venera Gimadieva under exclusive license to Rubicon Classics
Released | October 27, 2018 |
Duration | 1h 22m 29s |
Record Label | Rubicon Classics |
Catalogue No. | DRC1021 |
Genre | Classical (Opera Bufaa, Singspiel) |
Momento immobile (Bonus Track Version)
The Halle, Venera Gimadieva, Gianluca Marciano
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Capuleti e i Montecchi
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1.1
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'Eccomi in lieta vesta … Oh! Quante volte'
Vincenzo Bellini; Venera Gimadieva; The Halle; Gianluca Marciano |
9:21 | |||
Linda di Chamounix
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1.2
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'Ah! tardai troppo … O luce di quest'anima'
Gaetano Donizetti; Venera Gimadieva; The Halle; Gianluca Marciano |
5:18 | |||
L'elisir d'amore
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1.3
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'Prendi, per me sei libero'
Gaetano Donizetti; Venera Gimadieva; The Halle; Gianluca Marciano; Natalia Brzezinska |
7:42 | |||
Tancredi
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1.4
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'Come dolce all'alma mia'
Gioacchino Rossini; Venera Gimadieva; The Halle; Gianluca Marciano |
4:31 | |||
Lucia di Lammermoor
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1.5
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'Regnava nel silenzio'
Gaetano Donizetti; Venera Gimadieva; The Halle; Gianluca Marciano; Natalia Brzezinska |
8:28 | |||
La Sonnambula
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1.6
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'Ah! non credea … Ah! non giunge'
Vincenzo Bellini; Venera Gimadieva; Gianluca Marciano; The Halle |
7:46 | |||
Don Pasquale
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1.7
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'Quel guardo ... So anch'io'
Gaetano Donizetti; Venera Gimadieva; The Halle; Gianluca Marciano |
6:01 | |||
Otello
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1.8
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'Dagli affanni oppressa … Assisa a piè' d'un salice'
Gioacchino Rossini; Venera Gimadieva; Natalia Brzezinska; The Halle; Alberto Sousa; Gianluca Marciano |
20:14 | |||
Guillaume Tell
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1.9
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'Sombre forêt'
Gioacchino Rossini; Venera Gimadieva; Gianluca Marciano; The Halle |
5:12 | |||
l Puritani
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1.10
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'Qui la voce … Vien diletto' (Bonus Track)
Vincenzo Bellini; Venera Gimadieva; The Halle; Gianluca Marciano |
7:56 | |||
Digital Booklet
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Hailed as 'the new voice of Russia' and the star of the Bolshoi Theatre in Moscow, Venera Gimadieva has quickly become one of the most sought-after lyric coloratura sopranos in Europe. Her performances as Violetta in La Traviata have earned sensational reviews, with the Guardian describing her at her Glyndebourne Festival debut as "a soprano of huge presence, compelling to watch, with a voice of thrilling security and range, and a special quality to her quieter singing that makes you hang on every note." Bel canto opera is a plethora of paradoxes and these are most powerfully embodied by the prima donna herself. Pure and passionate, alluring and alarming, desirable and dangerous, she is a woman who, driven by uncontainable desire or righteousness, defies or disregards social convention in her search for what might be deemed a more modern form of self-expression and freedom. She articulates a luxurious femininity which sonically embodies the female form, and is both emancipatory and intimidating. Undeniably, powerfully sensual, she was – and is – subject to patriarchal and social control; innocent, spiritual and soulful, she suffers, is sick and must be destroyed. The melismatic madness of the heroine speaks of a 'mania' that is not alien to contemporary notions of a neurosis afflicting modern woman. Does her vocal intensity make us idealise her, or crave and command her sacrifice? At the start of the 21st century, do we recognise her voice as our own? Or is at, as Michel Poizat has argued, 'the angel's cry', an inarticulate expression of the soul at both the pinnacle of its power and the moment of death: a momento immobile OTHER
96 kHz / 24-bit PCM – Rubicon Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.23 -1.79 to -1.00 | -24.36 -27.67 to -21.99 | -19.68 -23.30 to -17.00 | 14 12 to 16 | |
1 | 'Eccomi in lieta vesta … Oh! Quante volte' | -1.40 | -24.39 | -19.1 | 14 |
2 | 'Ah! tardai troppo … O luce di quest'anima' | -1.00 | -21.99 | -17.0 | 13 |
3 | 'Prendi, per me sei libero' | -1.79 | -23.45 | -18.6 | 14 |
4 | 'Come dolce all'alma mia' | -1.79 | -25.72 | -21.0 | 14 |
5 | 'Regnava nel silenzio' | -1.00 | -23.38 | -18.8 | 13 |
6 | 'Ah! non credea … Ah! non giunge' | -1.29 | -23.16 | -18.3 | 13 |
7 | 'Quel guardo ... So anch'io' | -1.00 | -23.53 | -18.9 | 13 |
8 | 'Dagli affanni oppressa … Assisa a piè' d'un salice' | -1.00 | -27.67 | -23.3 | 16 |
9 | 'Sombre forêt' | -1.00 | -25.42 | -21.5 | 12 |
10 | 'Qui la voce … Vien diletto' (Bonus Track) | -1.01 | -24.88 | -20.3 | 14 |