℗ 2015 Résonances
| Released | October 6, 2015 |
| Duration | 51m 41s |
| Record Label | NoMadMusic |
| Catalogue No. | NMM026D |
| Genre | Classical (Fantasia, free forms, others) |
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Soirées de Vienne, S. 427
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1.1
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VI. Valse-caprice en La Mineur (Arr. for Accordion)
Franz Schubert; Elodie Soulard |
6:42 | |||
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Pièces lyriques, Op. 62
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1.2
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IV. Ruisseau (Arr. for Accordion)
Edvard Grieg; Elodie Soulard |
2:32 | |||
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1.3
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Méditation No. 1 (Arr. for Accordion)
Viacheslav Semionov; Elodie Soulard |
2:29 | |||
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English Suite N°2 in A minor, BWV 807
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1.4
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I. Prelude (Arr. for Accordion)
Johann Sebastian Bach; Elodie Soulard |
5:01 | |||
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1.5
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II. Allemande (Arr. for Accordion)
Johann Sebastian Bach; Elodie Soulard |
3:33 | |||
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1.6
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III. Courante (Arr. for Accordion)
Johann Sebastian Bach; Elodie Soulard |
1:56 | |||
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1.7
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IV. Sarabande (Arr. for Accordion)
Johann Sebastian Bach; Elodie Soulard |
2:49 | |||
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1.8
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V. Bourrées I & II (Arr. for Accordion)
Johann Sebastian Bach; Elodie Soulard |
4:20 | |||
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1.9
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VI. Gigue (Arr. for Accordion)
Johann Sebastian Bach; Elodie Soulard |
2:28 | |||
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1.10
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Méditation No. 2 (Arr. for Accordion)
Viacheslav Semionov; Elodie Soulard |
2:58 | |||
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1.11
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Rhapsodie Hongroise No. 15, S. 244/15 (Arr. for Accordion)
Franz Liszt; Elodie Soulard |
5:58 | |||
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Deuxieme suite pour orgue, Op. 27
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1.12
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III. Andantino (Arr. for Accordion)
Léon Böellmann; Elodie Soulard |
3:48 | |||
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1.13
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Portrait de Niccolò Paganini (Arr. for Accordion)
Volodymyr Runchal; Elodie Soulard |
2:12 | |||
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1.14
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Dédicace à Igor Stravinsky (Arr. for Accordion)
Volodymyr Runchal; Elodie Soulard |
4:55 | |||
In her first solo album, Élodie Soulard sketches the portrait of an orchestra instrument par excellence, an instrument endowed with a range of riveting colors: the accordion. In reviving certain pieces composed for keyboard, she imbues them with new light. Portraits takes us on a journey through four centuries of music, from Bach to Grieg to Semionov and Runchak, darting from transcriptions to original works. This astonishing and contrasted album offers new understanding of a not so classic instrument.
96 kHz / 24-bit PCM – NoMadMusic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.60 -9.63 to -0.16 | -27.10 -30.15 to -23.48 | -23.39 -26.20 to -19.80 | 13 10 to 18 | |
| 1 | VI. Valse-caprice en La Mineur (Arr. for Accordion) | -0.96 | -26.98 | -22.8 | 18 |
| 2 | IV. Ruisseau (Arr. for Accordion) | -4.59 | -27.61 | -23.7 | 15 |
| 3 | Méditation No. 1 (Arr. for Accordion) | -8.03 | -30.06 | -26.2 | 10 |
| 4 | I. Prelude (Arr. for Accordion) | -5.60 | -27.40 | -24.2 | 14 |
| 5 | II. Allemande (Arr. for Accordion) | -9.59 | -26.73 | -23.7 | 10 |
| 6 | III. Courante (Arr. for Accordion) | -6.90 | -25.87 | -22.5 | 11 |
| 7 | IV. Sarabande (Arr. for Accordion) | -8.50 | -27.93 | -24.9 | 11 |
| 8 | V. Bourrées I & II (Arr. for Accordion) | -7.84 | -27.68 | -24.1 | 13 |
| 9 | VI. Gigue (Arr. for Accordion) | -6.66 | -26.92 | -23.4 | 12 |
| 10 | Méditation No. 2 (Arr. for Accordion) | -9.63 | -30.15 | -25.8 | 12 |
| 11 | Rhapsodie Hongroise No. 15, S. 244/15 (Arr. for Accordion) | -1.03 | -24.51 | -20.2 | 16 |
| 12 | III. Andantino (Arr. for Accordion) | -7.11 | -27.35 | -23.4 | 12 |
| 13 | Portrait de Niccolò Paganini (Arr. for Accordion) | -0.16 | -26.69 | -22.7 | 17 |
| 14 | Dédicace à Igor Stravinsky (Arr. for Accordion) | -1.71 | -23.48 | -19.8 | 15 |