℗ 2015 NoMadMusic
Released | September 15, 2015 |
Duration | 1h 26m 12s |
Record Label | NoMadMusic |
Catalogue No. | NMM024D |
Genre | Classical (Theme And Variations Etc.) |
Biber: Harmonia Artificioso Ariosa
La Tempesta, Patrick Bismuth
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Harmonia Artificioso Ariosa, Partia IV in Eb Major
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1.1
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I. Sonata
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
3:05 | |||
Harmonia Artificioso Ariosa, Partia I in D Minor
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1.2
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II. Allamande
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:57 | |||
1.3
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III. Gigue with Variatio I & II
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
4:30 | |||
Harmonia Artificioso Ariosa, Partia IV in Eb Major
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1.4
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IV. Aria
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:47 | |||
Harmonia Artificioso Ariosa, Partia I in D Minor
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1.5
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V. Sarabande with Variatio I & II
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
3:52 | |||
1.6
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VI. Finale
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:50 | |||
Harmonia Artificioso Ariosa, Partia VI in D Major
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1.7
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I. Praeludium
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
2:14 | |||
Harmonia Artificioso Ariosa, Partia II in B Minor
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1.8
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II. Allamande & Variatio
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
3:18 | |||
Harmonia Artificioso Ariosa, Partia V in G Minor
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1.9
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III. Balletto
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:51 | |||
Harmonia Artificioso Ariosa, Partia IV in Eb Major
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1.10
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IV. Aria
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:48 | |||
Harmonia Artificioso Ariosa, Partia II in B Minor
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1.11
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V. Gigue
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:26 | |||
Harmonia Artificioso Ariosa, Partia VI in D Major
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1.12
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I. Praeludium
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:27 | |||
Harmonia Artificioso Ariosa, Partia III in A Major
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1.13
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III. Allamande
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:55 | |||
1.14
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IV. Amener
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:14 | |||
1.15
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V. Balletto
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:55 | |||
Harmonia Artificioso Ariosa, Partia IV in Eb Major
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1.16
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VI. Gigue
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:33 | |||
Harmonia Artificioso Ariosa, Partia III in A Major
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1.17
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VII. Ciacona
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
2:58 | |||
Harmonia Artificioso Ariosa, Partia IV in Eb Major
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1.18
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I. Sonata
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
2:19 | |||
1.19
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II. Allemande
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:31 | |||
1.20
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III. Trezza
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:57 | |||
1.21
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IV. Aria
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:44 | |||
1.22
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V. Canario
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:36 | |||
1.23
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VI. Gigue
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:19 | |||
1.24
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VII. Pollicinello
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:18 | |||
Harmonia Artificioso Ariosa, Partia V in G Minor
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2.1
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I. Intrada
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:19 | |||
2.2
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II. Aria
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:18 | |||
2.3
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III. Balletto
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:40 | |||
2.4
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IV. Gigue
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:03 | |||
2.5
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V. Passacaglia
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
5:38 | |||
Harmonia Artificioso Ariosa, Partia VI in D Major
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2.6
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I. Praeludium
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
2:30 | |||
2.7
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II. Aria with Variatio I-XIII
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
12:54 | |||
2.8
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III. Finale
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:06 | |||
2.9
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IV. Praeludium
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
3:11 | |||
2.10
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V. Allamande
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:56 | |||
2.11
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VI. Sarabande
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:34 | |||
2.12
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VII. Gigue
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
2:11 | |||
2.13
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VIII. Aria
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
1:41 | |||
2.14
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IX. Trezza
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
0:51 | |||
2.15
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X. Arietta variata
Heinrich Ignaz Biber; La Tempesta; Patrick Bismuth; Hélène Houzel |
6:56 |
Reinventing violin virtuosity with extravagance and audacity, the Harmonia artificiosa-ariosa sonata collection published at the close of the 17th century is one of the most handsome signs of the genius of Heinrich Biber. Patrick Bismuth pursues his exploration of this fascinating repertoire in this double album. His reading of the music is dazzling and served up with the rich palette of sounds of his La Tempesta ensemble.
96 kHz / 24-bit PCM – NoMadMusic Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.65 -6.50 to -0.40 | -22.76 -25.58 to -19.93 | -19.17 -21.80 to -15.90 | 12 11 to 14 | |
1.1 | I. Sonata | -4.31 | -22.46 | -19.0 | 12 |
1.2 | II. Allamande | -4.03 | -22.82 | -19.1 | 12 |
1.3 | III. Gigue with Variatio I & II | -3.78 | -22.35 | -18.7 | 13 |
1.4 | IV. Aria | -5.09 | -25.49 | -21.3 | 13 |
1.5 | V. Sarabande with Variatio I & II | -4.43 | -23.14 | -19.5 | 12 |
1.6 | VI. Finale | -1.02 | -21.88 | -16.9 | 12 |
1.7 | I. Praeludium | -0.72 | -21.91 | -18.3 | 12 |
1.8 | II. Allamande & Variatio | -3.47 | -22.03 | -18.5 | 13 |
1.9 | III. Balletto | -5.15 | -23.34 | -19.8 | 12 |
1.10 | IV. Aria | -1.03 | -22.78 | -19.4 | 12 |
1.11 | V. Gigue | -3.47 | -24.04 | -20.2 | 13 |
1.12 | I. Praeludium | 0.00 | -19.93 | -15.9 | 12 |
1.13 | III. Allamande | -2.62 | -22.08 | -18.4 | 13 |
1.14 | IV. Amener | -4.48 | -24.50 | -20.7 | 14 |
1.15 | V. Balletto | -2.93 | -21.18 | -17.6 | 12 |
1.16 | VI. Gigue | -3.96 | -25.58 | -21.8 | 14 |
1.17 | VII. Ciacona | -3.65 | -23.64 | -19.8 | 13 |
1.18 | I. Sonata | -2.93 | -21.77 | -18.3 | 12 |
1.19 | II. Allemande | -4.67 | -21.81 | -18.2 | 12 |
1.20 | III. Trezza | -4.47 | -21.34 | -17.9 | 12 |
1.21 | IV. Aria | -4.55 | -22.28 | -18.8 | 11 |
1.22 | V. Canario | -5.16 | -21.61 | -18.0 | 11 |
1.23 | VI. Gigue | -3.32 | -21.30 | -18.1 | 12 |
1.24 | VII. Pollicinello | -6.50 | -25.31 | -21.0 | 12 |
2.1 | I. Intrada | -1.73 | -20.59 | -17.1 | 12 |
2.2 | II. Aria | -4.98 | -23.34 | -19.6 | 11 |
2.3 | III. Balletto | -5.39 | -24.17 | -20.3 | 12 |
2.4 | IV. Gigue | -4.70 | -22.75 | -19.3 | 12 |
2.5 | V. Passacaglia | -3.54 | -22.55 | -19.5 | 13 |
2.6 | I. Praeludium | -2.90 | -22.14 | -18.8 | 12 |
2.7 | II. Aria with Variatio I-XIII | -3.05 | -23.53 | -19.9 | 13 |
2.8 | III. Finale | -0.40 | -21.89 | -17.8 | 14 |
2.9 | IV. Praeludium | -1.00 | -22.07 | -18.9 | 12 |
2.10 | V. Allamande | -4.76 | -23.04 | -20.0 | 12 |
2.11 | VI. Sarabande | -3.89 | -23.46 | -20.2 | 12 |
2.12 | VII. Gigue | -5.06 | -24.98 | -21.8 | 12 |
2.13 | VIII. Aria | -4.81 | -23.38 | -20.2 | 11 |
2.14 | IX. Trezza | -3.96 | -22.76 | -19.5 | 12 |
2.15 | X. Arietta variata | -2.73 | -22.52 | -19.6 | 14 |