℗ 2018 Naxos
Released | November 9, 2018 |
Duration | 1h 23m 36s |
Record Label | Naxos |
Catalogue No. | 8.573796 |
Genre | Classical (Piano) |
Satie: Piano Works
Duanduan Hao
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Allegro (1884)
Erik Satie; Duanduan Hao |
0:21 | |||
1.2
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Leit-motiv du Panthée
Erik Satie; Duanduan Hao |
0:45 | |||
1.3
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Verset laïque et somptueux
Erik Satie; Duanduan Hao |
1:27 | |||
1.4
|
Fugue-valse
Erik Satie; Duanduan Hao |
1:59 | |||
5 Grimaces pour Le songe d'une nuit d'été (Arr. D. Milhaud for Piano)
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1.5
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No. 1, Préambule
Erik Satie; Darius Milhaud; Duanduan Hao |
0:50 | |||
1.6
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No. 2, Coquecigrue
Erik Satie; Darius Milhaud; Duanduan Hao |
0:51 | |||
1.7
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No. 3, Chasse
Erik Satie; Darius Milhaud; Duanduan Hao |
0:40 | |||
1.8
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No. 4, Fanfaronnade
Erik Satie; Darius Milhaud; Duanduan Hao |
0:28 | |||
1.9
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No. 5, Pour sortir - Retraite
Erik Satie; Darius Milhaud; Duanduan Hao |
1:05 | |||
1.10
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Sans titre, peut-être pour la messe des pauvres, "Modéré" (version for piano)
Erik Satie; Duanduan Hao |
1:09 | |||
Pousse l'amour
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1.11
|
Chanson andalouse
Erik Satie; Duanduan Hao |
1:48 | |||
La belle excentrique (Version for Piano)
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1.12
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II. Marche franco-lunaire
Erik Satie; Duanduan Hao |
2:04 | |||
1.13
|
III. Valse du mystérieux baiser dans l'œil
Erik Satie; Duanduan Hao |
2:14 | |||
Uspud (Version for Piano)
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1.14
|
Act I
Erik Satie; Duanduan Hao |
10:49 | |||
1.15
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Act II
Erik Satie; Duanduan Hao |
6:43 | |||
1.16
|
Act III
Erik Satie; Duanduan Hao |
8:52 | |||
1.17
|
Tendrement (Version for Piano)
Erik Satie; Duanduan Hao |
3:59 | |||
Le fils des étoiles, 3 Préludes
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1.18
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Act I. Prélude "La vocation"
Erik Satie; Duanduan Hao |
4:39 | |||
1.19
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Act II. Prélude "L'Initiation"
Erik Satie; Duanduan Hao |
3:51 | |||
1.20
|
Act III. Prélude "L'Incantation"
Erik Satie; Duanduan Hao |
4:57 | |||
Sonatine bureaucratique
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1.21
|
I. Allegro
Erik Satie; Duanduan Hao |
1:08 | |||
1.22
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II. Andante
Erik Satie; Duanduan Hao |
1:20 | |||
1.23
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III. Vivace
Erik Satie; Duanduan Hao |
1:53 | |||
1.24
|
Nocturne No. 6 (Completed by R. Orledge)
Erik Satie; Robert Orledge; Duanduan Hao |
1:41 | |||
1.25
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Le bœuf Angora (The Angora Ox) (version for piano)
Erik Satie; Duanduan Hao |
5:45 | |||
Le fils des étoiles, Act I
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1.26
|
Gnossienne No. 7
Erik Satie; Duanduan Hao |
4:28 | |||
L'enfance de Ko-Quo (Recommandations maternelles)
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1.27
|
I. Ne bois pas ton chocolat avec tes doigts
Erik Satie; Duanduan Hao |
0:51 | |||
1.28
|
II. Ne souffle pas dans tes oreilles
Erik Satie; Duanduan Hao |
0:35 | |||
1.29
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III. Ne mets pas ta tête sous ton bras
Erik Satie; Duanduan Hao |
0:46 | |||
1.30
|
Poudre d'or
Erik Satie; Duanduan Hao |
5:38 | |||
Digital Booklet
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Satie’s personal eccentricities have never masked the fact that his music was both revolutionary and anticipatory of later artistic movements, principally Minimalism, Surrealism and Theatre of the Absurd. His piano music offers a perfect distillation of these elements. The Allegro is his earliest known work, offering his first use of quotations, a favored device. The extended pieces Le Fils des etoiles and uspud derive from incidental music, glorying in parodic and grotesque scenes, while his ‘humoristic’ phase of the 1910s is explored in Cinq Grimaces. Only Satie could attempt to fuse a fugue with a waltz, as he does in the Fugue-valse.
Duanduan Hao was born in China in 1990. He began his piano lessons when he was four and by the age of six was already drawing attention to his precocious ability. He then studied in Shanghai and in Paris, going on to win many prizes in international piano competitions. He currently lives in New York and studies at The Juilliard School and Columbia University.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.97 -20.76 to -4.12 | -31.21 -39.50 to -26.09 | -27.35 -34.30 to -22.20 | 13 9 to 18 | |
1 | Allegro (1884) | -9.85 | -30.58 | -26.8 | 13 |
2 | Leit-motiv du Panthée | -20.76 | -39.50 | -34.1 | 9 |
3 | Verset laïque et somptueux | -15.54 | -38.61 | -34.3 | 13 |
4 | Fugue-valse | -10.37 | -30.12 | -26.8 | 13 |
5 | No. 1, Préambule | -7.60 | -27.07 | -23.6 | 13 |
6 | No. 2, Coquecigrue | -5.84 | -26.46 | -22.3 | 12 |
7 | No. 3, Chasse | -4.72 | -26.09 | -22.2 | 12 |
8 | No. 4, Fanfaronnade | -9.84 | -28.49 | -24.8 | 12 |
9 | No. 5, Pour sortir - Retraite | -8.50 | -30.87 | -27.6 | 12 |
10 | Sans titre, peut-être pour la messe des pauvres, "Modéré" (version for piano) | -10.61 | -32.76 | -29.4 | 13 |
11 | Chanson andalouse | -5.55 | -29.00 | -26.1 | 13 |
12 | II. Marche franco-lunaire | -4.91 | -26.13 | -22.9 | 13 |
13 | III. Valse du mystérieux baiser dans l'œil | -5.72 | -27.73 | -24.5 | 14 |
14 | Act I | -4.26 | -33.25 | -27.1 | 18 |
15 | Act II | -5.37 | -31.23 | -26.2 | 16 |
16 | Act III | -5.21 | -31.67 | -26.0 | 17 |
17 | Tendrement (Version for Piano) | -6.68 | -30.29 | -27.3 | 15 |
18 | Act I. Prélude "La vocation" | -7.37 | -33.10 | -28.9 | 16 |
19 | Act II. Prélude "L'Initiation" | -11.22 | -34.64 | -29.3 | 14 |
20 | Act III. Prélude "L'Incantation" | -9.07 | -33.07 | -28.8 | 14 |
21 | I. Allegro | -9.32 | -28.10 | -25.0 | 13 |
22 | II. Andante | -13.80 | -33.50 | -30.2 | 12 |
23 | III. Vivace | -6.53 | -28.10 | -24.6 | 13 |
24 | Nocturne No. 6 (Completed by R. Orledge) | -9.22 | -31.29 | -28.0 | 13 |
25 | Le bœuf Angora (The Angora Ox) (version for piano) | -4.12 | -28.74 | -24.9 | 15 |
26 | Gnossienne No. 7 | -7.07 | -33.94 | -29.6 | 18 |
27 | I. Ne bois pas ton chocolat avec tes doigts | -16.54 | -36.70 | -33.7 | 13 |
28 | II. Ne souffle pas dans tes oreilles | -13.94 | -33.81 | -30.7 | 11 |
29 | III. Ne mets pas ta tête sous ton bras | -12.38 | -32.79 | -29.4 | 11 |
30 | Poudre d'or | -7.33 | -28.75 | -25.5 | 13 |