℗ 2018 Naxos
| Released | November 9, 2018 |
| Duration | 1h 01m 49s |
| Record Label | Naxos |
| Catalogue No. | 8.573868 |
| Genre | Classical (Orchestral) |
The Versailles Revolution
Indianapolis Baroque Orchestra, Barthold Kuijken
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Roland, LWV 6 (Excerpts)
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1.1
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Ouverture
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
5:02 | |||
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1.2
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Gigue
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:14 | |||
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1.3
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Gavotte - Air - Gavotte (Da capo)
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
2:37 | |||
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1.4
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2nd Air
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
2:44 | |||
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1.5
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Marche
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
0:55 | |||
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1.6
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Menuets I & II (Da capo)
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:38 | |||
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1.7
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Chaconne
Jean-Baptiste Lully; Indianapolis Baroque Orchestra; Barthold Kuijken |
6:43 | |||
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Florilegium secundum, Fasciculus I "Nobilis Juventus"
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1.8
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I. Ouverture
Georg Muffat; Indianapolis Baroque Orchestra; Barthold Kuijken |
3:38 | |||
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1.9
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II. Entrée d'Espagnols
Georg Muffat; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:19 | |||
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1.10
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III. Air pour des Hollandois
Georg Muffat; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:49 | |||
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1.11
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IV. Gigue pour des Anglois
Georg Muffat; Indianapolis Baroque Orchestra; Barthold Kuijken |
2:01 | |||
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1.12
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V. Gavotte pour des Italiens
Georg Muffat; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:39 | |||
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1.13
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VI. Menuets I & II pour des François (Da capo)
Georg Muffat; Indianapolis Baroque Orchestra; Barthold Kuijken |
2:29 | |||
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Ariane et Bacchus Suite (Excerpts)
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1.14
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Ouverture
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
4:29 | |||
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1.15
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Premier air pour la suite de la nymphe
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
2:05 | |||
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1.16
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Bourrée pour les mesmes - Air - Bourrée (Da capo)
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
2:41 | |||
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1.17
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Gigue
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:17 | |||
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1.18
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Air
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:26 | |||
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1.19
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Rondeau pour les plaisirs
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:13 | |||
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1.20
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Marche pour la suite de Bacchus
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:13 | |||
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1.21
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Simphonie du sommeil
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:59 | |||
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1.22
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Air pour les songes
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:49 | |||
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1.23
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Air pour les flûtes
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:55 | |||
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1.24
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Entracte
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
1:16 | |||
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1.25
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Chaconne
Marin Marais; Indianapolis Baroque Orchestra; Barthold Kuijken |
6:38 | |||
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Digital Booklet
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The Italian-born violinist and dancer Jean-Baptiste Lully revolutionized music at the French court in the 17th century. Not only did he transform ballet entertainments into a spectacular new genre, the tragedie lyrique, but he set new standards in orchestral playing- with him the ‘modern’ orchestra was born. The Suite from Roland exemplifies the majesty of his ouvertures, the beauty of his dance movements, and the expressive depth of his chaconnes. Both Georg Muffat and Marin Marais were profoundly influenced by Lully, as their inventive suites show, and Muffat’s own preserved performance instructions have been closely followed on this recording.
Named one of the top 25 ensembles in celebration of Early Musi cAmerica’s 25th anniversary in 2011, the Indianapolis Baroque Orchestra is dedicated to excellent and exuberant performance of 17th and 18th century music on period instruments. It is led by its artistic director, Barthold Kuijken.
44.1 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.41 -10.98 to -2.27 | -23.61 -29.03 to -21.71 | -20.59 -26.40 to -18.60 | 12 10 to 13 | |
| 1 | Ouverture | -4.12 | -22.37 | -19.3 | 13 |
| 2 | Gigue | -6.83 | -26.13 | -23.0 | 12 |
| 3 | Gavotte - Air - Gavotte (Da capo) | -5.93 | -25.23 | -22.4 | 12 |
| 4 | 2nd Air | -5.74 | -23.48 | -20.6 | 12 |
| 5 | Marche | -5.06 | -23.42 | -20.0 | 12 |
| 6 | Menuets I & II (Da capo) | -4.26 | -23.00 | -19.7 | 12 |
| 7 | Chaconne | -4.58 | -23.32 | -20.3 | 12 |
| 8 | I. Ouverture | -2.82 | -22.37 | -19.5 | 13 |
| 9 | II. Entrée d'Espagnols | -4.22 | -21.71 | -18.7 | 12 |
| 10 | III. Air pour des Hollandois | -6.21 | -23.06 | -20.2 | 11 |
| 11 | IV. Gigue pour des Anglois | -5.45 | -24.00 | -21.1 | 12 |
| 12 | V. Gavotte pour des Italiens | -2.27 | -22.13 | -19.2 | 13 |
| 13 | VI. Menuets I & II pour des François (Da capo) | -2.88 | -22.24 | -18.9 | 13 |
| 14 | Ouverture | -5.54 | -22.41 | -19.4 | 12 |
| 15 | Premier air pour la suite de la nymphe | -5.34 | -22.56 | -19.8 | 12 |
| 16 | Bourrée pour les mesmes - Air - Bourrée (Da capo) | -4.50 | -24.29 | -20.8 | 13 |
| 17 | Gigue | -5.78 | -22.67 | -19.5 | 12 |
| 18 | Air | -10.22 | -29.03 | -26.4 | 10 |
| 19 | Rondeau pour les plaisirs | -4.81 | -21.87 | -19.0 | 12 |
| 20 | Marche pour la suite de Bacchus | -3.08 | -21.82 | -19.0 | 12 |
| 21 | Simphonie du sommeil | -6.85 | -25.07 | -22.1 | 11 |
| 22 | Air pour les songes | -9.65 | -26.35 | -23.2 | 11 |
| 23 | Air pour les flûtes | -10.98 | -27.25 | -24.5 | 10 |
| 24 | Entracte | -4.53 | -21.88 | -18.6 | 12 |
| 25 | Chaconne | -3.52 | -22.61 | -19.5 | 13 |