℗ 2024 Delphian Records
| Released | February 9, 2024 |
| Duration | 1h 10m 43s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34314b |
| Genre | Classical (Baroque) |
From Handel's Home: The Keyboards of Handel Hendrix House
Julian Perkins
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Rodelinda, Overture HWV 456 No 4
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1.1
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I. Largo
George Frideric Handel; Julian Perkins |
1:12 | |||
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1.2
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II. Presto
George Frideric Handel; Julian Perkins |
1:46 | |||
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1.3
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III. Menuet
George Frideric Handel; Julian Perkins |
1:07 | |||
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Toccata No. 9 in G Minor (after Handel's Capriccio in G Minor, HWV 483)
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1.4
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I.
William Babell; Julian Perkins |
2:04 | |||
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1.5
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II.
William Babell; Julian Perkins |
2:04 | |||
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1.6
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A Voluntary or a Flight of Angels in C Major, HWV 600
George Frideric Handel; Julian Perkins |
0:57 | |||
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Suite No. 2 in F Major, HWV 427
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1.7
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I. Adagio
George Frideric Handel; Julian Perkins |
2:53 | |||
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1.8
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II. Allegro
George Frideric Handel; Julian Perkins |
2:25 | |||
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1.9
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III. Adagio
George Frideric Handel; Julian Perkins |
1:36 | |||
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1.10
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IV. (Fugue) Allegro
George Frideric Handel; Julian Perkins |
2:44 | |||
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Agrippina, HWV 6
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1.11
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Bel piacere (arr. for Keyboard by William Babell)
George Frideric Handel; Julian Perkins |
2:02 | |||
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Fantasia in D Minor, TWV 33:2
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1.12
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I. Presto
Georg Philipp Telemann; Julian Perkins |
1:21 | |||
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1.13
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II. Adagio
Georg Philipp Telemann; Julian Perkins |
1:03 | |||
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1.14
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III. Presto da capo
Georg Philipp Telemann; Julian Perkins |
1:25 | |||
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Concerto Grosso Op. 6, No. 1 HWV 319
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1.15
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Fugue in G Major
George Frideric Handel; Julian Perkins |
3:04 | |||
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Voluntary in D Major, Op. 5, No. 5
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1.16
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I. Slow
John Stanley; Julian Perkins |
1:29 | |||
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1.17
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II. Allegro
John Stanley; Julian Perkins |
2:37 | |||
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1.18
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Fugue No. 5 in A Minor, HWV 609
George Frideric Handel; Julian Perkins |
4:25 | |||
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Fantasia in B-Flat Major, TWV 33:24
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1.19
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I. Gratieusement
Georg Philipp Telemann; Julian Perkins |
2:15 | |||
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1.20
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II. Gaillardement
Georg Philipp Telemann; Julian Perkins |
1:03 | |||
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1.21
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III. Vitement
Georg Philipp Telemann; Julian Perkins |
0:52 | |||
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1.22
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Air in G Major ‘O the pleasure of the plains’, HWV 474
George Frideric Handel; Julian Perkins |
1:32 | |||
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1.23
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Introduction to Scarlatti’s Lessons
Thomas Roseingrave; Julian Perkins |
2:36 | |||
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1.24
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Sonata in G Minor, K 4
Domenico Scarlatti; Julian Perkins |
5:13 | |||
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1.25
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Sonata in G Major, K 124
Domenico Scarlatti; Julian Perkins |
5:16 | |||
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Suite in C Minor for two keyboards, HWV 446
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1.26
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I. Allemande
George Frideric Handel; Julian Perkins; Carole Cesari |
3:57 | |||
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1.27
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II. Courante
George Frideric Handel; Julian Perkins; Carole Cesari |
2:26 | |||
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1.28
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III. Sarabande
George Frideric Handel; Julian Perkins; Carole Cesari |
4:23 | |||
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1.29
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IV. Chaconne
George Frideric Handel; Julian Perkins; Carole Cesari |
2:25 | |||
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Isolation Suite
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1.30
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Sarabande
Rhian Samuel; Julian Perkins |
2:31 | |||
Handel Hendrix House in London’s Mayfair holds a substantial collection of keyboard instruments – spinet, organs, and harpsichords – both original from Handel’s own day and reproductions, representing a roster of some of the greatest names from Kirckman and Snetzler to Goetze & Gwynn and Bruce Kennedy’s copy of the Colmar Ruckers harpsichord.
From these instruments the acclaimed and ever-thoughtful keyboard specialist Julian Perkins has created a very special recital, conjuring a treasure trove of the timbres and sounds that would have been heard when Handel and his colleagues played music in these very rooms: original works and arrangements by the master himself and his contemporaries, with Carole Cerasi joining as duet partner for Handel’s sumptuous Suite in C minor.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.15 -15.20 to -2.38 | -25.45 -32.63 to -18.68 | -21.88 -27.30 to -14.90 | 11 8 to 14 | |
| 1 | I. Largo | -2.38 | -20.13 | -16.3 | 12 |
| 2 | II. Presto | -2.51 | -19.31 | -15.3 | 11 |
| 3 | III. Menuet | -7.57 | -24.59 | -21.2 | 11 |
| 4 | I. | -11.41 | -27.77 | -24.5 | 11 |
| 5 | II. | -8.16 | -27.49 | -23.9 | 12 |
| 6 | A Voluntary or a Flight of Angels in C Major, HWV 600 | -13.68 | -28.38 | -24.5 | 8 |
| 7 | I. Adagio | -7.88 | -26.10 | -22.2 | 12 |
| 8 | II. Allegro | -8.60 | -25.14 | -21.1 | 12 |
| 9 | III. Adagio | -4.91 | -24.59 | -20.7 | 12 |
| 10 | IV. (Fugue) Allegro | -5.07 | -21.60 | -17.7 | 11 |
| 11 | Bel piacere (arr. for Keyboard by William Babell) | -7.49 | -24.83 | -21.0 | 12 |
| 12 | I. Presto | -11.41 | -28.59 | -25.4 | 11 |
| 13 | II. Adagio | -9.66 | -30.98 | -27.1 | 14 |
| 14 | III. Presto da capo | -10.85 | -28.60 | -25.1 | 12 |
| 15 | Fugue in G Major | -10.05 | -26.52 | -23.6 | 11 |
| 16 | I. Slow | -12.87 | -26.73 | -24.6 | 8 |
| 17 | II. Allegro | -9.89 | -27.94 | -24.9 | 11 |
| 18 | Fugue No. 5 in A Minor, HWV 609 | -5.71 | -20.42 | -17.3 | 10 |
| 19 | I. Gratieusement | -12.49 | -29.70 | -26.5 | 12 |
| 20 | II. Gaillardement | -11.11 | -28.95 | -25.5 | 12 |
| 21 | III. Vitement | -11.65 | -28.57 | -24.7 | 11 |
| 22 | Air in G Major ‘O the pleasure of the plains’, HWV 474 | -2.49 | -18.68 | -14.9 | 10 |
| 23 | Introduction to Scarlatti’s Lessons | -4.97 | -22.99 | -19.2 | 12 |
| 24 | Sonata in G Minor, K 4 | -15.20 | -32.63 | -27.3 | 13 |
| 25 | Sonata in G Major, K 124 | -5.06 | -22.64 | -18.8 | 12 |
| 26 | I. Allemande | -6.65 | -24.10 | -20.9 | 12 |
| 27 | II. Courante | -5.28 | -22.39 | -19.0 | 11 |
| 28 | III. Sarabande | -8.02 | -25.27 | -22.3 | 12 |
| 29 | IV. Chaconne | -4.08 | -22.51 | -19.1 | 12 |
| 30 | Sarabande | -7.52 | -25.49 | -21.8 | 12 |