℗ 2024 Resonus Limited
| Released | April 26, 2024 |
| Duration | 1h 02m 17s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10333 |
| Genre | Classical (20th/21st Century) |
Poulenc: Les œuvres de sa jeunesse
Various Artists
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cocardes, FP 16b
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1.1
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I. Miel de Narbonne
Francis Poulenc; Soraya Mafi; Manchester Camerata; John Andrews |
2:38 | |||
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1.2
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II. Bonne d’Enfant
Francis Poulenc; Soraya Mafi; Manchester Camerata; John Andrews |
1:36 | |||
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1.3
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III. Enfant de troupe
Francis Poulenc; Soraya Mafi; Manchester Camerata; John Andrews |
2:32 | |||
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Le Bestiaire, FP 15b
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1.4
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I. Le Dromadaire
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
1:22 | |||
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1.5
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II. La Chèvre du Thibet
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
0:43 | |||
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1.6
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III. La Sauterelle
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
0:27 | |||
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1.7
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IV. Le Dauphin
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
0:33 | |||
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1.8
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V. L’Ecrevisse
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
0:44 | |||
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1.9
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VI. La Carpe
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
1:18 | |||
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Le Gendarme Incompris, FP 20
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1.10
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I. Overture
Francis Poulenc; Manchester Camerata; John Andrews |
3:43 | |||
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1.11
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II. Scène I
Francis Poulenc; Julien Van Mellaerts |
1:03 | |||
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1.12
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III. Scène II
Francis Poulenc; Sam Alexander; Julien Van Mellaerts; Lawrence Zazzo |
7:14 | |||
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1.13
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III. Impromptu de Monsieur Médor
Francis Poulenc; Julien Van Mellaerts; Lawrence Zazzo; Manchester Camerata; John Andrews |
0:45 | |||
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1.14
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V. Duo
Francis Poulenc; Julien Van Mellaerts; Lawrence Zazzo; Sam Alexander; Manchester Camerata; John Andrews |
2:23 | |||
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1.15
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VI. Duo
Francis Poulenc; Julien Van Mellaerts; Lawrence Zazzo; Sam Alexander; Manchester Camerata; John Andrews |
2:26 | |||
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1.16
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VII. Scène III
Francis Poulenc; Julien Van Mellaerts; Lawrence Zazzo; John Andrews; Manchester Camerata |
0:39 | |||
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1.17
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VIII. Madrigal
Francis Poulenc; Julien Van Mellaerts; Lawrence Zazzo; Manchester Camerata; John Andrews |
2:07 | |||
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1.18
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IX. Scène IV (Final – Danse)
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
2:40 | |||
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Trois mouvements perpétuels, FP 14b
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1.19
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I. Assez modéré
Francis Poulenc; Manchester Camerata; John Andrews |
1:29 | |||
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1.20
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II. Très modéré
Francis Poulenc; Manchester Camerata; John Andrews |
1:45 | |||
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1.21
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III. Alerte
Francis Poulenc; Manchester Camerata; John Andrews |
3:41 | |||
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Quatre poèmes de Max Jacob, FP 22
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1.22
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I. Est-il un coin plus solitaire...
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
2:56 | |||
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1.23
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II. C'est pour aller au bal
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
1:07 | |||
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1.24
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III. Poète et Ténor
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
2:29 | |||
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1.25
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IV. Dans le buisson de mimosa
Francis Poulenc; Julien Van Mellaerts; Manchester Camerata; John Andrews |
1:05 | |||
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Suite Française d’après Claude Gervaise, FP 80a
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1.26
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I. Bransle de Bourgogne
Francis Poulenc; Manchester Camerata; John Andrews |
1:26 | |||
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1.27
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II. Pavane
Francis Poulenc; Manchester Camerata; John Andrews |
2:37 | |||
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1.28
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III. Petite marche militaire
Francis Poulenc; Manchester Camerata; John Andrews |
1:09 | |||
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1.29
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IV. Complainte
Francis Poulenc; Manchester Camerata; John Andrews |
1:37 | |||
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1.30
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V. Bransle de Champagne
Francis Poulenc; Manchester Camerata; John Andrews |
2:06 | |||
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1.31
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VI. Sicilienne
Francis Poulenc; Manchester Camerata; John Andrews |
2:03 | |||
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1.32
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VII. Carillon
Francis Poulenc; Manchester Camerata; John Andrews |
1:54 | |||
Poulenc the miniaturist par excellence burst into public view, fully-formed in his late teens, emerging flamboyantly into the artistic swirl of 1920s Paris. His fabulously inventive, quirky and colourful approach to writing for chamber ensemble and voice comes vividly to life in this set of early works which capture all of his youthful elegance, wit, and occasionally sardonic humour.
Many of these early masterpieces are now well-known in their incarnations for piano; but his sheer inventiveness and joyful revelry in a kaleidoscopic riot of instrumental colour is celebrated here in the earliest versions of such classics as Le Bestiaire and Cocardes, alongside masterpieces more cruelly treated by his contemporaries, the Quatre Poemes de Max Jacob and Le Gendarme Incompris.
192 kHz / 24-bit PCM – Resonus Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.50 -21.84 to -1.26 | -30.42 -40.99 to -25.43 | -26.33 -37.70 to -20.80 | 14 10 to 22 | |
| 1 | I. Miel de Narbonne | -5.50 | -29.39 | -25.0 | 14 |
| 2 | II. Bonne d’Enfant | -4.18 | -26.96 | -23.3 | 14 |
| 3 | III. Enfant de troupe | -3.91 | -28.32 | -23.6 | 16 |
| 4 | I. Le Dromadaire | -12.13 | -32.58 | -28.8 | 12 |
| 5 | II. La Chèvre du Thibet | -14.33 | -34.20 | -30.7 | 12 |
| 6 | III. La Sauterelle | -17.45 | -34.83 | -30.7 | 10 |
| 7 | IV. Le Dauphin | -11.41 | -31.29 | -27.1 | 13 |
| 8 | V. L’Ecrevisse | -10.45 | -31.47 | -27.7 | 12 |
| 9 | VI. La Carpe | -21.84 | -40.99 | -37.7 | 11 |
| 10 | I. Overture | -3.75 | -29.41 | -25.3 | 16 |
| 11 | II. Scène I | -2.86 | -37.57 | -32.2 | 21 |
| 12 | III. Scène II | -4.63 | -35.42 | -31.0 | 22 |
| 13 | III. Impromptu de Monsieur Médor | -4.00 | -27.87 | -22.7 | 13 |
| 14 | V. Duo | -2.86 | -30.06 | -25.2 | 18 |
| 15 | VI. Duo | -3.46 | -29.57 | -24.2 | 17 |
| 16 | VII. Scène III | -7.30 | -34.12 | -30.1 | 17 |
| 17 | VIII. Madrigal | -5.38 | -30.98 | -27.0 | 17 |
| 18 | IX. Scène IV (Final – Danse) | -3.60 | -26.54 | -22.7 | 15 |
| 19 | I. Assez modéré | -7.47 | -27.50 | -24.2 | 12 |
| 20 | II. Très modéré | -8.58 | -29.12 | -26.2 | 11 |
| 21 | III. Alerte | -3.75 | -26.31 | -22.9 | 14 |
| 22 | I. Est-il un coin plus solitaire... | -7.69 | -29.23 | -25.2 | 13 |
| 23 | II. C'est pour aller au bal | -5.29 | -26.08 | -21.8 | 15 |
| 24 | III. Poète et Ténor | -10.26 | -29.32 | -25.4 | 12 |
| 25 | IV. Dans le buisson de mimosa | -5.02 | -25.43 | -20.8 | 14 |
| 26 | I. Bransle de Bourgogne | -1.31 | -26.68 | -22.8 | 17 |
| 27 | II. Pavane | -9.74 | -30.11 | -26.5 | 12 |
| 28 | III. Petite marche militaire | -1.26 | -25.47 | -22.0 | 15 |
| 29 | IV. Complainte | -18.38 | -36.98 | -32.1 | 10 |
| 30 | V. Bransle de Champagne | -6.55 | -30.02 | -26.1 | 14 |
| 31 | VI. Sicilienne | -11.16 | -32.65 | -29.3 | 11 |
| 32 | VII. Carillon | -4.65 | -27.10 | -22.4 | 14 |