℗ 1979 Decca Music Group Limited
Released | 1979 |
Duration | 2h 52m 06s |
Record Label | Universal Music Australia Pty. Ltd. |
Genre | Classical |
Handel: Jephtha
Academy of St Martin in the Fields
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
Jephtha, HWV 70
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1.1
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Overture
George Frideric Handel; Thomas Morell; Academy of St Martin in the Fields |
3:51 | |||
1.2
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Menuet
George Frideric Handel; Thomas Morell; Academy of St Martin in the Fields |
1:43 | |||
Jephtha, HWV 70, Act I
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1.3
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It Must Be So
George Frideric Handel; Thomas Morell; Christopher Keyte |
1:27 | |||
1.4
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Pour Forth No More Unheeded Pray'rs
George Frideric Handel; Thomas Morell; Christopher Keyte |
3:16 | |||
1.5
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No More to Ammon's God and King
George Frideric Handel; Thomas Morell; Southend Boys Choir |
2:58 | |||
1.6
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But Jephta Comes
George Frideric Handel; Thomas Morell; Christopher Keyte |
1:01 | |||
1.7
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Virtue My Soul Shall Still Embrace
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
4:04 | |||
1.8
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'Twill Be a Painful Separation, Jephta - In Gentle Murmurs Will I Mourn
George Frideric Handel; Thomas Morell; Alfreda Hodgson |
5:17 | |||
1.9
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Happy This Embassy, My Charming Iphis - Dull Delay, in Piercing Anguish
George Frideric Handel; Thomas Morell; Paul Esswood |
4:48 | |||
1.10
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Ill Suits the Voice of Love When Glory Calls - Take the Heart You Fondly Gave
George Frideric Handel; Thomas Morell; Margaret Marshall |
5:01 | |||
1.11
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I Go, My soul, Inspir'd - These Labours Past, How Happy We!
George Frideric Handel; Thomas Morell; Margaret Marshall |
6:40 | |||
1.12
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What Mean These Doubtful Fancies
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
1:30 | |||
1.13
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O God, Behold Our Sore Distress
George Frideric Handel; Thomas Morell; Southend Boys Choir |
4:42 | |||
1.14
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Some Dire Event Hangs o'er Our Heads - Scenes of Horror, Scenes of Woe
George Frideric Handel; Thomas Morell; Alfreda Hodgson |
5:14 | |||
1.15
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Say, My Dear Mother
George Frideric Handel; Thomas Morell; Margaret Marshall |
0:52 | |||
1.16
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The Smiling Dawn of Happy Days
George Frideric Handel; Thomas Morell; Margaret Marshall |
3:02 | |||
1.17
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Such, Jephta - When His Loud Voice
George Frideric Handel; Thomas Morell; Christopher Keyte |
5:14 | |||
Jephtha, HWV 70, Act II
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1.18
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Glad Tidings of Great Joy to Thee, Dear Iphis
George Frideric Handel; Thomas Morell; Paul Esswood |
1:10 | |||
1.19
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Cherub and Seraphim, Unbodied Forms
George Frideric Handel; Thomas Morell; Southend Boys Choir |
3:13 | |||
1.20
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Up the DreadfulSteep Ascending
George Frideric Handel; Thomas Morell; Paul Esswood |
5:27 | |||
1.21
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'Tis Well - Tune the Soft Melodious Lute
George Frideric Handel; Thomas Morell; Margaret Marshall |
5:07 | |||
1.22
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Again Heav'n Smiles - Freedom Now Once More Possessing
George Frideric Handel; Thomas Morell; Christopher Keyte |
4:05 | |||
1.23
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Zebul, Thy Deeds Were Valiant - His Mighty Arm
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
6:05 | |||
1.24
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In Glory High, in Might Serene
George Frideric Handel; Thomas Morell; Southend Boys Choir |
2:26 | |||
1.25
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Symphony
George Frideric Handel; Thomas Morell; Academy of St Martin in the Fields |
1:19 | |||
1.26
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Hail, Glorious Conqueror - Welcome as the Cheerful Ligh
George Frideric Handel; Thomas Morell; Margaret Marshall |
4:03 | |||
1.27
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Horror! Confusion! - Open Thy Marble Jaws, O Tomb
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
4:51 | |||
1.28
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Why Is My Brother Thus Afflicted
George Frideric Handel; Thomas Morell; Christopher Keyte |
1:15 | |||
1.29
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First Perish Thou, and Perish All the World
George Frideric Handel; Thomas Morell; Alfreda Hodgson |
2:14 | |||
1.30
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If Such Thy Cruel Purpose - On Me Let Blind Mistaken Zeal
George Frideric Handel; Thomas Morell; Paul Esswood |
1:51 | |||
1.31
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O Spare Your Daughter
George Frideric Handel; Thomas Morell; Alfreda Hodgson |
2:40 | |||
1.32
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Such News Flies Swift - Happy They
George Frideric Handel; Thomas Morell; Margaret Marshall |
4:13 | |||
1.33
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Deeper, and Deeper Still
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
3:23 | |||
1.34
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How Dark, O Lord, Are Thy Decrees!
George Frideric Handel; Thomas Morell; Southend Boys Choir |
8:50 | |||
Jephtha, HWV 70, Act III
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1.35
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Hide Thou Thy Hated Beams, O Sun
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
2:55 | |||
1.36
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Waft Her, Angels, Through the Skies
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
4:49 | |||
1.37
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Ye Sacred Priests - Farewell, Ye Limpid Springs and Floods
George Frideric Handel; Thomas Morell; Margaret Marshall |
6:03 | |||
1.38
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Doubtful Fear and Rev'rent Awe
George Frideric Handel; Thomas Morell; Southend Boys Choir |
5:00 | |||
1.39
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Symphony
George Frideric Handel; Thomas Morell; Academy of St Martin in the Fields |
1:28 | |||
1.40
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Rise, Jephta, and Ye Rev'rend Priests
George Frideric Handel; Thomas Morell; Emma Kirkby |
1:12 | |||
1.41
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Happy, Iphis Shalt Thou Live
George Frideric Handel; Thomas Morell; Emma Kirkby |
4:44 | |||
1.42
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For Ever Blessed Be Thy Holy Name
George Frideric Handel; Thomas Morell; Anthony Rolfe Johnson |
1:51 | |||
1.43
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Theme Sublime of Endless Praise
George Frideric Handel; Thomas Morell; Southend Boys Choir |
3:10 | |||
1.44
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Let Me Congratulate This Happy Turn - Laud Her, All Ye Virgin Train
George Frideric Handel; Thomas Morell; Christopher Keyte |
1:45 | |||
1.45
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O Let Me Fold Thee in a Mother's Arms - Sweet as Sight
George Frideric Handel; Thomas Morell; Alfreda Hodgson |
2:32 | |||
1.46
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With Transport, Iphis - 'Tis Heaven's All-ruling Power
George Frideric Handel; Thomas Morell; Paul Esswood |
5:41 | |||
1.47
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My Faithful Hamor, May That Providence - All That Is in Hamor Mine
George Frideric Handel; Thomas Morell; Margaret Marshall |
4:21 | |||
1.48
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Ye House of Gilead, With One Voice
George Frideric Handel; Thomas Morell; Southend Boys Choir |
3:43 |
Decca Music Group Limited presents this legacy recording, transferred from its original analogue sources into high-resolution digital formats for crystal clear modern listening.
This new edition, an exciting new collaboration between Decca and the Academy, celebrates the Academy’s international reputation for its distinctive, polished and refined sound through a hand-picked selection from the ensembles prolific catalogue of over 500 recordings.
Recordings taken from the Decca, Argo and Philips catalogues, plus Sony Classical, Pentatone and Onyx. Including the first and last recordings with Sir Neville Marriner, recordings with Iona Brown and with present Music Director Joshua Bell, this edition is a true survey of the first 60 years of the Academy.
48 kHz / 24-bit PCM – Universal Music Australia Pty. Ltd. Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.86 -13.35 to -0.20 | -27.33 -32.65 to -19.98 | -23.57 -28.50 to -16.00 | 14 11 to 17 | |
1 | Overture | -6.49 | -24.68 | -21.5 | 11 |
2 | Menuet | -13.35 | -31.38 | -28.4 | 12 |
3 | It Must Be So | -8.76 | -30.30 | -26.9 | 13 |
4 | Pour Forth No More Unheeded Pray'rs | -5.41 | -26.43 | -23.0 | 12 |
5 | No More to Ammon's God and King | -1.86 | -20.93 | -17.4 | 12 |
6 | But Jephta Comes | -5.26 | -29.73 | -25.5 | 15 |
7 | Virtue My Soul Shall Still Embrace | -7.41 | -29.02 | -25.5 | 14 |
8 | 'Twill Be a Painful Separation, Jephta - In Gentle Murmurs Will I Mourn | -6.01 | -31.94 | -28.4 | 16 |
9 | Happy This Embassy, My Charming Iphis - Dull Delay, in Piercing Anguish | -7.50 | -30.17 | -27.1 | 15 |
10 | Ill Suits the Voice of Love When Glory Calls - Take the Heart You Fondly Gave | -5.14 | -28.23 | -24.9 | 15 |
11 | I Go, My soul, Inspir'd - These Labours Past, How Happy We! | -1.99 | -25.81 | -22.5 | 15 |
12 | What Mean These Doubtful Fancies | -6.78 | -30.02 | -25.6 | 14 |
13 | O God, Behold Our Sore Distress | -1.91 | -22.48 | -18.9 | 12 |
14 | Some Dire Event Hangs o'er Our Heads - Scenes of Horror, Scenes of Woe | -6.61 | -29.40 | -26.2 | 15 |
15 | Say, My Dear Mother | -4.71 | -30.08 | -25.5 | 13 |
16 | The Smiling Dawn of Happy Days | -4.89 | -28.55 | -25.2 | 14 |
17 | Such, Jephta - When His Loud Voice | -1.02 | -21.39 | -17.8 | 12 |
18 | Glad Tidings of Great Joy to Thee, Dear Iphis | -7.03 | -30.74 | -26.7 | 15 |
19 | Cherub and Seraphim, Unbodied Forms | -0.60 | -23.08 | -19.2 | 13 |
20 | Up the DreadfulSteep Ascending | -4.41 | -27.11 | -23.6 | 15 |
21 | 'Tis Well - Tune the Soft Melodious Lute | -4.71 | -27.49 | -24.0 | 13 |
22 | Again Heav'n Smiles - Freedom Now Once More Possessing | -6.05 | -27.07 | -23.6 | 13 |
23 | Zebul, Thy Deeds Were Valiant - His Mighty Arm | -3.85 | -26.16 | -22.3 | 15 |
24 | In Glory High, in Might Serene | -0.31 | -20.76 | -17.0 | 13 |
25 | Symphony | -11.38 | -29.43 | -26.3 | 11 |
26 | Hail, Glorious Conqueror - Welcome as the Cheerful Ligh | -2.52 | -24.98 | -21.4 | 15 |
27 | Horror! Confusion! - Open Thy Marble Jaws, O Tomb | -3.22 | -28.25 | -24.7 | 17 |
28 | Why Is My Brother Thus Afflicted | -6.77 | -32.65 | -26.9 | 17 |
29 | First Perish Thou, and Perish All the World | -5.48 | -28.46 | -25.0 | 14 |
30 | If Such Thy Cruel Purpose - On Me Let Blind Mistaken Zeal | -3.60 | -26.68 | -23.2 | 14 |
31 | O Spare Your Daughter | -3.25 | -24.29 | -20.6 | 14 |
32 | Such News Flies Swift - Happy They | -5.87 | -27.91 | -24.3 | 14 |
33 | Deeper, and Deeper Still | -1.35 | -28.04 | -21.8 | 16 |
34 | How Dark, O Lord, Are Thy Decrees! | -1.01 | -24.89 | -20.3 | 14 |
35 | Hide Thou Thy Hated Beams, O Sun | -5.93 | -31.14 | -26.9 | 13 |
36 | Waft Her, Angels, Through the Skies | -4.15 | -31.81 | -28.5 | 17 |
37 | Ye Sacred Priests - Farewell, Ye Limpid Springs and Floods | -4.13 | -27.42 | -23.5 | 13 |
38 | Doubtful Fear and Rev'rent Awe | -0.20 | -22.37 | -18.3 | 13 |
39 | Symphony | -7.25 | -28.03 | -24.0 | 13 |
40 | Rise, Jephta, and Ye Rev'rend Priests | -9.58 | -30.52 | -25.9 | 12 |
41 | Happy, Iphis Shalt Thou Live | -6.57 | -28.66 | -25.1 | 14 |
42 | For Ever Blessed Be Thy Holy Name | -8.39 | -28.25 | -24.7 | 12 |
43 | Theme Sublime of Endless Praise | -1.33 | -21.15 | -17.6 | 12 |
44 | Let Me Congratulate This Happy Turn - Laud Her, All Ye Virgin Train | -5.32 | -27.48 | -24.1 | 14 |
45 | O Let Me Fold Thee in a Mother's Arms - Sweet as Sight | -7.98 | -30.88 | -27.2 | 14 |
46 | With Transport, Iphis - 'Tis Heaven's All-ruling Power | -5.33 | -30.31 | -26.9 | 16 |
47 | My Faithful Hamor, May That Providence - All That Is in Hamor Mine | -0.20 | -25.08 | -21.4 | 14 |
48 | Ye House of Gilead, With One Voice | -0.55 | -19.98 | -16.0 | 12 |