℗ 2024 Capriccio, 1040 Vienna, Austria
| Released | June 7, 2024 |
| Duration | 3h 50m 13s |
| Record Label | CapriccioNR |
| Catalogue No. | C5484 |
| Genre | Classical (Orchestral) |
Beethoven - The Mahler Re-Orchestrations
Deutsche Staatsphilharmonie Rheinland-Pfalz, Michael Francis, Margarita Vilsone, Evelyne Krahe, Michael Müller-Kasztelan, Derrick Ballard, Czech Philharmonic Choir of Brno
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Symphony No. 5 (orch. Mahler)
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1.1
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I. Allegro con brio
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
6:51 | |||
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1.2
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II. Andante con moto
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
8:55 | |||
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1.3
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III. Allegro
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
4:48 | |||
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1.4
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IV. Allegro
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
8:15 | |||
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Symphony No. 3 "Eroica" (orch. Mahler)
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1.5
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I. Allegro con brio
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
13:50 | |||
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1.6
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II. Marcia funebre (Adagio assai)
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
15:09 | |||
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1.7
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III. Scherzo (Allegro vivace)
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
5:45 | |||
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1.8
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IV. Finale (Allegro molto)
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
11:45 | |||
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2.1
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Coriolan Overture Op. 62 (orch. Mahler)
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
7:47 | |||
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Symphony No. 7 (orch. Mahler)
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2.2
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I. Poco sostenuto. Vivace
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
12:07 | |||
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2.3
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II. Allegretto
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
8:33 | |||
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2.4
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III. Presto
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
8:10 | |||
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2.5
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IV. Allegro con brio
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
6:28 | |||
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String Quartet Op. 95 (orch. Mahler)
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2.6
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I. Allegro con brio
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
4:23 | |||
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2.7
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II. Allegretto, ma non troppo
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
6:56 | |||
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2.8
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III. Allegro assai vivace, ma serioso
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
4:33 | |||
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2.9
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IV. Larghetto espressivo - Allegretto agitato
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
4:41 | |||
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2.10
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Leonore Overture No. 2 Op. 72 (orch. Mahler)
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
13:25 | |||
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3.1
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Leonore Overture No. 3, Op. 72b (orch. Mahler)
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
13:24 | |||
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Symphony No. 9 'Choral' (orch. Mahler)
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3.2
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I. Allegro ma non troppo, un poco maestoso
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
15:10 | |||
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3.3
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II. Molto vivace
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
12:02 | |||
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3.4
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III. Adagio molto e cantabile
Ludwig van Beethoven; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis |
13:43 | |||
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3.5
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IV. Presto. Allegro assai
Ludwig van Beethoven; Friedrich Schiller; Gustav Mahler; Deutsche Staatsphilharmonie Rheinland-Pfalz; Michael Francis; Margarita Vilsone; Evelyne Krahe; Michael Müller-Kasztelan; Derrick Ballard; Czech Philharmonic Choir of Brno |
23:33 | |||
Whenever Gustav Mahler spoke of Beethoven, he did so with an air of reverence: “Among poets and composers of more recent times we can, perhaps, name but three: Shakespeare, Beethoven and Wagner.” Even so, Mahler the conductor considered Beethoven’s scores primarily as a challenge, as material that needed to be adapted for the orchestras and concert halls of his time. Richard Wagner had already studied Beethoven’s scores intensively and written about them in great detail. The balance in sound of the classical orchestra had developed, and a return to previous proportions was out of the question, given the increased size of the concert halls. People knew of the existence of Mahler's adaptations, but it was not until 1927 that Erwin Stein, the composer, pianist and music journalist active in Schoenberg’s circles, was able to report that all of Mahler’s conducting scores, replete with his 'Retuschen' (retouchings), had in fact survived.
48 kHz / 24-bit PCM – CapriccioNR Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.29 -10.61 to -0.19 | -28.00 -35.88 to -21.78 | -23.23 -32.90 to -18.40 | 14 13 to 17 | |
| 1.1 | I. Allegro con brio | -2.94 | -24.54 | -20.3 | 13 |
| 1.2 | II. Andante con moto | -4.91 | -28.81 | -22.8 | 14 |
| 1.3 | III. Allegro | -3.74 | -28.61 | -22.7 | 13 |
| 1.4 | IV. Allegro | -0.19 | -23.03 | -19.2 | 14 |
| 1.5 | I. Allegro con brio | -5.18 | -28.11 | -23.6 | 14 |
| 1.6 | II. Marcia funebre (Adagio assai) | -4.91 | -29.35 | -23.9 | 14 |
| 1.7 | III. Scherzo (Allegro vivace) | -4.20 | -28.74 | -22.8 | 15 |
| 1.8 | IV. Finale (Allegro molto) | -3.63 | -27.83 | -22.7 | 15 |
| 2.1 | Coriolan Overture Op. 62 (orch. Mahler) | -3.00 | -25.82 | -20.7 | 14 |
| 2.2 | I. Poco sostenuto. Vivace | -0.48 | -23.98 | -18.8 | 15 |
| 2.3 | II. Allegretto | -3.11 | -29.70 | -24.1 | 16 |
| 2.4 | III. Presto | -3.48 | -25.93 | -20.9 | 13 |
| 2.5 | IV. Allegro con brio | -0.20 | -21.78 | -18.4 | 13 |
| 2.6 | I. Allegro con brio | -6.54 | -28.08 | -24.0 | 13 |
| 2.7 | II. Allegretto, ma non troppo | -10.15 | -34.54 | -30.5 | 15 |
| 2.8 | III. Allegro assai vivace, ma serioso | -7.24 | -28.10 | -23.6 | 13 |
| 2.9 | IV. Larghetto espressivo - Allegretto agitato | -5.41 | -30.38 | -25.8 | 14 |
| 2.10 | Leonore Overture No. 2 Op. 72 (orch. Mahler) | -3.76 | -28.39 | -23.3 | 15 |
| 3.1 | Leonore Overture No. 3, Op. 72b (orch. Mahler) | -2.94 | -28.16 | -22.6 | 15 |
| 3.2 | I. Allegro ma non troppo, un poco maestoso | -2.32 | -27.04 | -22.6 | 16 |
| 3.3 | II. Molto vivace | -5.55 | -30.00 | -25.8 | 15 |
| 3.4 | III. Adagio molto e cantabile | -10.61 | -35.88 | -32.9 | 16 |
| 3.5 | IV. Presto. Allegro assai | 0.00 | -27.18 | -22.2 | 17 |