℗ 2018 Naxos
| Released | November 9, 2018 |
| Duration | 1h 17m 34s |
| Record Label | Naxos |
| Catalogue No. | 8.574003 |
| Genre | Classical (Chamber) |
Castelnuovo-Tedesco: Violin Concerto No. 3
Davide Alogna, Fiorenzo Pascalucci, Federico Stassi, Roberto Trainini
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto No. 3, Op. 102
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1.1
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I. Drammatico
Mario Castelnuovo-Tedesco; Davide Alogna; Fiorenzo Pascalucci |
10:25 | |||
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1.2
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II. Lento - Grave e triste
Mario Castelnuovo-Tedesco; Davide Alogna; Fiorenzo Pascalucci |
7:00 | |||
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1.3
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III. Molto moderato (Quasi un'introduzione)
Mario Castelnuovo-Tedesco; Davide Alogna; Fiorenzo Pascalucci |
8:57 | |||
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String Trio, Op. 147
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1.4
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I. Allegretto grazioso
Mario Castelnuovo-Tedesco; Davide Alogna; Federico Stassi; Roberto Trainini |
6:18 | |||
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1.5
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Nenia
Mario Castelnuovo-Tedesco; Davide Alogna; Federico Stassi; Roberto Trainini |
7:35 | |||
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1.6
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III. Vivace (Ritmico e balzante)
Mario Castelnuovo-Tedesco; Davide Alogna; Federico Stassi; Roberto Trainini |
4:53 | |||
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Sonata for Violin & Cello, Op. 148
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1.7
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I. Lento misterioso
Mario Castelnuovo-Tedesco; Davide Alogna; Roberto Trainini |
9:19 | |||
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1.8
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II. Cavatina. Andante
Mario Castelnuovo-Tedesco; Davide Alogna; Roberto Trainini |
8:03 | |||
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1.9
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III. Scherzo. Mosso, con spirito - Alla serenata (In 1)
Mario Castelnuovo-Tedesco; Davide Alogna; Roberto Trainini |
6:44 | |||
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1.10
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IV. Rhapsody. Introduzione (Liberamente - Quasi improvvisando)
Mario Castelnuovo-Tedesco; Davide Alogna; Roberto Trainini |
8:20 | |||
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Digital Booklet
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The three previously unpublished and unrecorded chamber works in this programme were all written after Castelnuovo-Tedesco’s enforced move to the United States from his native Italy. Evoking the emotional day on which the composer sailed into New York for the first time, the Third Violin Concerto was composed for Jascha Heifetz specifically as a duo for violin and piano.
Established as a highly regarded teacher and composer of film music, Castelnuovo-Tedesco rediscovered the joy of chamber music making as part of the Hollywood musical community. He considered the Sonata for Violin and Cello, Op. 148 his finest in this genre, while the String Trio, Op. 147 recalls the shores of the Mediterranean.
96 kHz / 24-bit PCM – Naxos Studio Masters
Tracks 1-3 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 4-10 – 88.2 kHz / 24-bit PCM
Tracks 1-3 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 4-10 – 88.2 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.28 -5.04 to -0.08 | -25.18 -28.63 to -21.12 | -22.15 -25.70 to -18.10 | 14 13 to 16 | |
| 1 | I. Drammatico | -2.63 | -24.24 | -21.0 | 14 |
| 2 | II. Lento - Grave e triste | -4.06 | -28.63 | -25.2 | 16 |
| 3 | III. Molto moderato (Quasi un'introduzione) | -2.03 | -23.28 | -20.1 | 13 |
| 4 | I. Allegretto grazioso | -4.97 | -25.57 | -22.6 | 13 |
| 5 | Nenia | -0.08 | -23.59 | -20.8 | 14 |
| 6 | III. Vivace (Ritmico e balzante) | -0.10 | -21.12 | -18.1 | 13 |
| 7 | I. Lento misterioso | -2.18 | -26.76 | -23.8 | 14 |
| 8 | II. Cavatina. Andante | -5.04 | -28.62 | -25.7 | 13 |
| 9 | III. Scherzo. Mosso, con spirito - Alla serenata (In 1) | -0.60 | -25.85 | -23.1 | 15 |
| 10 | IV. Rhapsody. Introduzione (Liberamente - Quasi improvvisando) | -1.14 | -24.16 | -21.1 | 14 |