
℗ 2014 PHI
Released | November 4, 2014 |
Duration | 49m 20s |
Record Label | PHI |
Catalogue No. | LPH014 |
Genre | Classical (Vocal Ensemble) |
Byrd: Infelix ego
Collegium Vocale Gent, Philippe Herreweghe
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Emendemus in melius
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
3:42 | |||
Liber secundus sacrarum cantionum (Cantiones sacrae)
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1.2
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Infelix ego
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
12:36 | |||
Gradualia, Book 1
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1.3
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Ave Maria
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
2:56 | |||
1.4
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Peccantem me quotidie
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
3:55 | |||
Mass for 5 voices
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1.5
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Kyrie
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
1:15 | |||
1.6
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Gloria
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
4:36 | |||
1.7
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Credo
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
7:15 | |||
1.8
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Sanctus
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
1:59 | |||
1.9
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Benedictus
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
1:14 | |||
1.10
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Agnus Dei
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
2:59 | |||
1.11
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Christe qui lux es
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
3:15 | |||
Liber secundus sacrarum cantionum (Cantiones sacrae)
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1.12
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Miserere mei
William Byrd; Collegium Vocale Gent; Philippe Herreweghe |
3:38 | |||
Digital Booklet
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Philippe Herreweghe and his Collegium Vocale Gent honour English composer William Byrd on their third volume dedicated to vocal music of the Renaissance. This programme draws its title from Byrd’s motet Infelix ego, one of the greatest artistic statements of the 16th century. Taking the form of several rhetorical questions and assertions, the text describes all the emotions felt by a tormented soul: guilt, fear, embarrassment, anger and above all the gift of deliverance upon acceptance of Christ’s mercy. Also included on this album is the Mass for 5 Voices and other selections by Byrd, Alfonso Ferrabosco and Philippus de Monte.
96 kHz / 24-bit PCM – PHI Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.92 -5.78 to -0.10 | -24.59 -26.19 to -23.02 | -21.11 -22.20 to -19.50 | 13 12 to 15 | |
1 | Emendemus in melius | -1.63 | -23.02 | -19.5 | 13 |
2 | Infelix ego | -0.10 | -23.70 | -20.4 | 15 |
3 | Ave Maria | -1.99 | -23.87 | -20.6 | 12 |
4 | Peccantem me quotidie | -1.20 | -25.08 | -21.9 | 13 |
5 | Kyrie | -4.27 | -24.65 | -21.1 | 13 |
6 | Gloria | -2.40 | -24.33 | -20.9 | 13 |
7 | Credo | -2.97 | -25.17 | -21.9 | 14 |
8 | Sanctus | -4.15 | -24.56 | -21.3 | 12 |
9 | Benedictus | -5.78 | -26.19 | -22.2 | 12 |
10 | Agnus Dei | -1.67 | -25.39 | -21.9 | 13 |
11 | Christe qui lux es | -4.42 | -25.12 | -21.0 | 13 |
12 | Miserere mei | -4.49 | -23.98 | -20.6 | 12 |