℗ 2018 Azica Records
| Released | November 16, 2018 |
| Duration | 47m 46s |
| Record Label | Azica Records |
| Catalogue No. | Azica71324 |
| Genre | Classical (Chamber) |
Celebrating Piazzolla
Neave Trio, Carla Jablonski
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
4 Estaciones porteñas (Arr. for Violin, Cello & Piano)
|
|||||
|
1.1
|
III. Primavera porteña
Astor Piazzolla; Neave Trio |
4:13 | |||
|
1.2
|
I. Verano porteña
Astor Piazzolla; Neave Trio |
6:12 | |||
|
1.3
|
IV. Otoño porteña
Astor Piazzolla; Neave Trio |
5:03 | |||
|
1.4
|
II. Invierno porteña
Astor Piazzolla; Neave Trio |
6:15 | |||
|
1.5
|
Los pájaros perdidos (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano)
Astor Piazzolla; Leonardo Suarez Paz; Carla Jablonski; Neave Trio |
4:10 | |||
|
1.6
|
El gordo triste (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano)
Astor Piazzolla; Leonardo Suarez Paz; Carla Jablonski; Neave Trio |
4:32 | |||
|
1.7
|
El títere (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano)
Astor Piazzolla; Leonardo Suarez Paz; Carla Jablonski; Neave Trio |
3:16 | |||
|
1.8
|
Oblivion (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano)
Astor Piazzolla; Leonardo Suarez Paz; Carla Jablonski; Neave Trio |
5:34 | |||
|
María de Buenos Aires
|
|||||
|
1.9
|
Yo soy Maria (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano)
Astor Piazzolla; Leonardo Suarez Paz; Carla Jablonski; Neave Trio |
4:27 | |||
|
1.10
|
Milonga de los monsters
Leonardo Suarez Paz; Carla Jablonski; Neave Trio |
4:04 | |||
In this recording, the Neave Trio celebrates Piazzolla’s rich legacy through arrangements, by one of Piazzolla’s long time colleagues and by a younger protégé. “All three of us wear many musical hats, emulating other sounds and instruments. Sometimes we provide percussion.” Anna Williams states that, “at times we were inspired by the sounds of bandoneón, accordion, guitar, viola, and double bass.”
Within the supposed confines of a traditional piano trio, this performance evokes a larger, more diverse family of instruments. Since forming in 2010, Neave Trio – violinist Anna Williams, cellist Mikhail Veselov, and pianist Eri Nakamura – has earned enormous praise for its engaging, cuttingedge performances. WQXR explains, "'Neave' is actually a Gaelic name meaning 'bright' and 'radiant', both of which certainly apply to this trio's music making."
The Boston Musical Intelligencer included Neave in its “Best of 2014” and “Best of 2016” roundups, writing, “it is inconceivable that they will not soon be among the busiest chamber ensembles going,” and “their unanimity, communication, variety of touch, and expressive sensibility rate first tier.”
96 kHz / 24-bit PCM – Azica Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.34 -2.02 to -0.38 | -23.19 -24.60 to -21.06 | -19.68 -21.30 to -18.00 | 14 13 to 15 | |
| 1 | III. Primavera porteña | -0.92 | -22.15 | -18.9 | 13 |
| 2 | I. Verano porteña | -0.38 | -22.48 | -19.3 | 14 |
| 3 | IV. Otoño porteña | -2.02 | -24.52 | -20.6 | 14 |
| 4 | II. Invierno porteña | -1.80 | -23.84 | -20.2 | 13 |
| 5 | Los pájaros perdidos (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano) | -1.02 | -23.41 | -19.5 | 14 |
| 6 | El gordo triste (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano) | -1.56 | -23.58 | -19.8 | 14 |
| 7 | El títere (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano) | -1.47 | -22.47 | -18.8 | 14 |
| 8 | Oblivion (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano) | -1.69 | -24.60 | -21.3 | 14 |
| 9 | Yo soy Maria (Arr. L. Suárez Paz for Voice, Violin, Cello & Piano) | -0.95 | -21.06 | -18.0 | 13 |
| 10 | Milonga de los monsters | -1.55 | -23.76 | -20.4 | 15 |