℗ ℗ 2017 Deutsche Grammophon, Berlin
 

Baïka

Nemanja Radulovic

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Concerto for Violin and Orchestra in D Minor  
1.1
1. Allegro con fermezza
Aram Khachaturian; Nemanja Radulovic; Borusan Istanbul Philharmonic Orchestra; Sascha Goetzel
15:06
1.2
2. Andante sostenuto
Aram Khachaturian; Nemanja Radulovic; Borusan Istanbul Philharmonic Orchestra; Sascha Goetzel
12:53
1.3
3. Allegro vivace
Aram Khachaturian; Nemanja Radulovic; Borusan Istanbul Philharmonic Orchestra; Sascha Goetzel
8:58
Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35  
1.4
1. The Sea and Sinbad's Ship
Nikolai Rimsky-Korsakov; Aleksandar Sedlar; Nemanja Radulovic; Double Sens; Stephanie Fontanarosa
3:13
1.5
2. The Legend of the Kalendar Prince
Nikolai Rimsky-Korsakov; Aleksandar Sedlar; Nemanja Radulovic; Double Sens; Stephanie Fontanarosa
6:02
1.6
3. The Young Prince and the Young Princess
Nikolai Rimsky-Korsakov; Aleksandar Sedlar; Nemanja Radulovic; Double Sens; Stephanie Fontanarosa
7:34
1.7
4. Festival at Baghdad. The Sea. Ship Breaks upon a Cliff Surmounted by a Bronze Horseman
Nikolai Rimsky-Korsakov; Aleksandar Sedlar; Nemanja Radulovic; Double Sens; Stephanie Fontanarosa
5:22
Trio for Clarinet, Violin and Piano  
1.8
1. Andante con dolore, molto espressivo
Aram Khachaturian; Nemanja Radulovic; Andreas Ottensamer; Laure Favre-Kahn
4:32
1.9
2. Allegro
Aram Khachaturian; Nemanja Radulovic; Andreas Ottensamer; Laure Favre-Kahn
4:04
1.10
3. Moderato
Aram Khachaturian; Nemanja Radulovic; Andreas Ottensamer; Laure Favre-Kahn
6:52
1.11
Savcho 3
Aleksandar Sedlar; Nemanja Radulovic; Double Sens; Stephanie Fontanarosa; Aleksandar Sedlar
2:58
1.12
Turkey
Aleksandar Sedlar; Nemanja Radulovic; Double Sens; Laure Favre-Kahn; Aleksandar Sedlar
2:11
Total Playing Time    79:45
"...It’s music that requires great virtuosity and that’s precisely what it gets from the French-Serbian violinist Nemanja Radulović on this new disc from DG. Magic is there from Radulović’s first phrase, floating on wings of fantasy as Sascha Goetzel pulls back the Borusan Istanbul Philharmonic after their orchestral introduction, followed by a beguiling statement of the main theme. Radulović has a big, muscular tone, with a warm, grainy lower register, but it’s a clean sound without overcooking the vibrato. He indulges in teasing rubatos, almost straying beyond the musical line (track 1, 4'29"), hits the accelerator pedal hard (6'10") and scales dynamics dramatically (15'44") but it’s playing that’s got bags of personality. The cadenza is imaginatively executed, with tasteful use of portamento..."
- Gramophone

...Virtuoso, inspired and penetrating, Radulović rushes for a non overloaded romantic pathos conception, beautiful and perfect introspection...
- Jean-Luc Caron, Resmusica

Nemanja Radulović’s latest album, Baïka, takes us on a journey through different musical regions. From the Armenia of Khachaturian we travel to Rimsky-Korsakov’s fairy-tale Arabia before reaching the shores of the Black Sea with Aleksandar Sedlar. On this new recording, the Franco-Serbian violinist is accompanied by some of his most long-standing musical friends and collaborators.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters

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