℗ 2014 Hyperion Records Limited
Released | March 2, 2014 |
Duration | 1h 13m 01s |
Record Label | Hyperion |
Genre | Classical |
Arensky: Piano Trios 1 & 2 etc.
Leonore Piano Trio
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Trio No. 1 in D Minor, Op. 32
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1.1
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I. Allegro moderato
Anton Arensky; Leonore Piano Trio |
14:05 | |||
1.2
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II. Scherzo. Allegro molto
Anton Arensky; Leonore Piano Trio |
6:31 | |||
1.3
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III. Elegia. Adagio
Anton Arensky; Leonore Piano Trio |
7:00 | |||
1.4
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IV. Finale. Allegro non troppo
Anton Arensky; Leonore Piano Trio |
6:47 | |||
Piano Trio No. 2 in F Minor, Op. 73
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1.5
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I. Allegro moderato
Anton Arensky; Leonore Piano Trio |
9:26 | |||
1.6
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II. Romance. Andante
Anton Arensky; Leonore Piano Trio |
6:22 | |||
1.7
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III. Scherzo. Presto
Anton Arensky; Leonore Piano Trio |
6:24 | |||
1.8
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IV. Tema con variazioni. Allegro non troppo
Anton Arensky; Leonore Piano Trio |
10:03 | |||
1.9
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Vocalise, Op. 34 No. 14 (Arr. Conus for Piano Trio)
Sergei Rachmaninoff; Julius Conus; Leonore Piano Trio |
6:23 | |||
Digital Booklet
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"An all-Russian fountain of melodic charm, embroidered with an alternating full and delicate tracery … the Leonores play with truly glorious affection and security, and it is hard to imagine playing of a greater empathy. Balance (there is no artificial highlighting) and sound are ideal."
- Gramophone
Arensky’s Piano Trios represent a fine example of the Russian romantic piano trio, a form ‘invented’ by Tchaikovsky, Arensky’s close friend and influence.
Piano Trio No 1 is the more popular of the two, dedicated to the cellist Karl Davidoff. Davidoff is regarded as the founder of the Russian school of cello-playing, and Arensky’s dedication accounts for the fact that the cello plays such a prominent role, having most of the principal themes and often seeming to eclipse the violin in importance. Piano Trio No 2 is one composer’s last works, and marks a considerable advance in Arensky’s compositional techniques.
Hyperion is delighted to present the Leonore Piano Trio (Tim Horton, Benjamin Nabarro and Gemma Rosefield, who features as soloist on Hyperion’s Romantic Cello Concerto series Volume 3: Stanford Cello Concertos) in its debut recording.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.10 -12.64 to -0.38 | -27.53 -35.17 to -24.52 | -23.94 -32.20 to -19.70 | 14 13 to 16 | |
1 | I. Allegro moderato | -0.38 | -25.07 | -21.5 | 15 |
2 | II. Scherzo. Allegro molto | -3.84 | -27.26 | -23.8 | 15 |
3 | III. Elegia. Adagio | -12.64 | -35.17 | -32.2 | 13 |
4 | IV. Finale. Allegro non troppo | -1.86 | -24.52 | -19.7 | 13 |
5 | I. Allegro moderato | -2.41 | -25.17 | -21.8 | 14 |
6 | II. Romance. Andante | -4.83 | -30.15 | -27.0 | 16 |
7 | III. Scherzo. Presto | -2.50 | -25.59 | -22.2 | 15 |
8 | IV. Tema con variazioni. Allegro non troppo | -1.65 | -26.36 | -22.1 | 15 |
9 | Vocalise, Op. 34 No. 14 (Arr. Conus for Piano Trio) | -6.81 | -28.52 | -25.2 | 13 |