℗ 2012 Hyperion Records Limited
| Released | March 23, 2012 |
| Duration | 1h 06m 33s |
| Record Label | Hyperion |
| Genre | Classical |
Debussy: Complete Songs, Vol. 2
Lorna Anderson
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Fêtes galantes I, CD 86
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1.1
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No. 1, En sourdine
Claude Debussy; Paul Verlaine; Lorna Anderson |
3:11 | |||
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1.2
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No. 2, Fantoches
Claude Debussy; Paul Verlaine; Lorna Anderson |
1:24 | |||
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1.3
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No. 3, Clair de lune
Claude Debussy; Paul Verlaine; Lorna Anderson |
3:21 | |||
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Proses lyriques, CD 90
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1.4
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No. 1, De rêve
Claude Debussy; Malcolm Martineau |
6:10 | |||
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1.5
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No. 2, De grève
Claude Debussy; Lisa Milne |
3:31 | |||
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1.6
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No. 3, De fleurs
Claude Debussy; Malcolm Martineau |
5:36 | |||
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1.7
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No. 4, De soir
Claude Debussy; Malcolm Martineau |
4:15 | |||
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Chansons de Bilitis, CD 97
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1.8
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No. 1, La flûte de Pan
Claude Debussy; Pierre Louÿs; Lorna Anderson |
2:49 | |||
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1.9
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No. 2, La chevelure
Claude Debussy; Pierre Louÿs; Malcolm Martineau |
3:25 | |||
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1.10
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No. 3, Le tombeau des Naïades
Claude Debussy; Pierre Louÿs; Lorna Anderson |
2:46 | |||
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Ariettes oubliées, CD 63a
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1.11
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No. 1, C'est l'extase langoureuse
Claude Debussy; Paul Verlaine; Malcolm Martineau |
2:55 | |||
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1.12
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No. 2, Il pleure dans mon cœur
Claude Debussy; Paul Verlaine; Malcolm Martineau |
2:29 | |||
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1.13
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No. 3, L'ombre des arbres
Claude Debussy; Paul Verlaine; Malcolm Martineau |
2:35 | |||
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1.14
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No. 4, Paysages belges. Chevaux de bois
Claude Debussy; Paul Verlaine; Lisa Milne |
3:22 | |||
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1.15
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No. 5, Aquarelle I. Green
Claude Debussy; Paul Verlaine; Malcolm Martineau |
2:22 | |||
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1.16
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No. 6, Aquarelles II. Spleen
Claude Debussy; Paul Verlaine; Lisa Milne |
2:32 | |||
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3 Chansons de France, CD 115
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1.17
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No. 1, Rondel I. Le temps a laissé son manteau
Claude Debussy; Charles d'Orléans; Malcolm Martineau |
1:13 | |||
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1.18
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No. 2, La grotte
Claude Debussy; François Tristan L'Hermite; Malcolm Martineau |
2:39 | |||
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1.19
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No. 3, Rondel II. Pour ce que plaisance est morte
Claude Debussy; Charles d'Orléans; Malcolm Martineau |
2:08 | |||
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3 Poèmes de Mallarmé, CD 135
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1.20
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No. 1, Soupir
Claude Debussy; Stéphane Mallarmé; Malcolm Martineau |
2:58 | |||
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1.21
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No. 2, Placet futile
Claude Debussy; Stéphane Mallarmé; Malcolm Martineau |
2:14 | |||
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1.22
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No. 3, Éventail
Claude Debussy; Stéphane Mallarmé; Lorna Anderson |
2:38 | |||
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Digital Booklet
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"Malcolm Martineau's nuanced pianism partners Lorna Anderson and Lisa Milne in a sequence spanning most of Debussy's creative life … Anderson effortlessly glides through Debussy's limpid, lengthy phrases, while Milne's shivering sense of wonder is Mélisande-like in its pent-up excitement."
- BBC Music Magazine
Two of Britain’s leading exponents of French song, the acclaimed sopranos Lorna Anderson and Lisa Milne, join Malcolm Martineau for the second volume of Hyperion’s overview of Debussy’s haunting, mercurial songs. The French composer’s output in this genre extended throughout his life and he was always inspired by poetry—from his first adolescent attempts to set Paul Verlaine’s Fêtes galantes (which he later revised) to the Trois Poèmes de Mallarmé, written five years before his death. All inhabit a universe of shifting colours and impressions, from the sensual, perfumed ‘flutes and flesh’ of the Chansons de Bilitis to the Proses lyriques, which foreshadow the dreamlike atmosphere of Pelléas et Mélisande.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.60 -12.20 to -0.63 | -28.47 -34.39 to -23.60 | -23.80 -30.30 to -18.80 | 14 12 to 16 | |
| 1 | No. 1, En sourdine | -6.84 | -31.06 | -26.7 | 14 |
| 2 | No. 2, Fantoches | -3.42 | -23.60 | -20.3 | 13 |
| 3 | No. 3, Clair de lune | -4.33 | -27.51 | -23.3 | 13 |
| 4 | No. 1, De rêve | -3.25 | -28.32 | -22.9 | 15 |
| 5 | No. 2, De grève | -1.72 | -28.23 | -23.9 | 15 |
| 6 | No. 3, De fleurs | -2.13 | -25.74 | -19.3 | 14 |
| 7 | No. 4, De soir | -4.51 | -28.26 | -23.5 | 14 |
| 8 | No. 1, La flûte de Pan | -11.64 | -33.89 | -30.3 | 13 |
| 9 | No. 2, La chevelure | -1.52 | -27.28 | -21.5 | 15 |
| 10 | No. 3, Le tombeau des Naïades | -2.00 | -25.38 | -21.5 | 13 |
| 11 | No. 1, C'est l'extase langoureuse | -4.54 | -28.80 | -22.4 | 13 |
| 12 | No. 2, Il pleure dans mon cœur | -5.82 | -28.66 | -24.6 | 13 |
| 13 | No. 3, L'ombre des arbres | -6.35 | -30.88 | -24.7 | 13 |
| 14 | No. 4, Paysages belges. Chevaux de bois | -3.35 | -27.14 | -23.2 | 14 |
| 15 | No. 5, Aquarelle I. Green | -4.59 | -29.85 | -24.9 | 15 |
| 16 | No. 6, Aquarelles II. Spleen | -0.63 | -26.10 | -18.8 | 14 |
| 17 | No. 1, Rondel I. Le temps a laissé son manteau | -2.73 | -24.15 | -20.8 | 13 |
| 18 | No. 2, La grotte | -12.20 | -34.39 | -30.2 | 13 |
| 19 | No. 3, Rondel II. Pour ce que plaisance est morte | -6.86 | -29.44 | -25.8 | 12 |
| 20 | No. 1, Soupir | -9.16 | -32.12 | -28.2 | 14 |
| 21 | No. 2, Placet futile | -0.80 | -26.91 | -22.7 | 16 |
| 22 | No. 3, Éventail | -2.91 | -28.61 | -24.1 | 15 |