℗ 2015 Hyperion Records Limited
| Released | March 2, 2015 |
| Duration | 1h 10m 57s |
| Record Label | Hyperion |
| Genre | Classical |
Liszt: The Complete Songs, Vol. 3
Gerald Finley
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Morgens steh' ich auf und frage, S. 290 (3rd Version)
Franz Liszt; Heinrich Heine; Gerald Finley |
1:58 | |||
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1.2
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Ein Fichtenbaum steht einsam, S. 309 (2nd Setting)
Franz Liszt; Heinrich Heine; Gerald Finley |
2:56 | |||
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1.3
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Anfangs wollt' ich fast verzagen, S. 311 (4th Version)
Franz Liszt; Heinrich Heine; Gerald Finley |
1:58 | |||
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1.4
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Weimars Toten, S. 303
Franz Liszt; Franz von Schober; Gerald Finley |
8:13 | |||
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1.5
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Wer nie sein Brot mit Tränen ass, S. 297 (2nd Setting)
Franz Liszt; Johann Wolfgang von Goethe; Gerald Finley |
2:36 | |||
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3 Sonetti di Petrarca, S. 270 (2nd Version)
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1.6
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No. 1, Benedetto sia 'l giorno
Franz Liszt; Petrarch; Gerald Finley |
4:53 | |||
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1.7
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No. 2, Pace non trovo
Franz Liszt; Petrarch; Gerald Finley |
4:25 | |||
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1.8
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No. 3, I' vidi in terra Angelici costumi
Franz Liszt; Petrarch; Gerald Finley |
5:41 | |||
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1.9
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Die Fischerstochter, S. 325
Franz Liszt; Franz, Graf Coronini-Cronberg; Gerald Finley |
5:50 | |||
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1.10
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Und wir dachten der Toten, S. 338
Franz Liszt; Ferdinand Freiligrath; Gerald Finley |
2:25 | |||
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1.11
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Die Vätergruft, S. 281 (2nd Version)
Franz Liszt; Johann Ludwig Uhland; Gerald Finley |
5:43 | |||
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1.12
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Gastibelza "Bolero", S. 286
Franz Liszt; Victor Hugo; Gerald Finley |
8:13 | |||
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1.13
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La tombe et la rose, S. 285
Franz Liszt; Victor Hugo; Gerald Finley |
3:39 | |||
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1.14
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Le vieux vagabond, S. 304
Franz Liszt; Pierre Béranger; Gerald Finley |
9:15 | |||
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1.15
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Go Not, Happy Day, S. 335
Franz Liszt; Alfred, Lord Tennyson; Gerald Finley |
3:12 | |||
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Digital Booklet
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"The ever-rewarding song partnership of Gerald Finley and Julius Drake are persuasive advocates across the whole spectrum of Lisztian styles."
- Gramophone
"Gerald Finley offers 17 items in the third volume, singing expertly in four languages … in excellent sound the whole adds up to a delightful sequence of discoveries."
- BBC Music Magazine
A third volume in Hyperion’s Complete Liszt Songs cycle warmly welcomes to the series maestro Gerald Finley. The songs themselves encompass everything from finely honed miniatures to big-boned epics of tragic import, and these compelling performances elicit from the multi-award-winning pairing of Finley and Julius Drake a sense of paced drama and pathos which is rarely matched.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.99 -6.84 to -0.34 | -27.81 -32.16 to -24.24 | -22.87 -28.30 to -19.30 | 14 13 to 16 | |
| 1 | Morgens steh' ich auf und frage, S. 290 (3rd Version) | -6.84 | -31.25 | -26.5 | 14 |
| 2 | Ein Fichtenbaum steht einsam, S. 309 (2nd Setting) | -6.54 | -32.16 | -28.3 | 14 |
| 3 | Anfangs wollt' ich fast verzagen, S. 311 (4th Version) | -2.52 | -27.87 | -21.6 | 13 |
| 4 | Weimars Toten, S. 303 | -0.96 | -25.95 | -21.5 | 16 |
| 5 | Wer nie sein Brot mit Tränen ass, S. 297 (2nd Setting) | -3.71 | -26.87 | -21.5 | 14 |
| 6 | No. 1, Benedetto sia 'l giorno | -1.93 | -27.42 | -22.6 | 14 |
| 7 | No. 2, Pace non trovo | -2.07 | -24.80 | -19.3 | 14 |
| 8 | No. 3, I' vidi in terra Angelici costumi | -0.34 | -28.84 | -23.6 | 15 |
| 9 | Die Fischerstochter, S. 325 | -1.59 | -26.44 | -21.4 | 15 |
| 10 | Und wir dachten der Toten, S. 338 | -4.26 | -30.64 | -24.0 | 14 |
| 11 | Die Vätergruft, S. 281 (2nd Version) | -1.94 | -27.52 | -21.9 | 14 |
| 12 | Gastibelza "Bolero", S. 286 | -0.54 | -24.38 | -20.5 | 16 |
| 13 | La tombe et la rose, S. 285 | -6.01 | -29.41 | -25.8 | 13 |
| 14 | Le vieux vagabond, S. 304 | -1.77 | -24.24 | -20.5 | 15 |
| 15 | Go Not, Happy Day, S. 335 | -3.79 | -29.28 | -24.0 | 15 |