℗ 2016 Hyperion Records Limited
| Released | April 29, 2016 |
| Duration | 1h 00m 31s |
| Record Label | Hyperion |
| Genre | Classical |
Liszt: The Complete Songs, Vol. 4
Sasha Cooke
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Des Tages laute Stimmen schweigen, S. 337
Franz Liszt; Ferdinand von Saar; Julius Drake |
4:02 | |||
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1.2
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Lasst mich ruhen, S. 317
Franz Liszt; August Heinrich Hoffmann von Fallersleben; Sasha Cooke |
3:32 | |||
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1.3
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Was Liebe sei, S. 288 (1st Setting)
Franz Liszt; Charlotte von Hagn; Julius Drake |
0:51 | |||
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1.4
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Verlassen, S. 336
Franz Liszt; Gustav Michell; Sasha Cooke |
3:35 | |||
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1.5
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Einst, S. 332
Franz Liszt; Friedrich Bodenstedt; Julius Drake |
0:43 | |||
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1.6
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Ich scheide, S. 319 (2nd Version)
Franz Liszt; August Heinrich Hoffmann von Fallersleben; Sasha Cooke |
5:11 | |||
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1.7
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Was Liebe sei, S. 288 (2nd Setting)
Franz Liszt; Charlotte von Hagn; Julius Drake |
0:57 | |||
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1.8
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Die Loreley, S. 273 (2nd Version)
Franz Liszt; Heinrich Heine; Sasha Cooke |
6:53 | |||
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1.9
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Wer nie sein Brot mit Tränen ass, S. 297 (1st Setting, 2nd Version)
Franz Liszt; Johann Wolfgang von Goethe; Julius Drake |
4:14 | |||
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1.10
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Was Liebe sei, S. 288 (3rd Setting)
Franz Liszt; Charlotte von Hagn; Sasha Cooke |
1:18 | |||
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1.11
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Mignons Lied, S. 275 (2nd Version)
Franz Liszt; Johann Wolfgang von Goethe; Julius Drake |
7:00 | |||
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1.12
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Sei still, S. 330
Franz Liszt; Henriette Wilhelmine Auguste von Schorn; Sasha Cooke |
3:10 | |||
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1.13
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Wieder möcht' ich dir begegnen, S. 322
Franz Liszt; Peter Cornelius; Julius Drake |
2:55 | |||
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1.14
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Blume und Duft, S. 324 (2nd Version)
Franz Liszt; Christian Friedrich Hebbel; Sasha Cooke |
2:49 | |||
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1.15
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Die tote Nachtigall, S. 291 (2nd Version)
Franz Liszt; Johann Philipp Kaufmann; Sasha Cooke |
3:36 | |||
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1.16
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Il m'aimait tant!, S. 271
Franz Liszt; Delphine de Girardin; Julius Drake |
5:30 | |||
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1.17
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Gebet, S. 331
Franz Liszt; Mikhail Lermontov; Julius Drake |
4:15 | |||
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Digital Booklet
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"Cooke is very much alert to [the later songs] introversion and sadness. The way she encompasses small gradations in volume over a relatively narrow dynamic range impresses, while Drake makes every chord and phrase shiver with meaning.'
- Gramophone
"Previous issues have each focused on different singers, all accompanied by the expert Julius Drake, and here the choice falls on the American mezzo Sasha Cooke, whose even, expressive voice is equal to all technical demands and rises to tremendous intensity."
- BBC Music Magazine
This fourth volume in Hyperion's scholarly compendium once more charts Liszt’s life through song (including three settings spanning as many decades of a portentous love-letter the composer received in 1841). Series maestro Julius Drake welcomes the gorgeous Sasha Cooke to Hyperion.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.31 -12.41 to -0.49 | -30.46 -35.30 to -25.51 | -24.53 -29.90 to -20.20 | 14 12 to 17 | |
| 1 | Des Tages laute Stimmen schweigen, S. 337 | -10.74 | -35.30 | -29.9 | 15 |
| 2 | Lasst mich ruhen, S. 317 | -9.30 | -33.15 | -28.2 | 15 |
| 3 | Was Liebe sei, S. 288 (1st Setting) | -2.94 | -26.54 | -20.7 | 13 |
| 4 | Verlassen, S. 336 | -10.42 | -33.02 | -27.4 | 13 |
| 5 | Einst, S. 332 | -12.41 | -32.58 | -27.2 | 12 |
| 6 | Ich scheide, S. 319 (2nd Version) | -3.26 | -28.41 | -22.0 | 16 |
| 7 | Was Liebe sei, S. 288 (2nd Setting) | -10.08 | -32.30 | -27.1 | 14 |
| 8 | Die Loreley, S. 273 (2nd Version) | -0.49 | -27.85 | -21.9 | 17 |
| 9 | Wer nie sein Brot mit Tränen ass, S. 297 (1st Setting, 2nd Version) | -3.30 | -28.18 | -22.7 | 14 |
| 10 | Was Liebe sei, S. 288 (3rd Setting) | -10.54 | -34.97 | -28.9 | 14 |
| 11 | Mignons Lied, S. 275 (2nd Version) | -3.54 | -27.93 | -22.4 | 15 |
| 12 | Sei still, S. 330 | -6.60 | -31.58 | -24.9 | 14 |
| 13 | Wieder möcht' ich dir begegnen, S. 322 | -2.71 | -26.78 | -20.3 | 14 |
| 14 | Blume und Duft, S. 324 (2nd Version) | -8.06 | -31.40 | -24.1 | 13 |
| 15 | Die tote Nachtigall, S. 291 (2nd Version) | -5.44 | -28.91 | -22.6 | 15 |
| 16 | Il m'aimait tant!, S. 271 | -1.33 | -25.51 | -20.2 | 14 |
| 17 | Gebet, S. 331 | -6.11 | -33.34 | -26.5 | 16 |