℗ 2018 Hyperion Records Limited
Released | March 29, 2024 |
Originated | August 31, 2018 |
Duration | 1h 06m 18s |
Record Label | Hyperion |
Genre | Classical |
Brahms: A German Requiem (Chamber Orchestration)
Yale Schola Cantorum
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Ein deutsches Requiem, Op. 45 (Chamber Orch. Farrington)
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1.1
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I. Chorus. Selig sind, die da Leid tragen
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
9:20 | |||
1.2
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II. Chorus. Denn alles Fleisch es ist wie Gras
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
14:07 | |||
1.3
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III. Solo Baritone and Chorus. Herr, lehre doch mich
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
9:14 | |||
1.4
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IV. Chorus. Wie lieblich sind deine Wohnungen
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
5:17 | |||
1.5
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V. Solo Soprano and Chorus. Ihr habt nun Traurigkeit
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
6:28 | |||
1.6
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VI. Solo Baritone and Chorus. Denn wir haben hie keine bleibende Statt
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
11:11 | |||
1.7
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VII. Chorus. Selig sind die Toten
Johannes Brahms; Iain Farrington; Anonymous; David Hill |
10:41 | |||
Digital Booklet
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"The choral singing itself is excellent. The 32-member Yale Schola Cantorum is full of young, vibrant voices, and they respond with alacrity and sensitivity to David Hill's vastly experienced direction … the two soloists match the choir in youthfulness and ardour."
- BBC Music Magazine
"Much of the choral work is as hushed and haunting as any on disc. David Hill’s instincts are sound, especially in the Requiem’s outer pillars and its keystone, ‘How lovely are thy dwellings’."
- Gramophone
A performance which reveals a quite different dimension to this most monumental of all Brahms’s works. Iain Farrington’s arrangement—the orchestral forces distilled down to an instrumental octet inspired by the composer’s own piano reduction—is a perfect match for the glorious young voices of Yale Schola Cantorum.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.52 -3.51 to -0.21 | -23.92 -26.41 to -21.19 | -20.17 -22.20 to -17.60 | 14 13 to 15 | |
1 | I. Chorus. Selig sind, die da Leid tragen | -0.85 | -26.41 | -22.2 | 15 |
2 | II. Chorus. Denn alles Fleisch es ist wie Gras | -0.57 | -23.61 | -19.5 | 14 |
3 | III. Solo Baritone and Chorus. Herr, lehre doch mich | -0.85 | -23.92 | -20.1 | 14 |
4 | IV. Chorus. Wie lieblich sind deine Wohnungen | -1.63 | -23.04 | -19.7 | 13 |
5 | V. Solo Soprano and Chorus. Ihr habt nun Traurigkeit | -2.98 | -23.74 | -20.2 | 13 |
6 | VI. Solo Baritone and Chorus. Denn wir haben hie keine bleibende Statt | -0.21 | -21.19 | -17.6 | 13 |
7 | VII. Chorus. Selig sind die Toten | -3.51 | -25.52 | -21.9 | 13 |