℗ 2020 Hyperion Records Limited
Released | October 2, 2020 |
Duration | 1h 19m 11s |
Record Label | Hyperion |
Genre | Classical |
Brahms: The Complete Songs, Vol. 10
Sophie Rennert
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
6 Gesänge, Op. 3
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1.1
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No. 1, Liebestreu
Johannes Brahms; Robert Reinick; Graham Johnson |
2:36 | |||
1.2
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No. 4, Lied aus dem Gedicht Ivan
Johannes Brahms; Friedrich Bodenstedt; Graham Johnson |
1:50 | |||
Lieder und Romanzen, Op. 14
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1.3
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No. 3, Murrays Ermordung
Johannes Brahms; Anonymous; Graham Johnson |
2:34 | |||
4 Gesänge, Op. 43
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1.4
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No. 1, Von ewiger Liebe
Johannes Brahms; Anonymous; Graham Johnson |
5:06 | |||
1.5
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No. 2, Die Mainacht
Johannes Brahms; Ludwig Heinrich Christoph Hölty; Sophie Rennert |
4:07 | |||
Lieder und Gesänge, Op. 57
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1.6
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No. 1, Von waldbekränzter Höhe
Johannes Brahms; Georg Friedrich Daumer; Sophie Rennert |
2:33 | |||
1.7
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No. 8, Unbewegte laue Luft
Johannes Brahms; Georg Friedrich Daumer; Graham Johnson |
3:39 | |||
5 Romanzen und Lieder, Op. 84
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1.8
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No. 1, Sommerabend
Johannes Brahms; Hans Schmidt; Graham Johnson |
2:33 | |||
1.9
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No. 2, Der Kranz
Johannes Brahms; Hans Schmidt; Graham Johnson |
1:42 | |||
1.10
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No. 3, In den Beeren
Johannes Brahms; Hans Schmidt; Sophie Rennert |
1:50 | |||
1.11
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Gestillte Sehnsucht, Op. 91 No. 1
Johannes Brahms; Friedrich Rückert; Graham Johnson |
6:57 | |||
1.12
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Geistliches Wiegenlied, Op. 91 No. 2
Johannes Brahms; Lope de Vega; Sophie Rennert |
6:11 | |||
6 Lieder, Op. 97
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1.13
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No. 4, Dort in den Weiden
Johannes Brahms; Anonymous; Graham Johnson |
1:39 | |||
Zigeunerlieder, Op. 103 (Solo Version)
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1.14
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No. 1, He, Zigeuner, greife in die Saiten ein!
Johannes Brahms; Hugo Conrat; Graham Johnson |
1:00 | |||
1.15
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No. 2, Hochgetürmte Rimaflut
Johannes Brahms; Hugo Conrat; Graham Johnson |
1:11 | |||
1.16
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No. 3, Wisst ihr, wann mein Kindchen
Johannes Brahms; Hugo Conrat; Graham Johnson |
1:42 | |||
1.17
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No. 4, Lieber Gott, du weisst
Johannes Brahms; Hugo Conrat; Sophie Rennert |
1:30 | |||
1.18
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No. 5, Brauner Bursche führt zum Tanze
Johannes Brahms; Hugo Conrat; Graham Johnson |
1:40 | |||
1.19
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No. 6, Röslein dreie in der Reihe
Johannes Brahms; Hugo Conrat; Graham Johnson |
1:55 | |||
1.20
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No. 7, Kommt dir manchmal in den Sinn
Johannes Brahms; Hugo Conrat; Graham Johnson |
2:34 | |||
1.21
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No. 8, Rote Abendwolken ziehen
Johannes Brahms; Hugo Conrat; Sophie Rennert |
1:27 | |||
5 Lieder, Op. 105
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1.22
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No. 2, Immer leiser wird mein Schlummer
Johannes Brahms; Hermann Lingg; Graham Johnson |
3:56 | |||
1.23
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No. 3, Klage
Johannes Brahms; Anonymous; Graham Johnson |
2:35 | |||
5 Lieder, Op. 106
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1.24
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No. 1, Ständchen
Johannes Brahms; Franz Theodor Kugler; Sophie Rennert |
1:55 | |||
49 Deutsche Volkslieder, WoO 33
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1.25
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No. 6, Da unten im Tale
Johannes Brahms; Graham Johnson |
2:31 | |||
1.26
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No. 9, Es war eine schöne Jüdin
Johannes Brahms; Sophie Rennert |
2:34 | |||
1.27
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No. 23, Der Reiter
Johannes Brahms; Sophie Rennert |
1:44 | |||
1.28
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No. 29, Es war ein Markgraf
Johannes Brahms; Graham Johnson |
3:26 | |||
1.29
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No. 37, Du mein einzig Licht
Johannes Brahms; Graham Johnson |
1:22 | |||
1.30
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No. 41, Es steht ein' Lind'
Johannes Brahms; Wilhelm Tappert; Graham Johnson |
2:52 | |||
Digital Booklet
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"Brahms was always drawn to the chiaroscuro of the mezzo-soprano voice and its instrumental equivalents, the clarinet and the viola. I suspect that Sophie Rennert’s tones, combining an amber glow with the freshness of youth and a free-soaring top, would have come somewhere near his ideal. She phrases broadly and expressively, and points and colours words with unexaggerated sensitivity. Her diction throughout is a model … a lovely singer, Sophie Rennert is a natural in lieder. Her partnership with Johnson makes a fitting culmination to what has proved a revelatory Brahms series."
- Gramophone
Perfectly judged performances, intelligently planned recitals, informative booklet notes and, throughout, accompaniments from a true master of the art: this final release in the songs of Brahms epitomizes all the familiar virtues which have distinguished the series.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.17 -11.25 to -1.18 | -27.98 -33.19 to -21.77 | -24.06 -29.80 to -18.00 | 13 11 to 16 | |
1 | No. 1, Liebestreu | -3.78 | -28.74 | -24.4 | 15 |
2 | No. 4, Lied aus dem Gedicht Ivan | -3.14 | -25.69 | -21.5 | 12 |
3 | No. 3, Murrays Ermordung | -3.13 | -25.00 | -21.4 | 13 |
4 | No. 1, Von ewiger Liebe | -1.18 | -24.92 | -20.5 | 14 |
5 | No. 2, Die Mainacht | -3.55 | -27.80 | -22.8 | 14 |
6 | No. 1, Von waldbekränzter Höhe | -2.21 | -24.26 | -20.8 | 13 |
7 | No. 8, Unbewegte laue Luft | -2.28 | -26.04 | -20.4 | 14 |
8 | No. 1, Sommerabend | -7.39 | -29.58 | -26.1 | 13 |
9 | No. 2, Der Kranz | -5.21 | -27.07 | -23.8 | 14 |
10 | No. 3, In den Beeren | -8.48 | -28.69 | -25.2 | 12 |
11 | Gestillte Sehnsucht, Op. 91 No. 1 | -3.31 | -29.65 | -25.4 | 16 |
12 | Geistliches Wiegenlied, Op. 91 No. 2 | -1.85 | -27.10 | -22.7 | 15 |
13 | No. 4, Dort in den Weiden | -4.11 | -27.46 | -23.6 | 13 |
14 | No. 1, He, Zigeuner, greife in die Saiten ein! | -3.68 | -25.19 | -21.6 | 11 |
15 | No. 2, Hochgetürmte Rimaflut | -3.52 | -22.84 | -19.4 | 12 |
16 | No. 3, Wisst ihr, wann mein Kindchen | -5.82 | -27.67 | -23.9 | 13 |
17 | No. 4, Lieber Gott, du weisst | -5.71 | -27.14 | -23.4 | 13 |
18 | No. 5, Brauner Bursche führt zum Tanze | -1.84 | -24.85 | -21.0 | 12 |
19 | No. 6, Röslein dreie in der Reihe | -3.79 | -25.91 | -21.5 | 13 |
20 | No. 7, Kommt dir manchmal in den Sinn | -3.06 | -28.41 | -24.1 | 15 |
21 | No. 8, Rote Abendwolken ziehen | -2.54 | -21.77 | -18.0 | 13 |
22 | No. 2, Immer leiser wird mein Schlummer | -2.29 | -29.42 | -24.8 | 13 |
23 | No. 3, Klage | -10.33 | -33.19 | -29.2 | 14 |
24 | No. 1, Ständchen | -5.97 | -29.64 | -25.7 | 13 |
25 | No. 6, Da unten im Tale | -7.82 | -33.07 | -29.8 | 13 |
26 | No. 9, Es war eine schöne Jüdin | -9.33 | -30.92 | -27.5 | 14 |
27 | No. 23, Der Reiter | -8.99 | -31.31 | -27.8 | 13 |
28 | No. 29, Es war ein Markgraf | -8.71 | -31.74 | -28.2 | 14 |
29 | No. 37, Du mein einzig Licht | -11.25 | -31.33 | -27.7 | 12 |
30 | No. 41, Es steht ein' Lind' | -10.83 | -33.09 | -29.6 | 13 |