℗ 2005 ABKCO Music & Records, Inc.
| Released | December 5, 1969 |
| Duration | 42m 25s |
| Record Label | ABKCO Music & Records, Inc. |
| Genre | Rock |
Let It Bleed
The Rolling Stones
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Gimme Shelter
The Rolling Stones |
4:31 | |||
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1.2
|
Love In Vain
The Rolling Stones |
4:19 | |||
|
1.3
|
Country Honk
The Rolling Stones |
3:08 | |||
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1.4
|
Live With Me
The Rolling Stones |
3:33 | |||
|
1.5
|
Let It Bleed
The Rolling Stones |
5:28 | |||
|
1.6
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Midnight Rambler
The Rolling Stones |
6:53 | |||
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1.7
|
You Got The Silver
The Rolling Stones |
2:51 | |||
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1.8
|
Monkey Man
The Rolling Stones |
4:12 | |||
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1.9
|
You Can't Always Get What You Want
The Rolling Stones |
7:30 | |||
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Digital Booklet
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UK Albums Chart - #1, 1969
Billboard 200 - #3, 1969
"... an overwhelming recording ... it hits from both sides, with no laughs, no innuendos and nothing held back. The Stones have never done anything better."
- Rolling Stone
"... impeccable, although no amount of sonic makeover can remove the dread from Gimme Shelter or the raunch from Live With Me. A."
- Entertainment Weekly
The first Rolling Stones studio album to be released following the departure of Brian Jones and his subsequent death, Let It Bleed marks the debut of his replacement, the 20-year-old guitarist Mick Taylor. Produced again by Jimmy Miller, who did Beggars Banquet, each side of the album opens with a classic: Gimme Shelter, with Merry Clayton’s wonderful backing vocal and Midnight Rambler, songs that have been part of the Stones live shows for the last four decades. Let It Bleed also features a blues cover, this time Love In Vain by Robert Johnson. The last track on the record is the ambitious and very different You Can’t Always Get What You Want featuring the London Bach Choir and Al Kooper on keyboards and French horn.
88.2 kHz / 24-bit PCM – ABKCO Music & Records, Inc. Studio Masters
Produced by Jimmy Miller Restoration Producer: Jody H. Klein Sound Restoration & Archive Coordinator: Steve Rosenthal/The Magic Shop Analog to Digital Transfers & Tape Archive Research: Teri Landi Mastering: Bob Ludwig/Gateway Mastering Engineer: Gus Skinas Additional Tape Archive Research: Jane Byrne & Mick McKenna Additional Analog to Digital Transfer: Jon Astley & Pascal Byrne Production Assistants: Maria Papazahariou & Laura Walton
Produced by Jimmy Miller Restoration Producer: Jody H. Klein Sound Restoration & Archive Coordinator: Steve Rosenthal/The Magic Shop Analog to Digital Transfers & Tape Archive Research: Teri Landi Mastering: Bob Ludwig/Gateway Mastering Engineer: Gus Skinas Additional Tape Archive Research: Jane Byrne & Mick McKenna Additional Analog to Digital Transfer: Jon Astley & Pascal Byrne Production Assistants: Maria Papazahariou & Laura Walton
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.60 -1.55 to -0.14 | -16.31 -19.11 to -13.77 | -13.27 -15.60 to -11.00 | 10 8 to 13 | |
| 1 | Gimme Shelter | -0.14 | -14.26 | -11.4 | 9 |
| 2 | Love In Vain | -0.63 | -15.90 | -13.5 | 9 |
| 3 | Country Honk | -0.27 | -19.11 | -15.6 | 13 |
| 4 | Live With Me | -0.74 | -16.73 | -13.9 | 11 |
| 5 | Let It Bleed | -0.57 | -13.77 | -11.0 | 8 |
| 6 | Midnight Rambler | -0.92 | -16.73 | -13.7 | 10 |
| 7 | You Got The Silver | -0.16 | -18.16 | -14.5 | 11 |
| 8 | Monkey Man | -0.43 | -15.64 | -12.6 | 10 |
| 9 | You Can't Always Get What You Want | -1.55 | -16.51 | -13.2 | 8 |