℗ 2014 2xHD - Proprius
Released | November 18, 2014 |
Duration | 1h 27m 47s |
Record Label | 2xHD - Naxos |
Catalogue No. | 812864019711 |
Genre | Jazz |
Jazz at the Pawnshop
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen, Lars Erstrand
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1
|
Limehouse Blues
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
10:12 | |||
1.2
|
I'm Confessin'
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
8:01 | |||
1.3
|
High Life
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
7:11 | |||
1.4
|
Struttin' with Some Barbeque
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
6:42 | |||
1.5
|
Jeep's Blues
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
6:57 | |||
1.6
|
Stuffy
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
7:06 | |||
2.1
|
Lady, be Good!: Oh, lady, be good!
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
9:15 | |||
2.2
|
Here's that Rainy Day
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
5:31 | |||
2.3
|
Barbados
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
8:13 | |||
2.4
|
How High the Moon
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
6:28 | |||
2.5
|
Take Five
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
6:58 | |||
2.6
|
Everything Happens to Me
Arne Domnerus; Georg Riedel; Bengt Hallberg; Lars Erstrand; Egil Johansen |
5:13 | |||
Digital Booklet
|
"... an absolutely glorious mix that seamlessly knits Ellington with Armstrong, melancholic Swedish folk songs with bop ..."
- All About Jazz
"... a huge step forward in sound recording techniques where jazz is concerned. The recordings have a 'live' quality not present in many others."
- MusicWeb International
"... widely regarded as one of the most natural-sounding jazz recordings of all time ... a long-standing audiophile reference ... contains excellent music and performances."
- EnjoytheMusic.com
Jazz at the Pawnshop is considered one of the most famous audiophile albums in music. Recorded over two nights in December 1976 at the intimate Pawnshop jazz club in Stockholm, both the musicianship and the engineering came together in a magical symbiosis captured on this enduring classic. Recording engineer Gert Palmcrantz used one pair of microphones spaced eight inches apart for for the main pick-up, with a couple of microphones placed to register the “live” atmosphere and a few discrete support mikes, all recorded on a pair of two-track Nagra tape recorders in the restaurant kitchen!
"You hear the clink of glasses, the chime of the bell to acknowledge a tip, the burr of conversation. It all fits; that intimate club atmosphere that sparks jazz at its best. You feel as though you're there. Which is Palmcrantz's triumph and why Jazz at the Pawnshop is likely to continue to fascinate both jazz and audio fans for a good many years to come."
- All About Jazz
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD – 2xHD - Naxos Studio Masters
This album contains high-resolution digital transfers of material originating from an analogue master source. For the 2xHD transfer of this recording, the original 1/4”, 15-ips CCIR master tape was played on a Nagra IV-S tape recorder – the same model used in the original recording – with a pair of Dolby 361s, using a high end tube preamplifier with OCC silver cables. We did an analogue transfer for each Hi-Rez sampling and A / B comparisons were made with both the original LP, using a Kronos turntable, as well as the best available CD, using a Nagra HD DAC and dCS Vivaldi DAC. DXD 352.8 kHz / 24-bit was done using dCS 905 and dCS Vivaldi clock. 192 kHz / 24-bit was done using Ayre QA9pro. DSD 5.6448 MHz was done using Ayre QA9pro. DSD 2.8224 MHz was done using dCS 905 and dCS Vivaldi clock. 2xHD Mastering: René Laflamme 2xHD Executive Producer: André Perry
This album contains high-resolution digital transfers of material originating from an analogue master source. For the 2xHD transfer of this recording, the original 1/4”, 15-ips CCIR master tape was played on a Nagra IV-S tape recorder – the same model used in the original recording – with a pair of Dolby 361s, using a high end tube preamplifier with OCC silver cables. We did an analogue transfer for each Hi-Rez sampling and A / B comparisons were made with both the original LP, using a Kronos turntable, as well as the best available CD, using a Nagra HD DAC and dCS Vivaldi DAC. DXD 352.8 kHz / 24-bit was done using dCS 905 and dCS Vivaldi clock. 192 kHz / 24-bit was done using Ayre QA9pro. DSD 5.6448 MHz was done using Ayre QA9pro. DSD 2.8224 MHz was done using dCS 905 and dCS Vivaldi clock. 2xHD Mastering: René Laflamme 2xHD Executive Producer: André Perry
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.36 -1.28 to 0.00 | -20.98 -24.06 to -18.60 | -17.87 -20.40 to -15.90 | 14 13 to 15 | |
1.1 | Limehouse Blues | 0.00 | -19.57 | -16.7 | 14 |
1.2 | I'm Confessin' | -1.28 | -22.01 | -19.1 | 13 |
1.3 | High Life | -0.46 | -19.29 | -16.2 | 13 |
1.4 | Struttin' with Some Barbeque | 0.00 | -20.47 | -17.1 | 15 |
1.5 | Jeep's Blues | -0.54 | -24.06 | -20.4 | 15 |
1.6 | Stuffy | -0.97 | -20.70 | -17.6 | 14 |
2.1 | Lady, be Good!: Oh, lady, be good! | 0.00 | -21.48 | -18.8 | 14 |
2.2 | Here's that Rainy Day | -0.48 | -23.29 | -19.6 | 15 |
2.3 | Barbados | 0.00 | -19.79 | -16.9 | 15 |
2.4 | How High the Moon | 0.00 | -20.40 | -17.7 | 15 |
2.5 | Take Five | 0.00 | -18.60 | -15.9 | 13 |
2.6 | Everything Happens to Me | -0.55 | -22.06 | -18.4 | 14 |