℗ 2018 Deutsche Grammophon, Berlin
Released | November 16, 2018 |
Duration | 1h 09m 22s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Mozart: Piano Concerto No. 20, K. 466; Piano Sonatas, K. 281 & 332
Seong-Jin Cho, Chamber Orchestra Of Europe, Yannick Nézet-Séguin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Concerto No. 20 in D Minor, K. 466
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1.1
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1. Allegro (Cadenza by Beethoven)
Wolfgang Amadeus Mozart; Ludwig van Beethoven; Seong-Jin Cho; Chamber Orchestra Of Europe; Yannick Nézet-Séguin |
14:09 | |||
1.2
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2. Romance
Wolfgang Amadeus Mozart; Seong-Jin Cho; Chamber Orchestra Of Europe; Yannick Nézet-Séguin |
8:59 | |||
1.3
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3. Allegro assai (Cadenza by Beethoven)
Wolfgang Amadeus Mozart; Ludwig van Beethoven; Seong-Jin Cho; Chamber Orchestra Of Europe; Yannick Nézet-Séguin |
7:50 | |||
Piano Sonata No. 3 in B-Flat Major, K. 281
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1.4
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1. Allegro
Wolfgang Amadeus Mozart; Seong-Jin Cho |
4:27 | |||
1.5
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2. Andante amoroso
Wolfgang Amadeus Mozart; Seong-Jin Cho |
4:45 | |||
1.6
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3. Rondo (Allegro)
Wolfgang Amadeus Mozart; Seong-Jin Cho |
4:31 | |||
Piano Sonata No. 12 in F Major, K. 332
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1.7
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1. Allegro
Wolfgang Amadeus Mozart; Seong-Jin Cho |
7:02 | |||
1.8
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2. Adagio
Wolfgang Amadeus Mozart; Seong-Jin Cho |
5:05 | |||
1.9
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3. Allegro assai
Wolfgang Amadeus Mozart; Seong-Jin Cho |
6:58 | |||
1.10
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Fantasia in D Minor, K. 397
Wolfgang Amadeus Mozart; Seong-Jin Cho |
5:36 | |||
Digital Booklet
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Seong-Jin Cho’s latest album for Deutsche Grammophon revels in the expressive freedom and emotional richness of Mozart’s Piano Concerto in D minor and other lyrical works for solo keyboard
Piano concertos, designed to please a paying audience, were part of Mozart’s daily business. Yet he lifted the genre high above anything that had gone before, so high that he effectively invented it in the form we know today. His mature piano concertos – famously difficult to bring to life in performance – stand among the supreme tests of a performer’s powers.
Seong-Jin Cho has chosen one of the most demanding of the composer’s works for keyboard and orchestra, the Piano Concerto in D minor K466, to launch his first Mozart recording for Deutsche Grammophon. The Korean pianist’s latest album, which also includes the dramatic Piano Sonata in F major K332, the early Piano Sonata in B flat major K281, and the Fantasia in D minor K397, bears witness to a musical love affair that began in childhood and has deepened since he won the International Chopin Competition in Warsaw three years ago.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.03 -4.60 to -1.27 | -22.45 -26.69 to -19.02 | -18.88 -23.30 to -15.60 | 13 11 to 14 | |
1 | 1. Allegro (Cadenza by Beethoven) | -1.27 | -19.91 | -16.3 | 12 |
2 | 2. Romance | -1.27 | -21.09 | -17.3 | 12 |
3 | 3. Allegro assai (Cadenza by Beethoven) | -1.27 | -19.02 | -15.6 | 11 |
4 | 1. Allegro | -1.85 | -22.24 | -19.0 | 14 |
5 | 2. Andante amoroso | -4.60 | -24.94 | -21.4 | 13 |
6 | 3. Rondo (Allegro) | -1.27 | -22.44 | -18.9 | 13 |
7 | 1. Allegro | -1.27 | -22.42 | -19.0 | 13 |
8 | 2. Adagio | -4.20 | -26.69 | -23.3 | 14 |
9 | 3. Allegro assai | -1.27 | -22.09 | -18.6 | 13 |
10 | Fantasia in D Minor, K. 397 | -2.07 | -23.69 | -19.4 | 13 |