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Most tribute albums attempt to channel the spirit of the honoree. But Sutton, never one to follow conventional rules, doesn’t in any way attempt to reflect or echo Sinatra. In the liner notes she describes his singing as representing “both the light of reunion and the fire of separation.” Tierney eschews the ring-a-ding-ding, devil-may-care, finger-snapping up-tempo work of the leader of the Rat Pack in favor of the “dark corners” of Sinatra’s work, with particular focus on the ballads. And there could not be a better fit for her well-controlled instrument. Sutton’s voice, soft and smoky, is perfectly suited to the balladic repertoire, and her readings, purposefully unlike Sinatra’s, as well they should be, are apt and persuasive. She is ably supported by pianist Christian Jacob, bassist Trey Henry, and drummer Ray Brinker, with whom she has worked for more than a decade. A string orchestra, conducted by Jacob, has been added on five numbers providing a lush backdrop reminiscent of Nelson Riddle or Gil Goldstein. Dancing in the Dark is Sutton’s best-selling album and it’s easy to see why. The arrangements, performances and treatments come together so seamlessly that it is hard to stop listening.