℗ 2018 Oehms Classics
| Released | November 16, 2018 |
| Duration | 1h 12m 50s |
| Record Label | Oehms Classics |
| Catalogue No. | OC1897 |
| Genre | Jazz (Contemporary) |
Now: Jazz & Renaissance Improvisations
Hugo Siegmeth, Axel Wolf
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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A Quiver of Superb Arrows
Hugo Siegmeth; Axel Wolf |
4:26 | |||
|
1.2
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4 x 3, Prestissimo
Hugo Siegmeth; Axel Wolf |
4:16 | |||
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1.3
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Quarten, die nicht warten
Hugo Siegmeth; Axel Wolf |
3:39 | |||
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1.4
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Like Soft Dark Birds
Hugo Siegmeth; Axel Wolf |
5:53 | |||
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1.5
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Improvviso Elisabeth
Hugo Siegmeth; Axel Wolf |
3:18 | |||
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1.6
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Totally Watching TV
Hugo Siegmeth; Axel Wolf |
4:48 | |||
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1.7
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Schreddermaschine
Hugo Siegmeth; Axel Wolf |
5:22 | |||
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1.8
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For One Another
Hugo Siegmeth; Axel Wolf |
6:46 | |||
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1.9
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Stehender Klang an einer Klippe
Hugo Siegmeth; Axel Wolf |
5:39 | |||
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1.10
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Ammersee nach Traxler
Hugo Siegmeth; Axel Wolf |
4:02 | |||
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1.11
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Ich bin dîn
Hugo Siegmeth; Axel Wolf |
6:17 | |||
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1.12
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Ein Lächeln irrt verflogen
Hugo Siegmeth; Axel Wolf |
1:38 | |||
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1.13
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Von Fall zu Fall
Hugo Siegmeth; Axel Wolf |
4:47 | |||
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1.14
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Ariadnes Blues-Faden
Hugo Siegmeth; Axel Wolf |
11:59 | |||
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Digital Booklet
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After the success of the album Flow we have here new recordings that are completely different from the previous ones in one respect: here, the duo plays exclusively their own pieces. They do not resort to classical material from jazz or ‘standards’ of Early Music, but only to ones that are unfamiliar. For they are pieces that emerged spontaneously: nothing but duo improvisations, most of which were recorded on one and the same day in a Bavarian Radio studio in Munich.
96 kHz / 24-bit PCM – Oehms Classics Studio Masters
Tracks 1, 4, 6, 10-13 – 48 kHz / 24-bit PCM Tracks 2, 3, 7-9 – contains material which utilizes a limited amount of the available bandwidth Tracks 5, 14 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm
Tracks 1, 4, 6, 10-13 – 48 kHz / 24-bit PCM Tracks 2, 3, 7-9 – contains material which utilizes a limited amount of the available bandwidth Tracks 5, 14 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.62 -1.33 to -0.50 | -18.87 -20.21 to -17.09 | -15.46 -16.90 to -13.70 | 11 11 to 13 | |
| 1 | A Quiver of Superb Arrows | -0.50 | -17.24 | -13.7 | 11 |
| 2 | 4 x 3, Prestissimo | -0.50 | -20.21 | -16.9 | 13 |
| 3 | Quarten, die nicht warten | -0.93 | -19.90 | -16.6 | 11 |
| 4 | Like Soft Dark Birds | -0.51 | -17.71 | -14.1 | 11 |
| 5 | Improvviso Elisabeth | -0.61 | -20.02 | -16.6 | 12 |
| 6 | Totally Watching TV | -0.51 | -18.21 | -14.8 | 11 |
| 7 | Schreddermaschine | -0.55 | -18.76 | -15.1 | 12 |
| 8 | For One Another | -0.50 | -19.18 | -15.7 | 12 |
| 9 | Stehender Klang an einer Klippe | -0.70 | -19.00 | -15.8 | 11 |
| 10 | Ammersee nach Traxler | -0.50 | -17.09 | -14.3 | 11 |
| 11 | Ich bin dîn | -0.52 | -19.30 | -15.6 | 11 |
| 12 | Ein Lächeln irrt verflogen | -1.33 | -19.95 | -16.2 | 11 |
| 13 | Von Fall zu Fall | -0.50 | -18.13 | -14.7 | 11 |
| 14 | Ariadnes Blues-Faden | -0.50 | -19.44 | -16.3 | 12 |