℗ 2018 Intakt Records
Released | November 16, 2018 |
Duration | 41m 54s |
Record Label | Intakt Records |
Catalogue No. | INTAKTCD318 |
Genre | Jazz (Contemporary) |
Punkt.Vrt.Plastik
Kaja Draksler, Petter Eldh, Christian Lillinger
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Nuremberg amok
Kaja Draksler; Petter Eldh; Christian Lillinger |
4:02 | |||
1.2
|
Evicted
Kaja Draksler; Petter Eldh; Christian Lillinger |
8:01 | |||
1.3
|
Punkt Torso
Kaja Draksler; Petter Eldh; Christian Lillinger |
3:59 | |||
1.4
|
Azan
Kaja Draksler; Petter Eldh; Christian Lillinger |
5:00 | |||
1.5
|
Veins
Kaja Draksler; Petter Eldh; Christian Lillinger |
4:08 | |||
1.6
|
Body Decline
Kaja Draksler; Petter Eldh; Christian Lillinger |
4:48 | |||
1.7
|
Plastic
Kaja Draksler; Petter Eldh; Christian Lillinger |
4:04 | |||
1.8
|
Momentan
Kaja Draksler; Petter Eldh; Christian Lillinger |
3:30 | |||
1.9
|
Life Is Transient
Kaja Draksler; Petter Eldh; Christian Lillinger |
4:22 |
Kaja Draksler, Petter Eldh and Christian Lillinger are among the most thrilling, deep, and versatile figures to emerge in Europe over the last decade and the music of the trio is nothing less than a hybrid of personalities largely unimaginable if one examined the work of the players outside of this configuration. They knew they had something special right away. Lillinger and Eldh have been working together for much of the last decade, forming an implacable bond within the wildly agile quartet Amok Amor with trumpeter Peter Evans and saxophonist Wanja Slavin.
“We’ve really found a way to morph and stretch forms and groove, and I feel there’s a very strong core between us,” says the drummer. “And Kaja is able to avoid that and deal with it at the same, which means she is able to shape or color things in her own way.” “Some of the pieces are complex and demand accuracy, but on the other hand, none of us are very precious about it,” explains Draksler.
“So there is inherent freedom … the music and the energy is much more important than correct notes, yet we want to get it right. And there is trust.”
- Peter Margasak, Liner notes
96 kHz / 24-bit PCM – Intakt Records Studio Masters
Tracks 1-9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.62 -0.62 to -0.62 | -12.68 -14.16 to -11.92 | -11.07 -12.30 to -10.30 | 8 6 to 8 | |
1 | Nuremberg amok | -0.62 | -12.18 | -10.7 | 8 |
2 | Evicted | -0.62 | -13.31 | -11.3 | 8 |
3 | Punkt Torso | -0.62 | -11.92 | -10.3 | 6 |
4 | Azan | -0.62 | -12.50 | -11.2 | 8 |
5 | Veins | -0.62 | -12.59 | -11.0 | 8 |
6 | Body Decline | -0.62 | -12.26 | -10.6 | 7 |
7 | Plastic | -0.62 | -12.96 | -11.4 | 7 |
8 | Momentan | -0.62 | -12.26 | -10.8 | 8 |
9 | Life Is Transient | -0.62 | -14.16 | -12.3 | 8 |