℗ 2024 Craft Recordings., Distributed by Concord.
| Released | April 26, 2024 |
| Duration | 42m 14s |
| Record Label | Craft Recordings |
| Catalogue No. | CR07342 |
| Genre | Jazz |
Everybody Digs Bill Evans (Mono Mix / Remastered 2024)
Bill Evans Trio
Available in MQA and 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Minority (Remastered 2024)
Bill Evans Trio |
5:22 | |||
|
1.2
|
Young And Foolish (Remastered 2024)
Bill Evans Trio |
5:55 | |||
|
1.3
|
Lucky To Be Me (Remastered 2024)
Bill Evans Trio |
3:39 | |||
|
1.4
|
Night And Day (Remastered 2024)
Bill Evans Trio |
7:19 | |||
|
1.5
|
Tenderly (Remastered 2024)
Bill Evans Trio |
3:33 | |||
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1.6
|
Peace Piece (Remastered 2024)
Bill Evans Trio |
6:45 | |||
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1.7
|
What Is There To Say? (Remastered 2024)
Bill Evans Trio |
4:54 | |||
|
1.8
|
Oleo (Remastered 2024)
Bill Evans Trio |
4:06 | |||
|
1.9
|
Epilogue (Remastered 2024)
Bill Evans Trio |
0:41 |
Legendary jazz pianist Bill Evans’ 1959 album, Everybody Digs Bill Evans, is a landmark recording featuring Sam Jones (bass) and Philly Joe Jones (drums) and is Evans’ second album on Riverside as leader. This MONO release for Record Store Day features a band new master from the original master tapes by Kevin Gray at Cohearent Audio.
Everybody Digs Bill Evans was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keepnews) had wanted Evans to record a follow-up album to his debut sooner, the self-critical Evans felt he had "nothing new to say" before this album.
The recording captures Evans at a time when he frequently played extended musical ideas using block chords, a technique also favoured by Milt Buckner, George Shearing, Oscar Peterson, and other jazz pianists. That combined with his use of pedals gave him a sound considered by critics to be innovative. Though Evans had quit the Miles Davis band a month before the album was recorded, Davis was enamoured of Evans's piano sound as it was developing through 1958, and decided to use him as the pianist for four of the five tracks on the 1959 recording Kind of Blue.
192 kHz / 24-bit PCM – Craft Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.88 -6.00 to -0.29 | -24.52 -28.64 to -19.06 | -21.02 -25.10 to -17.10 | 15 12 to 17 | |
| 1 | Minority (Remastered 2024) | -1.88 | -20.75 | -18.6 | 14 |
| 2 | Young And Foolish (Remastered 2024) | -5.49 | -28.47 | -25.1 | 16 |
| 3 | Lucky To Be Me (Remastered 2024) | -2.74 | -28.64 | -23.8 | 17 |
| 4 | Night And Day (Remastered 2024) | -1.75 | -20.92 | -18.5 | 14 |
| 5 | Tenderly (Remastered 2024) | -2.87 | -22.33 | -20.4 | 14 |
| 6 | Peace Piece (Remastered 2024) | -2.31 | -28.60 | -22.5 | 16 |
| 7 | What Is There To Say? (Remastered 2024) | -2.62 | -24.41 | -20.6 | 14 |
| 8 | Oleo (Remastered 2024) | -0.29 | -19.06 | -17.1 | 14 |
| 9 | Epilogue (Remastered 2024) | -6.00 | -27.47 | -22.6 | 12 |