℗ 2024 Fazil Say under exclusive licence to Parlophone Records Limited; A Warner Classics release
| Released | May 10, 2024 |
| Duration | 1h 03m 11s |
| Record Label | Warner Classics |
| Genre | Classical |
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12 Danzas españolas
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1.1
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No. 5, Andaluza
Enrique Granados; Fazil Say |
3:33 | |||
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6 Gnossiennes
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1.2
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No. 1, Lent
Erik Satie; Fazil Say |
3:17 | |||
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1.3
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Gnossienne No. 7
Erik Satie; Fazil Say |
3:48 | |||
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Suite bergamasque, CD 82, L. 75
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1.4
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III. Clair de lune
Claude Debussy; Fazil Say |
5:15 | |||
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1.5
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Nocturne No. 21 in C Minor, Op. Posth.
Frédéric Chopin; Fazil Say |
3:12 | |||
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1.6
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Nocturne No. 20 in C-Sharp Minor, Op. Posth.
Frédéric Chopin; Fazil Say |
3:21 | |||
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12 Lieder von Schubert, S. 558
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1.7
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No. 9, Ständchen (After Schubert’s D. 889)
Franz Liszt; Fazil Say |
3:16 | |||
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3 Intermezzi, Op. 117
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1.8
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No. 1 in E-Flat Major
Johannes Brahms; Fazil Say |
4:18 | |||
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1.9
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Isoldens Liebestod, S. 447 (After Richard Wagner)
Franz Liszt; Fazil Say |
6:36 | |||
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Sonatine, M. 40
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1.10
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I. Modéré
Maurice Ravel; Fazil Say |
4:14 | |||
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1.11
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II. Mouvement de menuet
Maurice Ravel; Fazil Say |
3:13 | |||
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1.12
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III. Animé
Maurice Ravel; Fazil Say |
3:48 | |||
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On an Overgrown Path, Book 1
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1.13
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No. 7, Good Night!
Leoš Janáček; Fazil Say |
4:12 | |||
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24 Preludes, Op. 28
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1.14
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No. 4 in E Minor
Frédéric Chopin; Fazil Say |
1:38 | |||
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1.15
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No. 6 in B Minor
Frédéric Chopin; Fazil Say |
1:43 | |||
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1.16
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Berceuse in D-Flat Major, Op. 57
Frédéric Chopin; Fazil Say |
4:43 | |||
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Kinderszenen, Op. 15
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1.17
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No. 7, Träumerei
Robert Schumann; Fazil Say |
3:04 | |||
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Digital Booklet
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Evening, alongside companion album Morning, by Fazıl Say presents solo-piano pieces handpicked by the pianist himself to capture the moods of these opposing times of day: from when life awakens in the morning to the closing of the night.
“There have been mostly baroque and early classical works on the radio in the mornings since my childhood. I used to start the day with the beautiful melodies and rhythmic energy of baroque music. Therefore, I particularly wanted to have many music pieces from this period in the Morning Piano collection. … As for the Evening Piano collection, I’ve listened to orchestral music most often in the evenings throughout my life. I usually listen to the works of the Romantic period and late-Romantic period composers, as well as French impressionist composers. Therefore, although all the music I have chosen is for piano, there are works with a highly orchestral structure among these pieces … These are works with a very intense harmony—because harmony provides unity and, at the end of the day, we seek this integrity in the music we listen to. In other words, it takes shape as rhythm and melody in the mornings, and as melody and harmony in the evenings.”
– Fazıl Say
96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.95 -9.52 to -0.04 | -28.68 -33.72 to -21.51 | -24.95 -29.10 to -16.80 | 14 11 to 16 | |
| 1 | No. 5, Andaluza | -0.84 | -23.75 | -19.8 | 15 |
| 2 | No. 1, Lent | -9.40 | -30.81 | -28.0 | 14 |
| 3 | Gnossienne No. 7 | -5.66 | -30.29 | -26.6 | 13 |
| 4 | III. Clair de lune | -4.59 | -29.79 | -25.7 | 16 |
| 5 | Nocturne No. 21 in C Minor, Op. Posth. | -8.86 | -30.03 | -26.5 | 13 |
| 6 | Nocturne No. 20 in C-Sharp Minor, Op. Posth. | -7.09 | -27.89 | -23.0 | 12 |
| 7 | No. 9, Ständchen (After Schubert’s D. 889) | -8.15 | -30.92 | -28.2 | 14 |
| 8 | No. 1 in E-Flat Major | -8.89 | -29.46 | -26.1 | 13 |
| 9 | Isoldens Liebestod, S. 447 (After Richard Wagner) | -0.04 | -21.51 | -16.8 | 13 |
| 10 | I. Modéré | -2.97 | -25.84 | -21.9 | 14 |
| 11 | II. Mouvement de menuet | -2.98 | -28.09 | -24.6 | 14 |
| 12 | III. Animé | -0.79 | -21.92 | -18.5 | 13 |
| 13 | No. 7, Good Night! | -6.50 | -33.72 | -29.1 | 16 |
| 14 | No. 4 in E Minor | -6.80 | -29.31 | -25.7 | 11 |
| 15 | No. 6 in B Minor | -9.31 | -29.73 | -26.0 | 12 |
| 16 | Berceuse in D-Flat Major, Op. 57 | -8.70 | -32.41 | -29.1 | 14 |
| 17 | No. 7, Träumerei | -9.52 | -32.12 | -28.5 | 14 |