℗ 2014 MPS Records
Released | September 1, 2014 |
Duration | 39m 52s |
Record Label | MPS Records |
Catalogue No. | 602517023581 |
Genre | Jazz |
Exclusively for My Friends, Vol. IV: My Favorite Instrument
Oscar Peterson
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Oh, Kay!
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1.1
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Someone to watch over me
Oscar Peterson Trio |
4:10 | |||
1.2
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Perdido
Oscar Peterson Trio |
6:10 | |||
1.3
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Body and Soul
Oscar Peterson Trio |
4:28 | |||
1.4
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Who Can I Turn To?
Oscar Peterson Trio |
4:53 | |||
1.5
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Bye Bye Blackbird
Oscar Peterson Trio |
4:50 | |||
1.6
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I Should Care
Oscar Peterson Trio |
4:42 | |||
Broadway Gondolier
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1.7
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Lulu's Back in Town
Oscar Peterson Trio |
2:00 | |||
Jumbo
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1.8
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Little Girl Blue
Oscar Peterson Trio |
6:02 | |||
1.9
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Take the A Train
Oscar Peterson Trio |
2:37 |
"... the daunting improvs on standard melodies are downright robust ... the master's Tatumesque rococoisms are offset by some Bud-like oomph and this set is all the more persuasive because of it ..."
- Musician
"... Five Stars ... Peterson responded to the setting, hospitality and intimacy with what he would later describe as the best recordings he had ever made... (he) controls his vast technique at all times ... simply brilliant ..."
- DownBeat
My Favorite Instrument is the fourth volume of a six-album series Oscar Peterson made in the 1960s, considered among the pianist's finest recordings. The set is included in The Penguin Guide to Jazz's list of essential albums and is widely considered the centrepiece of any Peterson collection. Unlike the other albums in the series that feature Peterson's trio, Peterson is on his own here, his first solo album, recorded for a small, invited audience in 1968. As soloist, Peterson allows his prodigious technique and imagination full reign. Someone to Watch Over Me exemplifies the album; Peterson pays his debt to piano virtuoso Art Tatum with an act of technical legerdemain coupled with a stylistic history lesson, all captured in near-audiophile sound, the original master tapes carefully optimized in a pure analogue mastering process.
88.2 kHz / 24-bit PCM – MPS Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.33 -3.16 to -0.70 | -22.81 -28.13 to -19.72 | -19.84 -25.20 to -16.90 | 13 11 to 15 | |
1 | Someone to watch over me | -3.16 | -21.98 | -19.1 | 12 |
2 | Perdido | -1.84 | -20.71 | -18.3 | 12 |
3 | Body and Soul | -2.19 | -23.26 | -20.2 | 13 |
4 | Who Can I Turn To? | -2.13 | -22.77 | -19.4 | 12 |
5 | Bye Bye Blackbird | -2.73 | -22.57 | -19.5 | 13 |
6 | I Should Care | -2.69 | -24.63 | -21.4 | 14 |
7 | Lulu's Back in Town | -2.90 | -19.72 | -16.9 | 11 |
8 | Little Girl Blue | -0.70 | -28.13 | -25.2 | 15 |
9 | Take the A Train | -2.65 | -21.52 | -18.6 | 12 |