℗ 2018 Alba
Released | December 7, 2018 |
Duration | 1h 04m 15s |
Record Label | Alba |
Catalogue No. | ABCD406 |
Genre | Classical (Guitar) |
London Blues
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1.1
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I. —
Graham Lynch; Mari Mäntylä |
2:30 | |||
1.2
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II. —
Graham Lynch; Mari Mäntylä |
3:24 | |||
1.3
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III. —
Graham Lynch; Mari Mäntylä |
5:09 | |||
1.4
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IV. —
Graham Lynch; Mari Mäntylä |
3:20 | |||
Anábasis
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1.5
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No. 3, Nokturni suden hetkellä
Pekka Jalkanen; Mari Mäntylä |
5:07 | |||
1.6
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No. 1, Suon mustalaiset
Pekka Jalkanen; Mari Mäntylä |
5:17 | |||
1.7
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Kymmari
Jukka Tiensuu; Mari Mäntylä |
8:01 | |||
Orpheo (Version for 10-string Guitar)
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1.8
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No. 1, Adagio
Nikita Koshkin; Mari Mäntylä |
4:44 | |||
1.9
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No. 2, Allegretto
Nikita Koshkin; Mari Mäntylä |
3:26 | |||
1.10
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No. 3, Adagio
Nikita Koshkin; Mari Mäntylä |
5:05 | |||
1.11
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Pilvi kämmenellä
Anastasia Salo; Mari Mäntylä |
6:04 | |||
1.12
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Impromptu
Sid Hille; Mari Mäntylä |
6:16 | |||
1.13
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Serenade
Tõnu Kõrvits; Mari Mäntylä |
5:52 | |||
Digital Booklet
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"The sensual, meaningful interpretation of Mäntylän makes the album a wonderful whole."
- Rondo
Mari Mäntylä's decacorde album is like a set of Orphean attributes: belief in the spellbinding power of music, courage to rush headlong into danger, to love contrasts, to act rationally yet at the same time to rely on intuition and spontaneous displays of emotion. The new decacorde model can be heard in three of the pieces. Jukka Tiensuu wrote Kymmari especially for it, and the same to some extent applies to Pekka Jalkanen’s Nocturne for Insomnia and The Bog Gypsies. The four lowest strings have no frets in this ten-stringed guitar.
The instrument was develoepd in partnership with guitar maker Kauko Liikanen in 2015. In the earlier model that is played for the other pieces (also built by Kauko Liikanen, in 2001), there are frets under all the strings. The absence of frets affords both the player and the composer some interesting potential. Glissandos are unhindered and soft, microintervals come naturally and the completely novel touch – the four lowest bass strings being pressed on the fingerboard direct – gives the color scale of this big guitar instrument a delightful, pizzicato-like hue.
96 kHz / 24-bit PCM – Alba Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.70 -4.87 to 0.00 | -25.25 -30.47 to -22.58 | -21.44 -26.60 to -18.50 | 15 13 to 17 | |
1 | I. — | -0.76 | -22.58 | -19.4 | 14 |
2 | II. — | -0.26 | -25.15 | -20.8 | 16 |
3 | III. — | -4.87 | -30.47 | -26.6 | 17 |
4 | IV. — | -1.23 | -23.26 | -19.6 | 14 |
5 | No. 3, Nokturni suden hetkellä | 0.00 | -25.85 | -21.4 | 17 |
6 | No. 1, Suon mustalaiset | 0.00 | -25.67 | -21.9 | 16 |
7 | Kymmari | -2.03 | -27.70 | -23.5 | 17 |
8 | No. 1, Adagio | -2.72 | -24.91 | -21.8 | 14 |
9 | No. 2, Allegretto | -2.05 | -23.88 | -21.1 | 14 |
10 | No. 3, Adagio | -0.97 | -23.08 | -18.5 | 13 |
11 | Pilvi kämmenellä | -1.39 | -25.26 | -21.3 | 14 |
12 | Impromptu | 0.00 | -22.78 | -19.2 | 15 |
13 | Serenade | -2.40 | -27.59 | -23.6 | 14 |