℗ 2022 Resonus Limited
| Released | July 1, 2022 |
| Duration | 1h 15m 56s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10303 |
| Genre | Classical (Baroque) |
Pachelbel: Organ Works, Volume 2
Matthew Owens
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Toccata in D Major, P460
Johann Pachelbel; Matthew Owens |
1:43 | |||
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1.2
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Fugue in D Major, P153
Johann Pachelbel; Matthew Owens |
2:39 | |||
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Chorale Partita ‘Christus, der ist mein Leben’, P376
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|||||
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1.3
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I. Chorale
Johann Pachelbel; Matthew Owens |
0:32 | |||
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1.4
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II. Partita I
Johann Pachelbel; Matthew Owens |
0:32 | |||
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1.5
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III. Partita II
Johann Pachelbel; Matthew Owens |
0:32 | |||
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1.6
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IV. Partita III
Johann Pachelbel; Matthew Owens |
0:35 | |||
|
1.7
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V. Partita IV
Johann Pachelbel; Matthew Owens |
0:31 | |||
|
1.8
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VI. Partita V
Johann Pachelbel; Matthew Owens |
0:38 | |||
|
1.9
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VII. Partita VI
Johann Pachelbel; Matthew Owens |
0:30 | |||
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1.10
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VIII. Partita VII
Johann Pachelbel; Matthew Owens |
0:40 | |||
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1.11
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IX. Partita VIII
Johann Pachelbel; Matthew Owens |
0:35 | |||
|
1.12
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X. Partita IX
Johann Pachelbel; Matthew Owens |
0:35 | |||
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1.13
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XI. Partita X
Johann Pachelbel; Matthew Owens |
0:30 | |||
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1.14
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XII. Partita XI
Johann Pachelbel; Matthew Owens |
0:32 | |||
|
1.15
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XIII. Partita XII
Johann Pachelbel; Matthew Owens |
0:39 | |||
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1.16
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Der Herr ist mein getreuer Hirt, P81
Johann Pachelbel; Matthew Owens |
1:55 | |||
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1.17
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Num laßt uns Gott dem Herren, P388
Johann Pachelbel; Matthew Owens |
2:46 | |||
|
1.18
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Allein zu dir, Herr Jesu Christ, P13
Johann Pachelbel; Matthew Owens |
2:46 | |||
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1.19
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Allein zu dir, Herr Jesu Christ, P14
Johann Pachelbel; Matthew Owens |
2:31 | |||
|
1.20
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Christ, unser Herr, zum Jordan kam, P61
Johann Pachelbel; Matthew Owens |
3:03 | |||
|
1.21
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Magnificat Fugue Primi Toni I, P257
Johann Pachelbel; Matthew Owens |
2:14 | |||
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1.22
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Magnificat Fugue Primi Toni II, P258
Johann Pachelbel; Matthew Owens |
2:12 | |||
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1.23
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Magnificat Fugue Primi Toni III, P259
Johann Pachelbel; Matthew Owens |
1:36 | |||
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1.24
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Magnificat Fugue Primi Toni IV, P260
Johann Pachelbel; Matthew Owens |
1:52 | |||
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1.25
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Magnificat Fugue Primi Toni V, P261
Johann Pachelbel; Matthew Owens |
1:33 | |||
|
1.26
|
Magnificat Fugue Primi Toni VI, P262
Johann Pachelbel; Matthew Owens |
1:48 | |||
|
1.27
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Magnificat Fugue Primi Toni VII, P263
Johann Pachelbel; Matthew Owens |
2:30 | |||
|
1.28
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Magnificat Fugue Primi Toni VIII, P264
Johann Pachelbel; Matthew Owens |
2:32 | |||
|
1.29
|
Magnificat Fugue Primi Toni IX, P265
Johann Pachelbel; Matthew Owens |
2:16 | |||
|
1.30
|
Magnificat Fugue Primi Toni X, P266
Johann Pachelbel; Matthew Owens |
1:05 | |||
|
1.31
|
Magnificat Fugue Primi Toni XI, P267
Johann Pachelbel; Matthew Owens |
1:48 | |||
|
1.32
|
Magnificat Fugue Primi Toni XII, P268
Johann Pachelbel; Matthew Owens |
5:49 | |||
|
1.33
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Magnificat Fugue Primi Toni XIII, P269
Johann Pachelbel; Matthew Owens |
1:48 | |||
|
1.34
|
Magnificat Fugue Primi Toni XIV, P270
Johann Pachelbel; Matthew Owens |
2:33 | |||
|
1.35
|
Magnificat Fugue Primi Toni XV, P271
Johann Pachelbel; Matthew Owens |
3:00 | |||
|
1.36
|
Magnificat Fugue Primi Toni XVI, P272
Johann Pachelbel; Matthew Owens |
1:45 | |||
|
1.37
|
Magnificat Fugue Primi Toni XVII, P273
Johann Pachelbel; Matthew Owens |
1:39 | |||
|
1.38
|
Magnificat Fugue Primi Toni XVIII, P274
Johann Pachelbel; Matthew Owens |
2:26 | |||
|
1.39
|
Magnificat Fugue Primi Toni XIX, P275
Johann Pachelbel; Matthew Owens |
1:56 | |||
|
1.40
|
Magnificat Fugue Primi Toni XX, P276
Johann Pachelbel; Matthew Owens |
2:18 | |||
|
1.41
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Magnificat Fugue Primi Toni XXI, P277
Johann Pachelbel; Matthew Owens |
1:47 | |||
|
1.42
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Magnificat Fugue Primi Toni XXII, P278
Johann Pachelbel; Matthew Owens |
2:59 | |||
|
1.43
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Magnificat Fugue Primi Toni XXIII, P279
Johann Pachelbel; Matthew Owens |
1:46 | |||
A close contemporary of Buxtehude, Johann Pachelbel was, by all accounts, an outstanding keyboard player himself, and his compositions provide a fascinating stylistic bridge between early-Baroque composers such as Frescobaldi and Froberger (both of whom influenced him) and the later music of J.S. Bach and his contemporaries.
Organist Matthew Owens continues his major exploration of the many extant organ works of Pachelbel with this second volume, recorded on a recent instrument by the renowned French organ builder, Bernard Aubertin. The recital includes Pachelbel’s largest set of Magnificat Fugues – 23 in total – alongside free works and chorale-based works.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.72 -21.94 to -0.61 | -27.30 -36.68 to -18.76 | -24.71 -34.60 to -15.80 | 9 7 to 12 | |
| 1 | Toccata in D Major, P460 | -3.89 | -19.41 | -16.6 | 10 |
| 2 | Fugue in D Major, P153 | -1.89 | -19.19 | -16.4 | 11 |
| 3 | I. Chorale | -10.16 | -26.31 | -23.6 | 9 |
| 4 | II. Partita I | -17.96 | -31.59 | -29.5 | 8 |
| 5 | III. Partita II | -18.47 | -32.66 | -30.3 | 10 |
| 6 | IV. Partita III | -11.10 | -25.76 | -23.1 | 9 |
| 7 | V. Partita IV | -20.37 | -34.08 | -32.3 | 9 |
| 8 | VI. Partita V | -17.17 | -31.46 | -29.1 | 9 |
| 9 | VII. Partita VI | -18.23 | -33.51 | -31.0 | 9 |
| 10 | VIII. Partita VII | -12.68 | -26.18 | -23.8 | 7 |
| 11 | IX. Partita VIII | -14.53 | -29.69 | -26.9 | 9 |
| 12 | X. Partita IX | -13.74 | -28.44 | -24.9 | 9 |
| 13 | XI. Partita X | -17.73 | -31.78 | -29.1 | 9 |
| 14 | XII. Partita XI | -12.86 | -27.10 | -24.2 | 9 |
| 15 | XIII. Partita XII | -8.00 | -22.83 | -19.2 | 8 |
| 16 | Der Herr ist mein getreuer Hirt, P81 | -14.42 | -29.58 | -27.0 | 9 |
| 17 | Num laßt uns Gott dem Herren, P388 | -14.70 | -29.37 | -27.2 | 9 |
| 18 | Allein zu dir, Herr Jesu Christ, P13 | -9.12 | -24.93 | -22.5 | 9 |
| 19 | Allein zu dir, Herr Jesu Christ, P14 | -8.08 | -23.15 | -20.3 | 10 |
| 20 | Christ, unser Herr, zum Jordan kam, P61 | -9.69 | -24.99 | -22.8 | 10 |
| 21 | Magnificat Fugue Primi Toni I, P257 | -5.41 | -22.08 | -19.3 | 9 |
| 22 | Magnificat Fugue Primi Toni II, P258 | -8.48 | -23.90 | -20.8 | 10 |
| 23 | Magnificat Fugue Primi Toni III, P259 | -16.09 | -31.39 | -29.1 | 10 |
| 24 | Magnificat Fugue Primi Toni IV, P260 | -9.65 | -26.28 | -24.0 | 9 |
| 25 | Magnificat Fugue Primi Toni V, P261 | -21.94 | -36.68 | -34.6 | 10 |
| 26 | Magnificat Fugue Primi Toni VI, P262 | -6.00 | -22.41 | -19.9 | 9 |
| 27 | Magnificat Fugue Primi Toni VII, P263 | -13.81 | -29.06 | -26.8 | 9 |
| 28 | Magnificat Fugue Primi Toni VIII, P264 | -11.83 | -26.44 | -24.1 | 8 |
| 29 | Magnificat Fugue Primi Toni IX, P265 | -8.36 | -27.38 | -24.8 | 10 |
| 30 | Magnificat Fugue Primi Toni X, P266 | -12.57 | -27.87 | -24.6 | 10 |
| 31 | Magnificat Fugue Primi Toni XI, P267 | -20.35 | -36.64 | -34.6 | 8 |
| 32 | Magnificat Fugue Primi Toni XII, P268 | -3.41 | -22.21 | -19.2 | 12 |
| 33 | Magnificat Fugue Primi Toni XIII, P269 | -10.43 | -27.18 | -24.6 | 10 |
| 34 | Magnificat Fugue Primi Toni XIV, P270 | -10.96 | -27.32 | -25.1 | 10 |
| 35 | Magnificat Fugue Primi Toni XV, P271 | -6.60 | -23.68 | -21.1 | 10 |
| 36 | Magnificat Fugue Primi Toni XVI, P272 | -13.72 | -30.05 | -27.2 | 10 |
| 37 | Magnificat Fugue Primi Toni XVII, P273 | -16.55 | -31.15 | -29.0 | 8 |
| 38 | Magnificat Fugue Primi Toni XVIII, P274 | -15.90 | -31.84 | -29.6 | 10 |
| 39 | Magnificat Fugue Primi Toni XIX, P275 | -10.48 | -27.37 | -24.8 | 10 |
| 40 | Magnificat Fugue Primi Toni XX, P276 | -10.52 | -24.75 | -22.4 | 9 |
| 41 | Magnificat Fugue Primi Toni XXI, P277 | -11.56 | -26.98 | -23.9 | 10 |
| 42 | Magnificat Fugue Primi Toni XXII, P278 | -3.83 | -20.46 | -17.3 | 11 |
| 43 | Magnificat Fugue Primi Toni XXIII, P279 | -0.61 | -18.76 | -15.8 | 10 |