℗ 2023 Resonus Limited
Released February 10, 2023
Duration 1h 14m 07s
Record Label Resonus Classics
Catalogue No. RES10314
Genre Classical (Baroque)
 

Alla Milanese

The Gonzaga Band

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Capriccio a 4
Andrea Cima; The Gonzaga Band
2:46
1.2
Gaudeamus omnes
Giovanni Paolo Cima; The Gonzaga Band
2:20
1.3
Sonata per violino & violone
Giovanni Paolo Cima; The Gonzaga Band
3:54
1.4
Vulnerasti cor meum
Francesco Casato; The Gonzaga Band
4:30
1.5
Sonata per cornetto & trombone
Giovanni Paolo Cima; The Gonzaga Band
3:55
1.6
Ave verum corpus (Arr. by Giovanni Battista Bovicelli)
Giovanni Pierluigi da Palestrina; The Gonzaga Band
5:35
1.7
Canzona ‘la Porcia’ (Arr. by Francesco Rognoni)
Antonio Mortaro; The Gonzaga Band
4:50
1.8
Sonata seconda
Francesco Rognoni; The Gonzaga Band
4:34
1.9
Tu gloria Hierusalem
Giovanni Domenico Rognoni; The Gonzaga Band
3:01
1.10
Maria Magdalena
Girolamo Baglioni; The Gonzaga Band
2:26
1.11
Susana d’Orlando (Arr. by Francesco Rognoni)
Orlando di Lasso; The Gonzaga Band
4:45
1.12
Capriccio 8
Giovanni Paolo Cima; The Gonzaga Band
1:47
1.13
Veni in hortum meum
Giacomo Filippo Biumi; The Gonzaga Band
3:54
1.14
Sonata a 3
Giovanni Paolo Cima; The Gonzaga Band
3:17
1.15
Ancor che co’l partire (Arr. by Riccardo Rognoni)
Cipriano de Rore; The Gonzaga Band
3:52
1.16
Surge propera amica mea
Giovanni Paolo Cima; The Gonzaga Band
3:22
1.17
Ave Virgo benedicta
Francesco Rognoni; The Gonzaga Band
2:40
1.18
Ricercar 7
Giovanni Paolo Cima; The Gonzaga Band
2:52
1.19
Veni dilecte mi
Caterina Assandra; The Gonzaga Band
2:28
1.20
O salutaris hostia
Caterina Assandra; The Gonzaga Band
2:35
1.21
Canzone a 4
Benedetto Rè; The Gonzaga Band
4:44
Alla Milanese (‘in the Milanese style’) explores the connections between musicians at the heart of Milan’s scene for experimental music, c.1592–1626. Alongside compositions from the city’s most illustrious musical families – Rognoni and Cima – The Gonzaga Band has sought to rediscover the music of their lesser-known contemporaries, including Biumi, Casato, and the nun-composer Caterina Assandra, to illuminate a rich and complex network of stylistic innovation at the dawn of the Baroque era.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.18
-12.35 to -1.01
-25.11
-32.96 to -21.51
-21.93
-29.20 to -18.50
12
9 to 15
1
Capriccio a 4
-6.83-23.69-20.811
2
Gaudeamus omnes
-1.70-22.10-18.813
3
Sonata per violino & violone
-8.80-28.53-25.813
4
Vulnerasti cor meum
-3.51-25.57-21.714
5
Sonata per cornetto & trombone
-7.93-25.59-22.711
6
Ave verum corpus (Arr. by Giovanni Battista Bovicelli)
-2.62-26.38-23.315
7
Canzona ‘la Porcia’ (Arr. by Francesco Rognoni)
-12.35-32.96-29.213
8
Sonata seconda
-6.97-25.63-22.211
9
Tu gloria Hierusalem
-4.18-24.27-21.313
10
Maria Magdalena
-3.39-21.81-18.712
11
Susana d’Orlando (Arr. by Francesco Rognoni)
-10.45-30.73-28.212
12
Capriccio 8
-6.90-24.02-21.111
13
Veni in hortum meum
-1.98-22.21-19.113
14
Sonata a 3
-5.73-23.99-21.112
15
Ancor che co’l partire (Arr. by Riccardo Rognoni)
-7.70-27.57-24.611
16
Surge propera amica mea
-3.74-25.62-22.213
17
Ave Virgo benedicta
-1.83-24.48-19.813
18
Ricercar 7
-6.04-23.74-21.09
19
Veni dilecte mi
-1.30-24.06-20.413
20
O salutaris hostia
-1.01-21.51-18.513
21
Canzone a 4
-3.81-22.85-20.112

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