℗ 2018 Borealis Records
| Released | December 7, 2018 |
| Duration | 1h 11m 33s |
| Record Label | Borealis Records |
| Catalogue No. | SPBHD013 |
| Genre | Pop and Rock |
The Very Best Of Stan Rogers
Stan Rogers
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Fogarty's Cove
Stan Rogers; Curly Boy Stubbs; Garnet Rogers; Grit Laskin; David Woodhead |
2:14 | |||
|
1.2
|
Free in the Harbour
Stan Rogers; Curly Boy Stubbs; Frank Barth; David Alan Eadie; Chris Crilly |
3:57 | |||
|
1.3
|
White Squall
Stan Rogers; Garnet Rogers; Curly Boy Stubbs; Jim Morison; Claude Desjardins |
5:02 | |||
|
1.4
|
Make and Break Harbour
Stan Rogers; Garnet Rogers; Curly Boy Stubbs; David Woodhead |
4:27 | |||
|
1.5
|
Barrett's Privateers
Stan Rogers; Curly Boy Stubbs; Garnet Rogers; David Alan Eadie; Grit Laskin |
4:19 | |||
|
1.6
|
The Flowers of Bermuda
Stan Rogers; Garnet Rogers; Curly Boy Stubbs; Grit Laskin; David Alan Eadie |
3:47 | |||
|
1.7
|
Tiny Fish for Japan
Stan Rogers; Garnet Rogers; Curly Boy Stubbs; Jim Morison; Ray Parker |
3:30 | |||
|
1.8
|
The Last Watch
Stan Rogers; Curly Boy Stubbs; Garnet Rogers; Jim Morison; Claude Desjardins; Ray Parker |
5:08 | |||
|
1.9
|
Forty-five Years
Stan Rogers; Curly Boy Stubbs; David Woodhead; Jerome Jarvis; Ken Whiteley |
3:30 | |||
|
1.10
|
Northwest Passage
Stan Rogers; Garnet Rogers; David Alan Eadie; Chris Crilly |
4:49 | |||
|
1.11
|
Lock-keeper
Stan Rogers; Garnet Rogers; Jim Morison; Ray Parker; Claude Desjardins |
5:29 | |||
|
1.12
|
The Idiot
Stan Rogers; Chris Crilly; Garnet Rogers; David Alan Eadie; Claude Desjardins |
3:49 | |||
|
1.13
|
The Jeannie C.
Stan Rogers; Garnet Rogers; David Alan Eadie |
5:55 | |||
|
1.14
|
The Field Behind the Plow
Stan Rogers; Garnet Rogers; David Alan Eadie; Claude Desjardins |
4:30 | |||
|
1.15
|
Lies
Stan Rogers; Curly Boy Stubbs; Garnet Rogers; David Alan Eadie; Chris Crilly |
5:42 | |||
|
1.16
|
The Mary Ellen Carter
Stan Rogers; Garnet Rogers; Curly Boy Stubbs; Grit Laskin; David Alan Eadie |
5:25 |
A collection of 16 great Stan Rogers tracks, as chosen by Ariel Rogers and Paul Mills. The songs have been digitally remastered using the latest technology and sound deeper and richer than ever before.
A child of Maritime stock on both sides of his family, Stan Rogers was born in Hamilton, Ont. on November 29, 1949. He grew to be a big man-six feet four-built like a fire truck, and possessed of a voice that rumbled from his toes. He could bluff and bellow yet was at heart a poet and intellect who would, often as not, sneak away from a gathering to curl up with a book. He made friends and enemies easily, gaining the former for life and often, in time, converting the latter.
His music continues to amaze, amuse and inspire people from all walks of life. It has appeared in several poetry anthologies, been used in films, plays and musicals, and has been referred to as “one of the touchstones of modern Canadian history.”
96 kHz / 24-bit PCM – Borealis Records Studio Masters
Tracks 1-16 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-16 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.23 -0.76 to -0.10 | -14.81 -18.19 to -12.60 | -11.88 -14.60 to -9.30 | 9 7 to 12 | |
| 1 | Fogarty's Cove | -0.10 | -13.81 | -11.1 | 9 |
| 2 | Free in the Harbour | -0.19 | -14.48 | -11.5 | 9 |
| 3 | White Squall | -0.10 | -13.39 | -11.0 | 8 |
| 4 | Make and Break Harbour | -0.15 | -15.16 | -12.4 | 9 |
| 5 | Barrett's Privateers | -0.76 | -18.19 | -14.6 | 12 |
| 6 | The Flowers of Bermuda | -0.23 | -13.32 | -9.9 | 9 |
| 7 | Tiny Fish for Japan | -0.10 | -13.06 | -10.4 | 7 |
| 8 | The Last Watch | -0.10 | -13.36 | -9.9 | 7 |
| 9 | Forty-five Years | -0.10 | -15.97 | -13.7 | 10 |
| 10 | Northwest Passage | -0.57 | -17.60 | -14.0 | 11 |
| 11 | Lock-keeper | -0.10 | -13.44 | -10.8 | 7 |
| 12 | The Idiot | -0.10 | -13.97 | -11.1 | 9 |
| 13 | The Jeannie C. | -0.43 | -17.24 | -14.2 | 11 |
| 14 | The Field Behind the Plow | -0.10 | -16.15 | -13.8 | 11 |
| 15 | Lies | -0.18 | -15.18 | -12.3 | 9 |
| 16 | The Mary Ellen Carter | -0.29 | -12.60 | -9.3 | 7 |