℗ 2014 Resonus Limited
| Released | November 3, 2014 |
| Duration | 1h 06m 37s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10140 |
| Genre | Classical (Baroque) |
Jean-Philippe Rameau: Pièces de Clavecin, Vol. 2
Steven Devine
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite in A Minor/Major
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1.1
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I. Allemande
Jean-Philippe Rameau; Steven Devine |
6:56 | |||
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1.2
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II. Courante
Jean-Philippe Rameau; Steven Devine |
4:01 | |||
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1.3
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III. Sarabande
Jean-Philippe Rameau; Steven Devine |
2:45 | |||
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1.4
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IV. Les Trois Mains
Jean-Philippe Rameau; Steven Devine |
5:07 | |||
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1.5
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V. Fanfarinette
Jean-Philippe Rameau; Steven Devine |
3:00 | |||
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1.6
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VI. La Triomphante
Jean-Philippe Rameau; Steven Devine |
1:42 | |||
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1.7
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VII. Gavotte & Doubles
Jean-Philippe Rameau; Steven Devine |
8:19 | |||
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Suite in G Major/Minor
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1.8
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I. Les Tricotets (Rondeau)
Jean-Philippe Rameau; Steven Devine |
2:53 | |||
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1.9
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II. L’Indifférente
Jean-Philippe Rameau; Steven Devine |
2:06 | |||
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1.10
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III. Menuet I & II
Jean-Philippe Rameau; Steven Devine |
4:04 | |||
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1.11
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IV. La Poule
Jean-Philippe Rameau; Steven Devine |
7:16 | |||
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1.12
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V. Les Triolets
Jean-Philippe Rameau; Steven Devine |
3:30 | |||
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1.13
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VI. Les Sauvages
Jean-Philippe Rameau; Steven Devine |
2:19 | |||
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1.14
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VII. L'Enharmonique
Jean-Philippe Rameau; Steven Devine |
8:49 | |||
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1.15
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VIII. L'Egyptienne
Jean-Philippe Rameau; Steven Devine |
3:50 | |||
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Digital Booklet
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Acclaimed harpsichordist Steven Devine continues his survey of Jean-Philippe Rameau's works for harpsichord with this second volume of his Pièces de Clavecin, released in 2014 to mark the 250th anniversary of the composer's death. Some of the last music composed by Rameau for solo harpsichord, these masterpieces of the French Baroque have made a huge contribution to the harpsichord repertoire. Devine's first volume in this series received a five star review from BBC Music Magazine.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
Recorded at 96 kHz / 24-bit PCM Recorded in St John the Evangelist, Iffley Road, Oxford on 7-8 April 2014 Producer, Engineer and Editor: Adam Binks Harpsichord maintained by Edmund Pickering Cover image: Detail of the Ian Tucker harpsichord used in this recording © Resonus Limited Session and instrument photography © Resonus Limited
Recorded at 96 kHz / 24-bit PCM Recorded in St John the Evangelist, Iffley Road, Oxford on 7-8 April 2014 Producer, Engineer and Editor: Adam Binks Harpsichord maintained by Edmund Pickering Cover image: Detail of the Ian Tucker harpsichord used in this recording © Resonus Limited Session and instrument photography © Resonus Limited
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.80 -12.75 to -6.67 | -27.79 -30.26 to -25.52 | -24.36 -26.90 to -21.90 | 13 11 to 13 | |
| 1 | I. Allemande | -11.89 | -28.88 | -25.9 | 12 |
| 2 | II. Courante | -9.20 | -26.18 | -22.8 | 13 |
| 3 | III. Sarabande | -9.96 | -27.48 | -24.1 | 13 |
| 4 | IV. Les Trois Mains | -8.85 | -25.52 | -21.9 | 12 |
| 5 | V. Fanfarinette | -10.56 | -28.49 | -25.4 | 13 |
| 6 | VI. La Triomphante | -9.75 | -25.91 | -22.4 | 12 |
| 7 | VII. Gavotte & Doubles | -6.67 | -27.16 | -23.6 | 13 |
| 8 | I. Les Tricotets (Rondeau) | -12.75 | -29.79 | -26.7 | 11 |
| 9 | II. L’Indifférente | -10.73 | -29.24 | -25.8 | 13 |
| 10 | III. Menuet I & II | -11.83 | -29.73 | -26.3 | 13 |
| 11 | IV. La Poule | -7.78 | -27.98 | -24.3 | 13 |
| 12 | V. Les Triolets | -11.51 | -28.78 | -25.3 | 12 |
| 13 | VI. Les Sauvages | -7.49 | -25.76 | -22.1 | 13 |
| 14 | VII. L'Enharmonique | -10.85 | -30.26 | -26.9 | 13 |
| 15 | VIII. L'Egyptienne | -7.12 | -25.69 | -21.9 | 13 |