℗ 2018 Fanfare Cincinnati
Released November 16, 2018
Duration 1h 13m 58s
Record Label Fanfare Cincinnati
Catalogue No. FC-014
Genre Classical (Choral)
 

Kile Smith: Canticle

Cincinnati Vocal Arts Ensemble

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Canticle, Pt. 1 "The Search for the Beloved"  
1.1
No. 1, Meditation
Kile Smith; Tom Guth; Russell Burge; Craig Hella Johnson
1:47
1.2
No. 2, The Bride. Where Have You Hidden Yourself?
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
6:24
1.3
No. 3, Question to the Creatures
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Craig Hella Johnson
1:21
1.4
No. 4, Answer of the Creatures
Kile Smith; Cincinnati Vocal Arts Ensemble; Russell Burge; Craig Hella Johnson
1:35
1.5
No. 5, The Bride. Alas! Who Can Heal Me?
Kile Smith; Ellen Graham; Stephen Michael Hanna; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
4:52
1.6
No. 6, O Crystal Spring!
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
4:05
Canticle, Pt. 2 "Preparations for a Perfect Union"  
1.7
No. 7, Meditation
Kile Smith; Tom Guth; Mark Kosmala; Russell Burge; Craig Hella Johnson
1:39
1.8
No. 8, The Bride. Turn Them Away, O My Beloved!
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
1:24
1.9
No. 9, The Bridegroom. Return, My Dove!
Kile Smith; Cincinnati Vocal Arts Ensemble; Russell Burge; Craig Hella Johnson
2:43
1.10
No. 10, My Beloved Is the Mountains
Kile Smith; Fotina Naumenko; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
6:29
1.11
No. 11, The Bridegroom. Swift-Winged Birds
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
2:05
Canticle, Pt. 3 "Full Union"  
1.12
No. 12, Meditation
Kile Smith; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
1:46
1.13
No. 13, The Bride Has Entered
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
4:32
1.14
No. 14, The Bride. Our Bed Is in Flower
Kile Smith; Fotina Naumenko; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
10:22
1.15
No. 15, The Little White Dove
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
5:58
1.16
No. 16, In Solitude She Lived
Kile Smith; Cincinnati Vocal Arts Ensemble; Russell Burge; Craig Hella Johnson
1:54
1.17
No. 17, The Bride. Let Us Rejoice
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
5:33
1.18
No. 18, No One Saw It
Kile Smith; Cincinnati Vocal Arts Ensemble; Tom Guth; Michaela Luchka Hibbard; Mark Kosmala; Russell Burge; Craig Hella Johnson
2:45
1.19
Alleluia
Kile Smith; Cincinnati Vocal Arts Ensemble; Craig Hella Johnson
6:44
Digital Booklet
Grammy Award – Producer Of The Year, Classical, 2019 – BLANTON ALSPAUGH Commissioned by the Vocal Arts Ensemble of Cincinnati, Canticle is a setting of the great mystical work of St. John of the Cross, The Spiritual Canticle of the Soul and the Bridegroom Christ, or as it’s often and simply known, the Spiritual Canticle. The 40-stanza poem is revered as one of the great religious and literary works of the 16th century. Following the tradition of the biblical Song of Solomon (or Song of Songs), St. John personifies, with symbolic and beautiful imagery, the journey of the soul, through the travails of the world, to union with her bridegroom. Canticle is composed for choir with three cellos and one percussionist playing vibraphone, bass drum, and tambourine. Lasting just over an hour, it follows the three sections laid out by St. John, each prefaced by a short instrumental statement. These Meditations use an old Swedish Sanctus, the “Holy, Holy, Holy” played by one cello in the opening, then two cellos in imitative counterpoint to open Section Two, then three at the beginning of the last section, all accompanied by vibraphone.
96 kHz / 24-bit PCM – Fanfare Cincinnati Studio Masters

Tracks 1-19 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.66
-15.89 to -0.25
-25.06
-33.57 to -16.91
-21.70
-30.40 to -13.80
12
10 to 14
1
No. 1, Meditation
-11.36-32.19-29.012
2
No. 2, The Bride. Where Have You Hidden Yourself?
-0.42-23.73-19.614
3
No. 3, Question to the Creatures
-0.44-16.91-13.810
4
No. 4, Answer of the Creatures
-5.62-25.83-22.811
5
No. 5, The Bride. Alas! Who Can Heal Me?
-0.43-20.26-16.912
6
No. 6, O Crystal Spring!
-2.06-24.67-21.214
7
No. 7, Meditation
-14.49-32.19-29.210
8
No. 8, The Bride. Turn Them Away, O My Beloved!
-0.25-19.53-15.110
9
No. 9, The Bridegroom. Return, My Dove!
-12.57-31.60-28.511
10
No. 10, My Beloved Is the Mountains
-0.45-22.40-19.214
11
No. 11, The Bridegroom. Swift-Winged Birds
-3.55-23.37-19.711
12
No. 12, Meditation
-15.89-33.57-30.410
13
No. 13, The Bride Has Entered
-4.23-24.39-20.811
14
No. 14, The Bride. Our Bed Is in Flower
-0.45-21.66-18.113
15
No. 15, The Little White Dove
-1.18-24.68-21.314
16
No. 16, In Solitude She Lived
-10.99-30.86-27.811
17
No. 17, The Bride. Let Us Rejoice
-0.44-19.57-16.012
18
No. 18, No One Saw It
-3.24-24.88-22.411
19
Alleluia
-0.45-23.84-20.514

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