℗ 2014 Odradek Records
Released | September 30, 2014 |
Duration | 58m 46s |
Record Label | Odradek Records |
Catalogue No. | ODRCD326 |
Genre | Classical (Guitar) |
Koyunbaba (Suite Op. 19)
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1.1
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I. Moderato
Carlo Domeniconi; Christina Sandsengen |
3:53 | |||
1.2
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II. Mosso
Carlo Domeniconi; Christina Sandsengen |
1:44 | |||
1.3
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III. Cantabile
Carlo Domeniconi; Christina Sandsengen |
4:21 | |||
1.4
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IV. Presto
Carlo Domeniconi; Christina Sandsengen |
4:06 | |||
1.5
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Mallorca, Op. 202
Isaac Albéniz; Christina Sandsengen |
7:38 | |||
1.6
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Asturias (from Suite Espanola, Op. 47)
Isaac Albéniz; Christina Sandsengen |
7:22 | |||
1.7
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Lágrima
Francisco Tárrega; Christina Sandsengen |
2:26 | |||
1.8
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Spanish Romance
Anonymous; Christina Sandsengen |
3:05 | |||
1.9
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Late at Night
Sven Lundestad; Christina Sandsengen |
1:22 | |||
1.10
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Andante & Rondo, Op. 2, No. 3
Dionisio Aguado; Christina Sandsengen |
10:12 | |||
La Catedral
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1.11
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I. Preludio Saudade
Agustín Barrios Mangoré; Christina Sandsengen |
3:11 | |||
1.12
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II. Andante Religioso
Agustín Barrios Mangoré; Christina Sandsengen |
2:05 | |||
1.13
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III. Allegro Solemne
Agustín Barrios Mangoré; Christina Sandsengen |
3:28 | |||
1.14
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Água e Vinho
Egberto Gismonti; Christina Sandsengen |
3:53 |
“The gifted young Norwegian guitarist Christina Sandsengen pays homage to the dominant Spanish guitar tradition and a wider range of influences on a debut collection showcasing skill and no small virtuosity.”
- The Independent
At just 27 years old, Norwegian guitarist Christina Sandsengen has already established herself as one of the leading European guitarists of her generation. Her debut release for Odradek pays tribute both to her Scandinavian roots and to the great Iberian guitar tradition, represented by such classics as Francisco Tárrega’s Lágrima and Isaac Albéniz’s Asturias. In addition, Sandsengen’s programme of expressive and colourful 19th and 20th century repertoire features music by two South American mavericks: Nitsuga Mangoré, the self-styled “Paganini of the guitar from the jungles of Paraguay” whose Bachian depiction of a gloomy Cathedral is contrasted with Água e Vinho from the pen of the uniquely creative Brazilian Egberto Gismonti. Latin flamboyance makes way for a Nordic nocturne in the jazzy Late at Night by legendary Norwegian guitar pedagogue Sven Lundestad. Performed with a deeply lyrical feel for melody and an unerringly virtuosic sense of tension, Sandsengen’s recording is an intensely personal statement, as she says “in hearing it, you know me”.
48 kHz / 24-bit PCM – Odradek Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.20 -4.77 to 0.00 | -21.87 -26.40 to -19.85 | -18.54 -22.10 to -17.30 | 13 11 to 16 | |
1 | I. Moderato | 0.00 | -22.31 | -18.6 | 14 |
2 | II. Mosso | -4.77 | -26.40 | -22.1 | 12 |
3 | III. Cantabile | 0.00 | -20.89 | -17.5 | 13 |
4 | IV. Presto | 0.00 | -20.47 | -17.5 | 13 |
5 | Mallorca, Op. 202 | 0.00 | -23.51 | -20.1 | 16 |
6 | Asturias (from Suite Espanola, Op. 47) | 0.00 | -22.42 | -18.3 | 14 |
7 | Lágrima | -2.00 | -23.21 | -19.9 | 15 |
8 | Spanish Romance | -3.00 | -21.87 | -19.2 | 11 |
9 | Late at Night | -2.03 | -21.91 | -18.4 | 12 |
10 | Andante & Rondo, Op. 2, No. 3 | -2.00 | -20.36 | -17.4 | 12 |
11 | I. Preludio Saudade | 0.00 | -21.66 | -18.3 | 14 |
12 | II. Andante Religioso | 0.00 | -21.04 | -17.4 | 14 |
13 | III. Allegro Solemne | 0.00 | -19.85 | -17.3 | 13 |
14 | Água e Vinho | -3.00 | -20.35 | -17.5 | 11 |