℗ 2014 The Verve Music Group, a Division of UMG Recordings, Inc.
Body And Soul
Billie Holiday
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats
1 |
Body And Soul Billie Holiday |
6:21 | ||
2 |
They Can't Take That Away From Me Billie Holiday |
4:11 | ||
3 |
Darn That Dream Billie Holiday |
6:18 | ||
4 |
Let's Call The Whole Thing Off Billie Holiday |
3:26 | ||
5 |
Comes Love Billie Holiday |
4:01 | ||
6 |
Gee Baby, Ain't I Good To You Billie Holiday |
5:38 | ||
7 |
Embraceable You Billie Holiday |
6:49 | ||
8 |
Moonlight In Vermont Billie Holiday |
3:51 | ||
9 |
Comes Love (Alternate Take 1 / With Studio Chatter) Billie Holiday |
4:25 | ||
10 |
Comes Love (False Start / Take 2) Billie Holiday |
0:33 | ||
11 |
Comes Love (False Start / Take 3) Billie Holiday |
0:22 | ||
|
Total Playing Time 45:55
|
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"... a dream come true for both collectors and audiophiles ... one of Holiday’s finest ..."
- Encyclopedia of Popular Music
"... there isn't a dud in the bunch ... Granz wisely surrounds her with stellar players ..."
- All About Jazz
"Critiquing Billie Holiday is like finding fault with Shakespeare ... songs like Body And Soul are every bit as powerful as Hamlet or Macbeth.
- PopMatters.com
The title track is one of the most recorded jazz songs in history and Billie Holiday's interpretation on this 1957 release is arguably considered one of the best, if not the definitive version. Producer Norman Granz brings out the best of her voice on this album from late in her career, accompanied by a superb band that includes Ben Webster on tenor sax.
- Encyclopedia of Popular Music
"... there isn't a dud in the bunch ... Granz wisely surrounds her with stellar players ..."
- All About Jazz
"Critiquing Billie Holiday is like finding fault with Shakespeare ... songs like Body And Soul are every bit as powerful as Hamlet or Macbeth.
- PopMatters.com
The title track is one of the most recorded jazz songs in history and Billie Holiday's interpretation on this 1957 release is arguably considered one of the best, if not the definitive version. Producer Norman Granz brings out the best of her voice on this album from late in her career, accompanied by a superb band that includes Ben Webster on tenor sax.
192 kHz / 24-bit and 96 kHz / 24-bit PCM - The Verve Music Group Studio Masters