℗ 2018 Mirare
| Released | January 11, 2019 |
| Duration | 1h 10m 02s |
| Record Label | Mirare |
| Catalogue No. | MIR368D |
| Genre | Classical (Sonata for keyboard, violin etc.) |
Circa 1700: Purcell & his Generation
La Rêveuse, Benjamin Perrot, Florence Bolton
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata No. 3 in D Minor, Z. 792
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1.1
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I. (Sans indication) . Adagio
Henry Purcell; La Rêveuse; Benjamin Perrot; Florence Bolton |
1:41 | |||
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1.2
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II. Canzona. (Allegro) - Adagio
Henry Purcell; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:11 | |||
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1.3
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III. Poco largo. Allegro
Henry Purcell; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:55 | |||
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1.4
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A Ground in D Minor for Recorder
Godfrey Finger; La Rêveuse; Sébastien Marq; Benjamin Perrot; Florence Bolton |
3:20 | |||
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Trio Sonata in G Minor
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1.5
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I. Adagio
Giovanni Battista Draghi; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:28 | |||
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1.6
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II. Canzone. Allegro - Adagio - Presto
Giovanni Battista Draghi; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:18 | |||
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1.7
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III. Adagio
Giovanni Battista Draghi; La Rêveuse; Benjamin Perrot; Florence Bolton |
3:29 | |||
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1.8
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IV. (Allegro). Vivace - Adagio
Giovanni Battista Draghi; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:47 | |||
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1.9
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Ground in G Minor for two Recorders
John Blow; La Rêveuse; Benjamin Perrot; Florence Bolton |
4:09 | |||
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Suite in D Minor for Recorder
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1.10
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I. Ouverture
Godfrey Finger; La Rêveuse; Sébastien Marq; Florence Bolton; Benjamin Perrot |
3:32 | |||
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1.11
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II. A Farewell
Godfrey Finger; La Rêveuse; Sébastien Marq; Florence Bolton; Benjamin Perrot |
3:46 | |||
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1.12
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III. Jigg
Godfrey Finger; La Rêveuse; Florence Bolton; Sébastien Marq; Benjamin Perrot |
0:43 | |||
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1.13
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IV. A Ground
Godfrey Finger; La Rêveuse; Florence Bolton; Sébastien Marq; Benjamin Perrot |
2:52 | |||
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Sonata Seconda in D for Viola da Gamba
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1.14
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I. Allegro - Adagio - Allegro - Adagio - Presto - Adagio
Godfrey Finger; La Rêveuse; Benjamin Perrot; Florence Bolton |
2:59 | |||
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1.15
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II. Aria
Godfrey Finger; La Rêveuse; Florence Bolton; Benjamin Perrot |
2:07 | |||
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1.16
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III. Adagio. (Allegro] - [Allegro)
Godfrey Finger; La Rêveuse; Benjamin Perrot; Florence Bolton |
4:10 | |||
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Sonata Terza in D Minor for two Recorders
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1.17
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I. Adagio
Daniel Purcell; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:41 | |||
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1.18
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II. Allegro
Daniel Purcell; La Rêveuse; Florence Bolton; Benjamin Perrot |
1:00 | |||
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1.19
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III. Largo
Daniel Purcell; La Rêveuse; Benjamin Perrot; Florence Bolton |
1:54 | |||
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1.20
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IV. Allegro
Daniel Purcell; La Rêveuse; Benjamin Perrot; Florence Bolton |
1:02 | |||
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Sonata Sexta in F Minor for Violin
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1.21
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I. Adagio
Daniel Purcell; La Rêveuse; Stéphan Dudermel; Benjamin Perrot; Florence Bolton |
2:04 | |||
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1.22
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II. Allegro
Daniel Purcell; La Rêveuse; Stéphan Dudermel; Benjamin Perrot; Florence Bolton |
1:04 | |||
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1.23
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III. Adagio
Daniel Purcell; La Rêveuse; Stéphan Dudermel; Benjamin Perrot; Florence Bolton |
2:15 | |||
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1.24
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IV. Allegro
Daniel Purcell; La Rêveuse; Stéphan Dudermel; Benjamin Perrot; Florence Bolton |
1:13 | |||
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Sonata in F for two Recorders and two Violins
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1.25
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I. (Allegro)
William Croft; La Rêveuse; Benjamin Perrot; Florence Bolton |
1:03 | |||
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1.26
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II. Adagio
William Croft; La Rêveuse; Benjamin Perrot; Florence Bolton |
2:54 | |||
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1.27
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III. Allegro
William Croft; La Rêveuse; Benjamin Perrot; Florence Bolton |
1:52 | |||
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1.28
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Sonata No. 6 in G Minor, Z. 807
Henry Purcell; La Rêveuse; Benjamin Perrot; Florence Bolton |
7:33 | |||
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Digital Booklet
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At the end of the seventeenth century, London became a city full of promise, the stuff that dreams were made of: theatres and concerts were packed every night and the music publishing market was flourishing. This great European capital at the height of its economic expansion was extremely attractive to the foreign musicians who settled there in large numbers. It provided a most favourable context for the development of instrumental music, fuelled by the final flowering of the English tradition and by the latest European innovations.
Londres devient à la fin du 17ème siècle une ville pleine de promesses, une ville qui fait rêver : les théâtres et les concerts font salle comble tous les soirs et le marché de l'édition musicale est florissant. Cette grande capitale européenne en plein essor économique est on ne peut plus attractive pour les musiciens étrangers qui s'y installent en nombre. C'est dans ce contexte des plus favorables que se développe la musique instrumentale, nourrie des derniers feux de la tradition anglaise et des nouveautés européennes.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.27 -5.27 to -0.10 | -20.29 -23.67 to -18.35 | -17.33 -20.20 to -15.20 | 11 9 to 12 | |
| 1 | I. (Sans indication) . Adagio | -2.54 | -20.58 | -17.2 | 11 |
| 2 | II. Canzona. (Allegro) - Adagio | -2.04 | -20.64 | -17.4 | 12 |
| 3 | III. Poco largo. Allegro | -0.10 | -18.71 | -15.6 | 12 |
| 4 | A Ground in D Minor for Recorder | -3.95 | -21.43 | -19.0 | 10 |
| 5 | I. Adagio | -2.37 | -20.04 | -17.5 | 11 |
| 6 | II. Canzone. Allegro - Adagio - Presto | -2.86 | -21.97 | -18.6 | 12 |
| 7 | III. Adagio | -2.26 | -20.09 | -17.5 | 11 |
| 8 | IV. (Allegro). Vivace - Adagio | -1.83 | -20.04 | -16.8 | 10 |
| 9 | Ground in G Minor for two Recorders | -1.12 | -18.86 | -16.4 | 12 |
| 10 | I. Ouverture | -1.59 | -19.59 | -16.9 | 11 |
| 11 | II. A Farewell | -5.27 | -21.73 | -19.2 | 10 |
| 12 | III. Jigg | -3.46 | -19.79 | -16.8 | 10 |
| 13 | IV. A Ground | -2.73 | -19.99 | -17.2 | 11 |
| 14 | I. Allegro - Adagio - Allegro - Adagio - Presto - Adagio | -0.84 | -18.35 | -15.9 | 10 |
| 15 | II. Aria | -1.49 | -21.52 | -18.9 | 11 |
| 16 | III. Adagio. (Allegro] - [Allegro) | -3.96 | -21.77 | -18.9 | 11 |
| 17 | I. Adagio | -2.61 | -18.62 | -15.8 | 9 |
| 18 | II. Allegro | -2.08 | -19.18 | -16.1 | 10 |
| 19 | III. Largo | -0.24 | -18.65 | -15.7 | 10 |
| 20 | IV. Allegro | -1.14 | -18.85 | -15.2 | 11 |
| 21 | I. Adagio | -3.62 | -23.67 | -20.2 | 12 |
| 22 | II. Allegro | -2.27 | -22.69 | -18.9 | 12 |
| 23 | III. Adagio | -3.76 | -20.15 | -17.7 | 10 |
| 24 | IV. Allegro | -4.10 | -22.83 | -19.2 | 12 |
| 25 | I. (Allegro) | -0.10 | -19.04 | -15.9 | 11 |
| 26 | II. Adagio | -1.18 | -18.77 | -16.3 | 11 |
| 27 | III. Allegro | -2.32 | -19.71 | -16.4 | 11 |
| 28 | Sonata No. 6 in G Minor, Z. 807 | -1.79 | -20.91 | -17.9 | 12 |