℗ 2018 Paraty
 

Debussy

Veronique Bonnecaze

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Suite bergamasque, L. 75  
1.1
III. Clair de lune
Claude Debussy; Veronique Bonnecaze
5:59
1.2
L'Isle joyeuse, L. 106
Claude Debussy; Veronique Bonnecaze
6:00
Images, 2e série, L. 111  
1.3
I. Cloches à travers les feuilles
Claude Debussy; Veronique Bonnecaze
4:37
1.4
II. Et la lune descend sur le temple qui fut
Claude Debussy; Veronique Bonnecaze
6:12
1.5
III. Poissons d'or
Claude Debussy; Veronique Bonnecaze
4:17
Préludes, Livre I, L. 117  
1.6
I. Danseuses de Delphes
Claude Debussy; Veronique Bonnecaze
3:21
Préludes, Livre I, L. 117  
1.7
II. Voiles
Claude Debussy; Veronique Bonnecaze
4:17
Préludes, Livre I, L. 117  
1.8
III. Le Vent dans la plaine
Claude Debussy; Veronique Bonnecaze
2:11
Préludes, Livre I, L. 117  
1.9
IV. Les sons et les parfums tournent dans l'air du soir
Claude Debussy; Veronique Bonnecaze
3:49
Préludes, Livre I, L. 117  
1.10
V. Les Collines d'Anacapri
Claude Debussy; Veronique Bonnecaze
3:00
Préludes, Livre I, L. 117  
1.11
VI. Des pas sur la neige
Claude Debussy; Veronique Bonnecaze
4:50
Préludes, Livre I, L. 117  
1.12
VII. Ce qu'a vu le vent d'Ouest
Claude Debussy; Veronique Bonnecaze
3:34
Préludes, Livre I, L. 117  
1.13
VIII. La Fille aux cheveux de lin
Claude Debussy; Veronique Bonnecaze
2:54
Préludes, Livre I, L. 117  
1.14
IX. La Sérénade interrompue
Claude Debussy; Veronique Bonnecaze
2:48
Préludes, Livre I, L. 117  
1.15
X. La Cathédrale engloutie
Claude Debussy; Veronique Bonnecaze
6:45
Préludes, Livre I, L. 117  
1.16
XI. La Danse de Puck
Claude Debussy; Veronique Bonnecaze
2:41
Préludes, Livre I, L. 117  
1.17
XII. Minstrels
Claude Debussy; Veronique Bonnecaze
2:21
1.18
La plus que lente, L. 121
Claude Debussy; Veronique Bonnecaze
4:20
Digital Booklet
Total Playing Time    73:56
It is partly thanks to his acquaintances among writers and painters from the end of the XIXth century that Debussy's idiom evolved. In a context of heated international politics, the return to French classicism allows some artists to reaffirm the values of the age of Louis XIV.Indeed, his so prodigiously creative music, which today is played with too much caution, makes no claim of being avant-garde. In the musician's eyes, it simply expresses the pleasure to play and to discover new sounds.
88.2 kHz / 24-bit PCM – Paraty Studio Masters

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