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Scheidt: Cantiones Sacrae

Athesinus Consort Berlin, Klaus-Martin Bresgott

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Cantiones Sacrae  
1
No. 1, Herr, wie lang willst du mein so gar vergessen, SSWV 1
Samuel Scheidt; Lea Rahel Bader; Alexander Nicholls; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:48
2
No. 2, Wie lang soll sich mein Feind, SSWV 2
Samuel Scheidt; Lea Rahel Bader; Alexander Nicholls; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:48
3
No. 3, Ich hoffe aber darauf, dass du so gnädig bist, SSWV 3
Samuel Scheidt; Lea Rahel Bader; Alexander Nicholls; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:54
4
No. 36, Lobet, ihr Himmel den Herren, SSWV 35
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:53
5
No. 37, Lobet den Herren auf Erden, SSWV 36
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
4:23
Die Stimme meines Freundes  
6
Praeludium (Prima Pars)
Frank Schwemmer; Lea Rahel Bader; Alexander Nicholls; Klaus-Martin Bresgott
0:40
7
Prima pars
Frank Schwemmer; Athesinus Consort Berlin; Klaus-Martin Bresgott
3:40
8
Postludium (Prima Pars)
Frank Schwemmer; Lea Rahel Bader; Alexander Nicholls; Klaus-Martin Bresgott
0:34
Cantiones Sacrae  
9
No. 11, Gelobet seist du, Jesu Christ, SSWV 11
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
3:41
10
No. 12, Nun komm, der Heiden Heiland, SSWV 12
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
3:11
11
No. 28, Herzlich lieb hab ich dich, SSWV 28
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:22
12
No. 29, Und wenn mir gleich mein Herz zerbricht, SSWV 29
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:36
13
No. 17, Gott, der Vater, wohn uns bei, SSWV 17
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
3:58
14
No. 22, Christ lag in Todesbanden, SSWV 22
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
4:29
15
No. 27, Lobet den Herren, denn er ist sehr freundlich, SSWV 27
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
3:41
Die Stimme meines Freundes  
16
Praeludium (Secunda Pars)
Frank Schwemmer; Lea Rahel Bader; Alexander Nicholls; Klaus-Martin Bresgott
1:05
17
Secunda pars
Frank Schwemmer; Athesinus Consort Berlin; Klaus-Martin Bresgott
8:29
18
Postludium (Secunda Pars)
Frank Schwemmer; Lea Rahel Bader; Alexander Nicholls; Klaus-Martin Bresgott
0:33
Cantiones Sacrae  
19
No. 4, Ich hebe meine Augen auf zu den Bergen, SSWV 4
Samuel Scheidt; Lea Rahel Bader; Arno Schneider; Alexander Nicholls; Athesinus Consort Berlin; Klaus-Martin Bresgott
4:14
20
No. 5, Siehe, der Hüter Israels, SSWV 5
Samuel Scheidt; Lea Rahel Bader; Arno Schneider; Alexander Nicholls; Athesinus Consort Berlin; Klaus-Martin Bresgott
4:22
21
No. 30, Nun danket alle Gott, SSWV 30
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
2:21
22
No. 31, Er gebe uns ein fröhliches Herz, SSWV 31
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
3:21
23
No. 38, Lobet den Herren in seinem Heiligtum, SSWV 37
Samuel Scheidt; Arno Schneider; Athesinus Consort Berlin; Klaus-Martin Bresgott
5:21
Digital Booklet
Total Playing Time    74:24
"The Athesinus Consort of Berlin is bril-liant, carefully shaping these phrases of music."
– American Record Guide, September/October 2018

"The ten-member vocal ensemble conducted by Klaus-Martin Bresgott is top-notch: The motets are sung in perfect harmony, where homogeneity becomes event and experience at the same time."
– Jan-Geerte Wolf, pizzicato, 27.04.2018

In our time, the composer Samuel Scheidt (1587–1654) from Halle is regarded as one of the most significant composers of the 17th century. Nevertheless, many of his works are less well known at present than those of his famous contemporaries Johann Hermann Schein and Heinrich Schütz – quite unjustly so, as is demonstrated by this recording featuring the Athesinus Consort Berlin directed by Klaus-Martin Bresgott. The numerous motets from Scheidt’s collection Cantiones Sacrae – many of which are here recorded for the first time – are complemented by the contemporary composition Die Stimme meines Freundes ('The voice of my friend'), a motet on texts from the Song of Songs and the Proverbs of Solomon by Frank Schwemmer (*1961).
44.1 kHz / 24-bit PCM – Carus Studio Masters

Track 23 – 44.1 kHz / 23-bit PCM

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