℗ 2018 Ipecac Recordings
| Released | July 20, 2018 |
| Duration | 41m 17s |
| Record Label | Ipecac Recordings |
| Catalogue No. | IPC200 |
| Genre | Soundtracks (Theatre Scores) |
|
1.1
|
No Grave for Mama
Mike Patton |
1:30 | |||
|
1.2
|
Mea Culpa
Mike Patton |
1:02 | |||
|
1.3
|
Sweetheart Bandits
Mike Patton |
3:05 | |||
|
1.4
|
Death of a Marriage
Mike Patton |
1:04 | |||
|
1.5
|
Murder is Work
Mike Patton |
1:24 | |||
|
1.6
|
Omaha 1930
Mike Patton |
2:28 | |||
|
1.7
|
Farewell Note
Mike Patton |
1:36 | |||
|
1.8
|
"Thick as Thieves"
Mike Patton |
3:59 | |||
|
1.9
|
Cornfield - (Vertical)
Mike Patton |
1:46 | |||
|
1.10
|
Mea Culpa 2
Mike Patton |
2:45 | |||
|
1.11
|
Elphis
Mike Patton |
0:34 | |||
|
1.12
|
Magnolia Hotel
Mike Patton |
1:03 | |||
|
1.13
|
We'll Send Her to Heaven?
Mike Patton |
2:31 | |||
|
1.14
|
"I'd Come to Hate Her"
Mike Patton |
1:32 | |||
|
1.15
|
Cornfield - (Horizontal)
Mike Patton |
1:34 | |||
|
1.16
|
"Secrets Only a Dead Woman Could Know"
Mike Patton |
1:09 | |||
|
1.17
|
Dead Woman's Secrets
Mike Patton |
2:59 | |||
|
1.18
|
Problem Wife
Mike Patton |
0:20 | |||
|
1.19
|
The Deed is Done
Mike Patton |
3:18 | |||
|
1.20
|
The Conniving Man
Mike Patton |
0:55 | |||
|
Sweetheart Bandits 2
|
|||||
|
1.21
|
"We All Get Caught"
Mike Patton |
4:43 | |||
48 kHz / 24-bit PCM – Ipecac Recordings Studio Masters
Tracks 3, 4, 6, 7, 10-18, 21 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 3, 4, 6, 7, 10-18, 21 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.03 -7.40 to -0.10 | -17.94 -22.63 to -13.68 | -14.68 -19.50 to -10.30 | 10 7 to 17 | |
| 1 | No Grave for Mama | -0.10 | -22.63 | -19.5 | 17 |
| 2 | Mea Culpa | -0.10 | -16.81 | -13.4 | 9 |
| 3 | Sweetheart Bandits | -0.50 | -13.68 | -10.3 | 8 |
| 4 | Death of a Marriage | -0.10 | -16.83 | -11.1 | 8 |
| 5 | Murder is Work | -0.55 | -21.49 | -18.4 | 15 |
| 6 | Omaha 1930 | -0.10 | -18.39 | -14.8 | 9 |
| 7 | Farewell Note | -0.10 | -13.76 | -12.4 | 8 |
| 8 | "Thick as Thieves" | -0.10 | -20.78 | -16.4 | 13 |
| 9 | Cornfield - (Vertical) | -0.10 | -18.96 | -14.9 | 10 |
| 10 | Mea Culpa 2 | -0.10 | -21.79 | -18.9 | 13 |
| 11 | Elphis | -3.72 | -18.67 | -14.9 | 9 |
| 12 | Magnolia Hotel | -4.94 | -20.77 | -17.8 | 8 |
| 13 | We'll Send Her to Heaven? | -0.10 | -15.73 | -13.3 | 8 |
| 14 | "I'd Come to Hate Her" | -0.10 | -16.50 | -13.7 | 11 |
| 15 | Cornfield - (Horizontal) | -0.10 | -14.77 | -12.2 | 7 |
| 16 | "Secrets Only a Dead Woman Could Know" | -7.40 | -21.97 | -18.4 | 9 |
| 17 | Dead Woman's Secrets | -0.10 | -15.29 | -12.7 | 8 |
| 18 | Problem Wife | -3.09 | -18.64 | -14.8 | 10 |
| 19 | The Deed is Done | -0.10 | -18.60 | -15.5 | 11 |
| 20 | The Conniving Man | -0.10 | -15.22 | -12.7 | 10 |
| 21 | "We All Get Caught" | -0.10 | -15.53 | -12.1 | 9 |