℗ ℗ 2019 BIS Records

Salut d'amour

Sueye Park, Love Derwinger

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Introduction et tarantelle, Op. 43 (Arr. for Violin & Piano)
Pablo de Sarasate; Sueye Park; Love Derwinger
Salut d'amour, Op. 12
Edward Elgar; Sueye Park; Love Derwinger
La gitana
Fritz Kreisler; Sueye Park; Love Derwinger
Tambourin chinois, Op. 3
Fritz Kreisler; Sueye Park; Love Derwinger
Gypsy Songs, Op. 55, B. 104  
No. 4, Songs My Mother Taught Me (Arr. F. Kreisler for Violin & Piano)
Fritz Kreisler; Antonín Dvořák; Sueye Park; Love Derwinger
Nathan Milstein; Sueye Park
Souvenir d'un lieu cher, Op. 42, TH 116  
No. 3, Mélodie in E-Flat Major
Pyotr Ilyich Tchaikovsky; Sueye Park; Love Derwinger
Scherzo tarantelle, Op. 16
Henryk Wieniawski; Sueye Park; Love Derwinger
14 Romances, Op. 34  
No. 14, Vocalise in C-Sharp Minor (Arr. S. Yokoyama for Violin & Piano)
Sergei Rachmaninoff; Shin-Itchiro Yokoyama; Sueye Park; Love Derwinger
La vida breve  
Danse espagnole No. 1 (Arr. F. Kreisler for Violin & Piano)
Fritz Kreisler; Manuel de Falla; Sueye Park; Love Derwinger
Edwin Grasse; Sueye Park; Love Derwinger
The Last Rose of Summer "Polyphonic Study No. 6"
Heinrich Wilhelm Ernst; Sueye Park
Contemplation (After Brahms' Op. 105 No. 1) (arr. J. Heifetz for violin and piano)
Jascha Heifetz; Sueye Park; Love Derwinger
Digital Booklet
Total Playing Time    57:28
Sueye Park introduced herself to the general public in 2017 with no less a calling-card than Paganini’s 24 Caprices for solo violin. On the present album, the South-Korean violinist (born in 2000) has a pianist on her side, namely Love Derwinger, himself known from a number of recordings. The repertoire is also a more varied offering this time, with violin favourites such as Elgar’s tender Salut d’amour and Tchaikovsky’s Mélodie, as well as more virtuosic fare, for instance in the fireworks of Wieniawski’s Scherzo-Tarantelle. Sueye also includes two solo works on the release: Ernst’s much-loved Last Rose and – in a nod to her previous album – Paganiniana, Nathan Milstein’s fantasy on themes by Paganini. Performed with equal measures of poetic sensitivity and effortless virtuosity, this is a recital to dip into as well as to listen to from start to finish – from the fiery passion of Pablo de Sarasate’s Introduction et Tarantelle to Contemplation, Heifetz’ transcription of Brahms’s song Wie Melodien zieht es mir.
96 kHz / 24-bit PCM – BIS Records Studio Masters

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