℗ 2019 Naxos
| Released | January 11, 2019 |
| Duration | 1h 08m 33s |
| Record Label | Naxos |
| Catalogue No. | 8.573880 |
| Genre | Classical (Piano) |
Clementi: Keyboard Sonatas
Sandro De Palma
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Sonata in G Minor, Op. 50 No. 3 "Didone abbandonata"
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1.1
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I. Introduzione. Largo patetico e sostenuto - II. Allegro ma con espressione - Più allegro
Muzio Clementi; Sandro De Palma |
11:48 | |||
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1.2
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III. Adagio dolente
Muzio Clementi; Sandro De Palma |
5:00 | |||
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1.3
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IV. Allegro agitato e con disperazione
Muzio Clementi; Sandro De Palma |
7:52 | |||
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Piano Sonata in B-Flat Major, Op. 1 No. 3
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1.4
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I. Maestoso
Muzio Clementi; Sandro De Palma |
7:39 | |||
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1.5
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II. Andantino grazioso
Muzio Clementi; Sandro De Palma |
6:02 | |||
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Piano Sonata in E-Flat Major, Op. 8 No. 2
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1.6
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I. Allegro assai
Muzio Clementi; Sandro De Palma |
4:14 | |||
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1.7
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II. Larghetto con espressione
Muzio Clementi; Sandro De Palma |
2:51 | |||
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1.8
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III. Rondo. Allegro
Muzio Clementi; Sandro De Palma |
3:33 | |||
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Piano Sonata in D Minor, Op. 50 No. 2
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1.9
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I. Allegro non troppo ma con energia
Muzio Clementi; Sandro De Palma |
9:01 | |||
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1.10
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II. Adagio con espressione
Muzio Clementi; Sandro De Palma |
4:09 | |||
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1.11
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III. Allegro con fuoco, ma non troppo presto
Muzio Clementi; Sandro De Palma |
6:24 | |||
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Digital Booklet
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Muzio Clementi saw the piano evolve from relative fragility in the 18th century to its dominance at the beginning of the Romantic era- his influence in developing the instrument’s virtuosic possibilities cannot be overstated. These works embrace this progression, illustrating Clementi’s earlier Classical style in the Sonata, Op. 1, No. 3, introducing more scintillating virtuosity in Op. 8, No. 2, and taking us to the dramatic final sonatas including Op. 50, No. 3, which narrates the story of Dido, Queen of Carthage. Sadro De Palma was born in Naples, and made his recital debut at the age of nine. At the age of sixteen, he made his debut recording of works by Liszt, and participated in the premiere recording of Clementi’s Gradus ad Parnassum for Fonit Cetra- a recording which won the 20th Italian Critics Award. He has performed at prestigious venues and festivals around the world with some of the greatest artists and ensembles including Andrea Bocelli, Donato Renzetti, Yuri Temirkanov, Boris Belkin, and others.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.77 -8.60 to -0.20 | -24.13 -29.95 to -19.22 | -20.63 -26.10 to -16.00 | 13 12 to 16 | |
| 1 | I. Introduzione. Largo patetico e sostenuto - II. Allegro ma con espressione - Più allegro | -0.20 | -20.83 | -17.1 | 13 |
| 2 | III. Adagio dolente | -0.20 | -25.85 | -21.8 | 16 |
| 3 | IV. Allegro agitato e con disperazione | -0.20 | -19.22 | -16.0 | 12 |
| 4 | I. Maestoso | -4.41 | -25.02 | -22.0 | 13 |
| 5 | II. Andantino grazioso | -8.60 | -27.94 | -24.9 | 12 |
| 6 | I. Allegro assai | -3.21 | -23.96 | -20.7 | 14 |
| 7 | II. Larghetto con espressione | -8.23 | -29.95 | -26.1 | 14 |
| 8 | III. Rondo. Allegro | -1.76 | -23.17 | -19.6 | 13 |
| 9 | I. Allegro non troppo ma con energia | -0.38 | -20.84 | -17.4 | 13 |
| 10 | II. Adagio con espressione | -3.07 | -28.57 | -24.6 | 15 |
| 11 | III. Allegro con fuoco, ma non troppo presto | -0.20 | -20.12 | -16.7 | 13 |