℗ ℗ 2019 Naxos
 

El árbol de la vida: Music from Mexico

Gustavo Rivero Weber, Pablo Garibay, Orquesta Juvenil Universitaria Eduardo Mata,

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1
Huapango
José Pablo Moncayo; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
8:22
2
El árbol de la vida
Hebert Vázquez; Pablo Garibay; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
18:51
3
Minuetto, Op. 23
Ricardo Castro; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
4:46
La noche de los mayas  
4
I. Noche de los mayas
Silvestre Revueltas; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
6:40
5
II. Noche de jaranas
Silvestre Revueltas; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
5:20
6
III. Noches de Yucatán
Silvestre Revueltas; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
6:32
7
IV. Noches de encantamiento
Silvestre Revueltas; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
10:12
Italian Coffee (version for guitar and string orchestra as El Ultimo Café Juntos)  
8
El último café juntos
Simone Iannarelli; Pablo Garibay; Orquesta Juvenil Universitaria Eduardo Mata; Gustavo Rivero Weber
4:40
Digital Booklet
Total Playing Time    65:23
The impetus of the Mexican Revolution galvanized the use of indigenous melodies in a new and original wave of musical compositions that loosened dependence on European models. Jose Moncayo’s infectiously joyful ‘Huapango,’ one of Mexico’s best-known works is, in its distinct national character, deeply rooted in folk music. Silvestre Revueltas’s ‘La Noche de los mayas’ is a symphonic suite derived from film music that employs Mexican percussion instruments in a vividly inventive way. The process of linking folk influence with classical techniques continues to the present day with Hebert Vazquez’s ‘El arbol de la vida’ which uses the folk style known as the ‘son.’ Mexican guitarist Pablo Garibay has established himself as a leading force on the international classical guitar scene with a repertoire that includes the great guitar concertos, notably those by Rodrigo, Castelnuovo-Tedesco, Ponce, and Villa-Lobos. As a concerto soloist, he made his debut with the Orquesta Filarmonica de la Ciudad de Mexico and has since appeared as a soloist with orchestras throughout Europe and the Americas.
96 kHz / 24-bit PCM – Naxos Studio Masters

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