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Mahler: Symphony No. 2 in C Minor "Resurrection"

Minnesota Orchestra, Osmo Vänskä, Sasha Cooke, Ruby Hughes, Minnesota Chorale

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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Symphony No. 2 in C Minor "Resurrection"  
1
I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Gustav Mahler; Gilbert Kaplan; Renate Stark-Voit; Minnesota Orchestra; Osmo Vänskä
23:17
2
II. Andante moderato. Sehr gemächlich
Gustav Mahler; Gilbert Kaplan; Renate Stark-Voit; Minnesota Orchestra; Osmo Vänskä
9:54
3
III. Scherzo. In ruhig fließender Bewegung
Gustav Mahler; Gilbert Kaplan; Renate Stark-Voit; Minnesota Orchestra; Osmo Vänskä
10:50
4
IV. Urlicht. Sehr feierlich, aber schlicht
Gustav Mahler; Gilbert Kaplan; Renate Stark-Voit; Sasha Cooke; Minnesota Orchestra; Osmo Vänskä
5:28
5
V. Im Tempo des Scherzos. Wild herausfahrend - Wieder zurückhaltend - Langsam. Misterioso
Gustav Mahler; Gilbert Kaplan; Renate Stark-Voit; Ruby Hughes; Sasha Cooke; Minnesota Chorale; Minnesota Orchestra; Osmo Vänskä
34:08
Digital Booklet
Total Playing Time    1:23:37
Gustav Mahler's Second Symphony started life as a single-movement tone poem called Todtenfeier (‘Funeral Rites’). Completed in 1888 – one year before Richard Strauss's Death and Transfiguration – it echoed the composer's vision of seeing himself lying dead in a funeral bier surrounded by flowers. Deciding to use it as his opening movement, Mahler didn't finish the complete five-movement symphony until more than six years later, the longest time he spent on any work. The huge scale of the work apart, its weighty subject matter may well have contributed to the slow progress: Mahler himself outlined a scenario making references to the ultimate meaning of life and death (first movement), recollections of lost innocence and the desperation of unbelief (second and third movements), the return to naïve faith (fourth movement) and final redemption from the last judgement (finale). To convey this he took recourse to the human voice: incorporating a solo alto in the 4th movement Urlicht, he went on in the finale to risk comparison with Beethoven's Ninth Symphony by introducing a choir, as well as a soprano and alto soloist.

Minnesota Orchestra and Osmo Vänskä have received praise for their previous Mahler recordings (‘Vänskä and the orchestra are among the finest exponents of Mahler’s music...’, allmusic.com). The team is here joined by soloists Ruby Hughes and Sasha Cooke and the Minnesota Chorale in the deeply moving close to the vast and tumultuous panorama that is his Second Symphony.
96 kHz / 24-bit PCM – BIS Records Studio Masters

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