℗ 2019 Sarah Beth Briggs
Released | January 18, 2019 |
Duration | 1h 20m 42s |
Record Label | AVIE Records |
Catalogue No. | AV2398 |
Genre | Classical (Keyboard) |
Schumann: Papillons, Kinderszenen – Brahms: Opp. 117, 118
Sarah Beth Briggs
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Papillons, Op. 2
Robert Schumann; Sarah Beth Briggs |
16:59 | |||
3 Intermezzi in E-Flat Major, Op. 117
|
|||||
1.2
|
I. Andante moderato
Johannes Brahms; Sarah Beth Briggs |
5:41 | |||
3 Intermezzi in B-Flat Minor, Op. 117
|
|||||
1.3
|
II. Andante non troppo e con molto espressione
Johannes Brahms; Sarah Beth Briggs |
5:00 | |||
3 Intermezzi in C-Sharp Minor, Op. 117
|
|||||
1.4
|
III Andante con moto
Johannes Brahms; Sarah Beth Briggs |
6:06 | |||
6 Klavierstücke in A Minor, Op. 118
|
|||||
1.5
|
I. Intermezzo. Allegro non assai, ma molto appassionato
Johannes Brahms; Sarah Beth Briggs |
1:34 | |||
6 Klavierstücke in A Major, Op. 118
|
|||||
1.6
|
II. Intermezzo. Andante teneramente
Johannes Brahms; Sarah Beth Briggs |
6:09 | |||
6 Klavierstücke in G Minor, Op. 118
|
|||||
1.7
|
III. Ballade. Allegro energico
Johannes Brahms; Sarah Beth Briggs |
3:36 | |||
6 Klavierstücke in F Minor, Op. 118
|
|||||
1.8
|
IV. Intermezzo. Allegretto un poco agitato
Johannes Brahms; Sarah Beth Briggs |
2:54 | |||
6 Klavierstücke in F Major, Op. 118
|
|||||
1.9
|
V. Romanze. Andante
Johannes Brahms; Sarah Beth Briggs |
4:13 | |||
6 Klavierstücke in E-Flat Minor, Op. 118
|
|||||
1.10
|
VI. Intermezzo. Andante, largo e mesto
Johannes Brahms; Sarah Beth Briggs |
6:28 | |||
Kinderszenen “Scenes from Childhood”, Op. 15
|
|||||
1.11
|
Von fremden Ländern und Menschen “Of Foreign Lands and Peoples”
Robert Schumann; Sarah Beth Briggs |
1:36 | |||
1.12
|
Kuriose Geschichte “A Curious Story”
Robert Schumann; Sarah Beth Briggs |
1:14 | |||
1.13
|
Hasche-Mann “Blind Man’s Bluff”
Robert Schumann; Sarah Beth Briggs |
0:34 | |||
1.14
|
Bittendes Kind “Pleading Child”
Robert Schumann; Sarah Beth Briggs |
1:17 | |||
1.15
|
Glückes genug “Happy Enough”
Robert Schumann; Sarah Beth Briggs |
1:30 | |||
1.16
|
Wichtige Begebenheit “An Important Event”
Robert Schumann; Sarah Beth Briggs |
0:54 | |||
1.17
|
Träumerei “Dreaming”
Robert Schumann; Sarah Beth Briggs |
2:55 | |||
1.18
|
Am Kamin “At the Fireside”
Robert Schumann; Sarah Beth Briggs |
0:54 | |||
1.19
|
Ritter vom Steckenpferd “Knight of the Hobbyhorse”
Robert Schumann; Sarah Beth Briggs |
0:39 | |||
1.20
|
Fast zu ernst “Almost Too Serious”
Robert Schumann; Sarah Beth Briggs |
2:16 | |||
1.21
|
Fürchtenmachen “Frightening”
Robert Schumann; Sarah Beth Briggs |
2:21 | |||
1.22
|
Kind im Einschlummern “Child Falling Asleep”
Robert Schumann; Sarah Beth Briggs |
2:38 | |||
1.23
|
Der Dichter spricht “The Poet Speaks”
Robert Schumann; Sarah Beth Briggs |
3:14 |
"Beautifully poised, enchanting accounts."
- Gramophone - Critics' Choice
"Recommended without reservation."
- MusicWeb International - Recording of the Month
For her first solo recital recording for AVIE Records, award-winning pianist Sarah Beth Briggs turns to some of the greatest collections of Romantic miniatures ever written, largely inspired by one woman: Clara Schumann, wife of Robert Schumann and muse to Johannes Brahms. The twelve short dance movements of Schumann’s early and enigmatic Papillons set the scene, giving way to autumnal, late Brahms – his Op. 117 Intermezzi and Op. 118 Klavierstücke. The album ends as it begins, with youthful Schumann and his lovingly crafted Kinderszenen, written over half a century earlier.
96 kHz / 24-bit PCM – AVIE Records Studio Masters
Tracks 1-23 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-23 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.42 -15.60 to -0.91 | -27.84 -36.52 to -17.83 | -24.18 -33.50 to -14.90 | 13 10 to 18 | |
1 | Papillons, Op. 2 | -0.92 | -23.29 | -19.0 | 15 |
2 | I. Andante moderato | -9.12 | -33.66 | -30.0 | 16 |
3 | II. Andante non troppo e con molto espressione | -2.38 | -27.86 | -23.9 | 13 |
4 | III Andante con moto | -7.51 | -28.66 | -25.1 | 13 |
5 | I. Intermezzo. Allegro non assai, ma molto appassionato | -1.06 | -20.13 | -16.8 | 12 |
6 | II. Intermezzo. Andante teneramente | -7.35 | -29.68 | -26.3 | 13 |
7 | III. Ballade. Allegro energico | -0.91 | -21.59 | -17.8 | 12 |
8 | IV. Intermezzo. Allegretto un poco agitato | -2.03 | -23.40 | -18.5 | 12 |
9 | V. Romanze. Andante | -6.98 | -29.94 | -26.6 | 14 |
10 | VI. Intermezzo. Andante, largo e mesto | -0.91 | -25.29 | -18.9 | 15 |
11 | Von fremden Ländern und Menschen “Of Foreign Lands and Peoples” | -10.73 | -32.35 | -29.5 | 13 |
12 | Kuriose Geschichte “A Curious Story” | -6.84 | -25.28 | -22.2 | 11 |
13 | Hasche-Mann “Blind Man’s Bluff” | -4.38 | -22.70 | -19.7 | 12 |
14 | Bittendes Kind “Pleading Child” | -14.94 | -35.81 | -32.7 | 12 |
15 | Glückes genug “Happy Enough” | -7.69 | -26.78 | -24.0 | 11 |
16 | Wichtige Begebenheit “An Important Event” | -3.20 | -21.37 | -18.5 | 12 |
17 | Träumerei “Dreaming” | -11.73 | -33.51 | -29.6 | 13 |
18 | Am Kamin “At the Fireside” | -7.76 | -26.37 | -23.5 | 11 |
19 | Ritter vom Steckenpferd “Knight of the Hobbyhorse” | -1.11 | -17.83 | -14.9 | 10 |
20 | Fast zu ernst “Almost Too Serious” | -9.67 | -31.89 | -28.3 | 14 |
21 | Fürchtenmachen “Frightening” | -2.67 | -30.54 | -26.9 | 18 |
22 | Kind im Einschlummern “Child Falling Asleep” | -15.60 | -36.52 | -33.5 | 13 |
23 | Der Dichter spricht “The Poet Speaks” | -12.08 | -35.91 | -30.0 | 14 |