℗ ℗ 2019 Centaur Records
Letters to My Future Self
Nick Revel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1 |
Icebreaker Nick Revel; Nick Revel |
1:50 | |||
2 |
Mirage Nick Revel; Nick Revel |
3:27 | |||
3 |
5 Ways to Eat Acorns Nick Revel; Nick Revel |
3:37 | |||
4 |
Pulse Noise Nick Revel; Nick Revel |
3:17 | |||
5 |
Ham Jam 5 Nick Revel; Nick Revel; Hamilton Berry |
2:35 | |||
6 |
In DayDream Nick Revel; Nick Revel; David Veslocki |
10:20 | |||
7 |
Landscape Nick Revel; Nick Revel |
3:35 | |||
8 |
Viola Cake Nick Revel; Nick Revel |
2:59 | |||
Worthy of Love (after J. S. Bach's Prelude in C Minor, BWV 999) |
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9 |
Worthy of Love (After J.S. Bach) Nick Revel; Nick Revel |
3:09 | |||
10 |
Nick N' Nora Nick Revel; Nick Revel; Nora Krohn |
1:48 | |||
11 |
Libertango Nick Revel; Nick Revel |
3:16 | |||
12 |
Megablip Nick Revel; Nick Revel |
4:54 | |||
13 |
DotDash Nick Revel; Nick Revel |
8:42 | |||
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Total Playing Time 53:29
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In Letters to My Future Self, American composer and violist Nick Revel takes us on a musical journey of a constantly morphing Soundscape of styles and genres. This is all performed on viola, but some tracks also have cello, a guitar, or a second viola. This is a fascinating and enjoyable musical experience. Nick Revel is a violist, composer, improviser, and educator. He is a violist in PUBLIQuartet, string quartet, Folie à Deux, and New York String Studio, which he co-created with his wife and fellow violist Nora. The NY String Studio teaching philosophy draws on methods of self-awareness practices, Suzuki Method, Alexander Technique, meditation, and Madeline Bruser’s “The Art of Practicing.” He also founded the chamber music program at the Talent Education Suzuki School in Norwalk, CT, where he has coached string quartets for five years. Letters to My Future Self is Nick’s debut solo album.
96 kHz / 24-bit PCM – Centaur Records Studio Masters
Tracks 1-3, 5-8, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 9 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-3, 5-8, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 9 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit