℗ 2019 Stradivarius
| Released | January 4, 2019 |
| Duration | 51m 14s |
| Record Label | Stradivarius |
| Catalogue No. | STR37097 |
| Genre | Classical (Concerto) |
Castiglioni: Quodlibet – Complete Works for Piano & Orchestra
Aldo Orvieto, Orchestra di Padova e del Veneto, Marco Angius
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Fantasia concertata
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1.1
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I. Ottavario
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
0:55 | |||
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1.2
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II. Prosopopea
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
5:19 | |||
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1.3
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III. Aria
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
3:10 | |||
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1.4
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IV. Romanza
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
1:41 | |||
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1.5
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Gorgheggio
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
8:40 | |||
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Fiori di ghiaccio
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1.6
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I. Cavatina
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
5:21 | |||
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1.7
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II. Preludio e fuga
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
4:42 | |||
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1.8
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III. Au bord d'une source
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
2:41 | |||
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1.9
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IV. Walzer
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
2:24 | |||
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1.10
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Movimento continuato
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
4:43 | |||
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Quodlibet
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1.11
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I. —
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
6:19 | |||
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1.12
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II. —
Niccolò Castiglioni; Aldo Orvieto |
2:11 | |||
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1.13
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III. —
Niccolò Castiglioni; Aldo Orvieto; Orchestra di Padova e del Veneto; Marco Angius |
3:08 | |||
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Digital Booklet
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Colleagues who had the opportunity to hear Niccolò Castiglioni play can vouch for his excellence as a pianist, in particular his skill in performing Cangianti, a work he presented in Darmstadt in September 1959. It is a highly demanding work, not only due to its keyboard acrobatics but also because of its broad-ranging timbres. It is clear Castiglioni possessed an acute sensitivity for the instrument’s qualities which he developed during his studies in Salzburg under Gulda and Zecchi. His was a conscious yet primarily “natural” pianism, in a Chopinesque sense, endowed with precious distillations of timbre that are no longer mere ornament but a surprising and mysterious creative element. This development was to extend to Debussy; the late Debussy would not have eluded Castiglioni’s prehensile hands when he was attracted to the spell of Webern’s labyrinths. This release collects all operas that this great author has written for piano and orchestra.
96 kHz / 24-bit PCM – Stradivarius Studio Masters
Tracks 11-13 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 11-13 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.02 -16.88 to -0.82 | -30.79 -42.43 to -20.80 | -24.76 -35.40 to -16.80 | 15 12 to 19 | |
| 1 | I. Ottavario | -1.43 | -24.33 | -20.3 | 12 |
| 2 | II. Prosopopea | -0.93 | -20.80 | -16.8 | 12 |
| 3 | III. Aria | -0.98 | -26.23 | -20.2 | 15 |
| 4 | IV. Romanza | -16.88 | -39.89 | -35.0 | 14 |
| 5 | Gorgheggio | -1.88 | -25.35 | -20.8 | 15 |
| 6 | I. Cavatina | -2.85 | -30.89 | -22.5 | 17 |
| 7 | II. Preludio e fuga | -4.78 | -33.31 | -24.2 | 19 |
| 8 | III. Au bord d'une source | -12.34 | -36.44 | -30.0 | 14 |
| 9 | IV. Walzer | -1.00 | -27.81 | -21.2 | 18 |
| 10 | Movimento continuato | -0.82 | -28.27 | -22.8 | 17 |
| 11 | I. — | -2.03 | -31.12 | -24.5 | 17 |
| 12 | II. — | -10.69 | -42.43 | -35.4 | 15 |
| 13 | III. — | -8.67 | -33.42 | -28.2 | 16 |